Playwrights for Tomorrow was first published in 1966. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Four young playwrights, James Schevill, Megan Terry, Elizabeth Johnson, and Terrence McNally, are represented in this collection, which includes four one-act plays and one three-act play. The authors are writers who have participated in an experimental program at the University of Minnesota under the auspices of the Office for Advanced Drama Research, of which Arthur H. Ballet is the director. The program of the Office for Advanced Drama Research, established with the aid of a grant from the Rockefeller Foundation, provides an opportunity for promising young playwrights to develop their talents in a situation which offers them, among other advantages, the chance to have their plays actually produced. Dr. Ballet describes the project in an introduction. The plays which make up this collection are two related one-act plays, The Space Fan and The Master (titled together American Power), by James Schevill; Ex-Miss Cooper Queen on a Set of Pills by Megan Terry; A Bad Play for an Old Lady by Elizabeth Johnson; and And Things That Go Bump in the Night by Terrence McNally. Each playwright provides a discussion of his work, and production data are given. All except one of the plays were produced at the Tyrone Guthrie Theatre in Minneapolis. In addition, one of them, And Things That Go Bump in the Night, has been given on Broadway. Just as the experimental productions helped the playwrights evaluate their work, publication of the plays will, it is hoped, contribute further to the critical process by giving the plays the benefits of wider audiences and broader appraisal. Another collection of plays by writers associated with the program of the Office for Advanced Drama Research is available in a second volume.

Addresses the process of playwriting for the active playwright. Eight playwrights and their approaches to writing and revision are covered, and each case is followed by a series of activities that writers can employ in their own processes.

Presents the life of the famous English playwright and discusses some of his notable works.

Stella Adler was one of the most influential acting teachers of all time, a legendary force of nature whose generations of students include Marlon Brando, Karl Malden, Anthony Quinn, Diana Ross, Robert De Niro, Warren Beatty, Annette Benning, and Mark Ruffalo. This long-awaited companion to her book on the master European playwrights brings to life America’s most revered playwrights, whom she knew, loved, and worked with. Brilliantly edited by Barry Paris, Adler’s lectures on the giants of twentieth-century theater feature her indispensable insights into such classic plays as “Long Day’s Journey into Night,” “The Skin of Our Teeth,” “A Streetcar Named Desire,” “Come Back, Little Sheba,” “The Glass Menagerie,” and “Death of a Salesman,” while shedding new light on such lesser known gems as Tennessee Williams’s “The Lady of Larkspur Lotion” and Arthur Miller’s “After the Fall.” Illuminating, revelatory, inspiring—this is Stella Adler at her electrifying best.

This essential guide to the craft of playwriting, from the author of The Libertine, reveals the various invisible frameworks and mechanisms that are at the heart of each and every successful play.

The Playwright's Survival Guide is written for both aspiring and established writers looking for an emotional, spiritual, or just plain practical connection back to what's important - the writing. It's a "how-to-be" book - with thoughts, stories of inspiration, a few tricks of the trade, a few outlets for venting frustrations, and a reassuring voice that speaks to all the doubts with an "I know. I've been there. This is what you do . . ." Gary Garrison demystifies the playwriting process, speaking honestly, poignantly, and with humor about the lessons he's learned along the way. He explores the issues playwrights face every day, including: inspiration criticism self-doubt relationships with teachers and mentors the art of self-promotion writer's block staying healthy in the art after your fingers are off the keyboard.

As a master editor, publisher, novelist, and writing instructor, Sol Stein knows what writers face when they sit down before a blank page. This invaluable guide provides quick and handy A–Z reference help for common and more complicated questions: writer's block, writing a difficult scene, preparing a manuscript for publication or submission, plotting, developing a character, and dozens of other topics, listed alphabetically in the table of contents. Stein enables writers to maintain their creative momentum by immediately returning to a manuscript in progress after finding the solution in this book. The book also includes a section on publishing, which details the publishing process and explains the terms all writers need to know. Packed with insight, anecdotes, and specific information, this guide is a must-have reference on the shelves of aspiring and published authors as well as publishing professionals.