Audisee® eBooks with Audio combine professional narration and text highlighting for an engaging read aloud experience! Young readers will learn how shadows are made with light in this accessible, photo-filled book. Simple text explains different kinds of shadows and teaches students how they can make their own shadows. Vibrant photos bring basic science concepts to life and encourage kids to explore the shadows they see every day.

By the Windham Campbell Prize winner Set in a beautifully rendered 1990s Cape Town, Zo Wicomb's celebrated novel revolves around Marion Campbell, who runs a travel agency but hates traveling, and who, in post-apartheid society, must negotiate the complexities of a knotty relationship with Brenda, her first black employee. As Alison McCulloch noted in the New York Times, "Wicomb deftly explores the ghastly soup of racism in all its unglory--denial, tradition, habit, stupidity, fear--and manages to do so without moralizing or becoming formulaic." Caught in the narrow world of private interests and self-advancement, Marion eschews national politics until the Truth and Reconciliation Commission throws up information that brings into question not only her family's past but her identity and her rightful place in contemporary South African society. "Stylistically nuanced and psychologically astute" (Kirkus), Playing in the Light is as powerful in its depiction of Marion's personal journey as it is in its depiction of South Africa's bizarre, brutal history.

Demonstrates how to build a shadow box in order to make a variety of shadows and explains how the study of shadows led to the invention of the camera

I lived in paradise, and I loved Spencer Pierce. At fourteen, my life was perfect. The beach was my playground, and the boy who stole my heart lived just around the corner. But perfect never lasts. In one horrifying moment, I lost it all. My family was destroyed, and the boy I believed in turned his back on me. Paradise became a nightmare. That was five years ago. Everything changed when we moved from our home by the sea. I’ve changed, and I don’t like who I’ve become. I miss the smiling, carefree beach girl who disappeared that terrible night. I want to find her again. I want to face the people we ran from so long ago. Most of all, I have to face Spencer. So I can prove that when he broke my heart, he didn’t break me. But when I see him again, Spencer Pierce is no longer the boy from my memories. He’s now a man who could devastate me if I let him. He watches me when he thinks I’m not looking. There’s regret written on his face when he’s near. Each time I see him, my heart aches for what might have been, and I think his does too. How can I convince myself I’m over him when I suspect he never got over me?

A South African academic returns to her homeland in this novel by the award-winning author of You Can’t Get Lost in Cape Town—“an extraordinary writer” (Toni Morrison). Winner of the Windham-Campbell Literature Prize, Zoë Wicomb is an essential voice of the South African diaspora, hailed by fellow writers—such as Toni Morrison and J. M. Coetzee, among others—and by reviewers as “a writer of rare brilliance” (The Scotsman). In October, Wicomb tells the story of Mercia Murray, a South African woman of color in the midst of a difficult homecoming. Abandoned by her partner in Scotland, where she has been living for twenty-six years, Mercia returns to South Africa to find her family overwhelmed by alcoholism and buried secrets. Poised between her new life in Scotland and her South African roots, Mercia recollects the past and assesses the present with a keen sense of irony. October is a stark and utterly compelling novel about the contemporary experience of a woman caught between cultures, adrift in middle age with her memories and an uncertain future.

Journey through the theatre-inspired and story-driven work of Canadian artist and illustrator Patrick Lemieux. It is an exploration backstage, of the fantastical and of reality-based pieces, collected here for the first time, complete with notes, photos, sketches and paintings in full colour documenting his process. Experience the play of light!

Despite decades of policy interventions and awareness raising programmes, migration and mobility continue to give rise to tensions and questions of how to live together in a culturally diverse world. 'Managing Cultural Change' takes a new approach to these challenges, re-examining responses to migration and mobility as part of a process of managing wider cultural change. Presenting research from a range of settings, from liberalising India, global workplaces in Asia, and migrant youth culture in Sydney, this book explores the manner in which cultural change disturbs established frames of reference, creating a sense dislocation. In considering affective responses to these liminal moments of disruption, it argues that adaptive strategies such as 'demarcating difference' and 're-placing home', that is, reasserting belonging, are deployed in order to reclaim a sense of synchronicity within the self and with a transforming external environment. With attention to the durability and prevalence of the processes and tensions inherent in cultural change, the author also examines the intercultural, or cosmopolitan, competencies developed in interaction with difference, and whether it is possible to 'teach' people these skills in order to re-find 'cultural fit' and manage change in a constantly shifting world. Contributing to research on transnational migration and mobility studies, whilst developing the use of new conceptual tools such as 'cultural fit' and 'liminality', Managing Cultural Change will be of interest to sociologists, political scientists and geographers working in the fields of globalisation, migration and transnational communities, ethnicity and identity, belonging and cosmopolitanism.