This book explores the role of the social and natural sciences in supporting the development of indigenous knowledge systems. It looks at how indigenous knowledge systems can impact on the transformation of knowledge generating institutions such as scientific and higher education institutions on the one hand, and the policy domain on the other.

A hilarious send-up of sex, scandal, and the Golden Age of Hollywood by legendary cartoonist Edward Sorel. In 1965, a young, up-and-coming illustrator by the name of Edward Sorel tore away layer after layer of linoleum from the floor of his $97-a-month Manhattan apartment until he discovered a hidden treasure: issues of the New York Daily News and Daily Mirror from 1936, each ablaze with a scandalous child custody trial taking place in Hollywood starring the actress Mary Astor—and the journal in which she detailed her numerous affairs. Thus began a half-century obsession that reached its peak in Mary Astor’s Purple Diary, “a thoroughly charming” (New York Times Book Review, front-page review) account of the scandal in which Sorel narrates and illustrates the travails of the Oscar-winning actress alongside his own personal story of discovering an unlikely muse. Now in a stunning paperback, featuring more than sixty ribald and rapturous original illustrations, Mary Astor’s Purple Diary is the life’s masterpiece of one of America’s greatest illustrators.

"Free audio online"--Cover of isbn 9781138950177.

Compilation of Pashto newspaper selections is to provide the intermediate student of Pashto with a representative sampling of newspaper selections, accompanied with a body of suitable lexical and grammatical aids aimed at facilitating comprehension, and at bridging the gap between elementary Pashto and the complexities of formal journalistic style.

This book draws from a rich history of scholarship about the relations between music and cities, and the global flows between music and urban experience. The contributions in this collection comment on the global city as a nexus of moving people, changing places, and shifting social relations, asking what popular music can tell us about cities, and vice versa. Since the publication of the first Sounds and the City volume, various movements, changes and shifts have amplified debates about globalization. From the waves of people migrating to Europe from the Syrian civil war and other conflict zones, to the 2016 “Brexit” vote to leave the European Union and American presidential election of Donald Trump. These, and other events, appear to have exposed an anti-globalist retreat toward isolationism and a backlash against multiculturalism that has been termed “post-globalization.” Amidst this, what of popular music? Does music offer renewed spaces and avenues for public protest, for collective action and resistance? What can the diverse​​ histories, hybridities, and legacies of popular music tell us about the ever-changing relations of people and cities?