Can you literally sell your soul for rock 'n' roll? In the summer of 1982, the five young musicians of the rock band Entropy came close to finding out when an otherworldly entity beyond their understanding contacted them. This dangerous, terrifying being brought Entropy to the edge of fame, but ultimately tore them apart. Join Marcus F. Griffin as he reveals the true, first-hand story of his band's encounters with the Gray Man - a dark entity so powerful it could punch a hole between worlds and materialize at will. This demonic creature takes them on one of the greatest paranormal journeys anyone has ever experienced. For the members of Entropy, these real-life adventures with the Devil have never truly ended.

Thirteen-year-old Boli and his friends are deep in the middle of a game of marbles. An older boy named Mosca has won the prized Devil's Fire marble. His pals are jealous and want to win it away from him. This is Izayoc, the place of tears, a small pueblo in a tiny valley west of Mexico City where nothing much happens. It's a typical hot Sunday morning except that on the way to church someone discovers the severed head of Enrique Quintanilla propped on the ledge of one of the cement planters in the plaza and everything changes. Not apocalyptic changes, like phalanxes of men riding on horses with stingers for tails, but subtle ones: poor neighbors turning up with brand-new SUVs, pimpled teens with fancy girls hanging off them. Boli's parents leave for Toluca and don't arrive at their destination. No one will talk about it. A washed out masked wrestler turns up one day, a man only interested in finding his next meal. Boli hopes to inspire the luchador to set out with him to find his parents. Phillippe Diederich was born in the Dominican Republic and raised in Mexico City and Miami. His parents were forced out of Haiti by the dictatorship of Papa Doc Duvalier in 1963. As a photojournalist, Diederich has traveled extensively through Mexico and witnessed the terrible tragedies of the Drug Wars.

In the days before his fortieth birthday, London-based journalist Jasper Rees trades his pen for a French horn that has been gathering dust in the attic for more than twenty-two years, and, on a lark, plays it at the annual festival of the British Horn Society. Despite an embarrassingly poor performance, the experience inspires Rees to embark on a daunting, bizarre, and ultimately winning journey: to return to the festival in one year's time and play a Mozart concerto—solo—to a large paying audience. A Devil to Play is the true story of an unlikely midlife crisis spent conquering sixteen feet of wrapped brass tubing widely regarded as the most difficult instrument to master, as well as the most treacherous to play in public. It is the history of man's first musical instrument, a compelling journey that moves from the walls of Jericho to Sgt. Pepper's Lonely Hearts Club Band, from the hunting fields of France to the heart of Hollywood. And it is the account of one man's mounting musical obsession, told with pitch-perfect wit and an undeniable charm—an endearing, inspiring tale of perseverance and achievement, relayed masterfully, one side-splittingly off-key note at a time.

Although written as a fiction this is a true account of actual events, it is a misfortune that names have been changed to protect the guilty.

Beloved community physician and veteran Dr. Michael Reece has returned home from service in Afghanistan a changed man. Recovered from a horrific injury sustained in a Taliban ambush, he has made strides in returning to his normal civilian life. That all changes when he learns he is to receive the military's highest award; the Medal of Honor. The resulting publicity as well as the shocking murder of his former childhood mentor and current United States Senator threatens to expose secrets from his past he had hoped to keep hidden forever. The aftermath forces him to make decisions that could not only threaten his own life, but the lives of those closest to him. As the hunt for the killer escalates and demons from his past return, Reece must deal with his own survivor's guilt and face hard choices that could either give him peace or destroy him. He must rely on the bonds of brotherhood forged both on the battlefield and in the horrors of the past to find a way to survive and save his family. The worlds of politics, war and crime collide in a story that will pull the reader into a world where very little is as it seems on the surface.

Originally published in 1900, this book was the first investigation of the devil and the Vice as dramatic figures, and a study of these figures led to a new view of the subject: it is, in brief, that the appearance of the devil in the non-dramatic as well as in the dramatic literature is limited to a definite range. As a dramatic figure the devil falls more and more into the background and the Vice is distinct in origin and function from the devil.