A collection of essays from people who have been a part of the annual countercultural festival Burning Man, including those who attended the first beach effigy burnings in the mid-1980s to recently participating artists, musicians, architects, sociologists and lawyers. Original. 3,000 first printing.

This book centres on a philosophical analysis of creative acts in the Burning Man Festival and their roles in wider social change. With particular focus on the Ten Principles of Burning Man, Linda Noveroske posits a re-interpretation of common notions of “self” and “other” as they apply to identity, difference, and the ways that these personal impulses ripple outward from changing individuals into changing societies. Such radical re-imagination of ideology can be most powerful when it occurs in spaces of otherness, of heterotopia. This study casts Burning Man as a heterotopia to not only destabilizes what we think we know about visual art, performance, and creative encounters, but also bring these acts into an attitude of immediacy that facilitates previously unimagined behaviour and opens out artistic drive into the unknown. This book would be of value for scholars and practitioners in Performance Studies, Theatre and Dance, Art History, Psychology, Phenomenology, Architecture and Urban Studies.

In the spirit of Medical Apartheid and Killing the Black Body; A science-based, data-driven, and global exploration of racial disparities in health care access by virologist, immunologist, and science journalist Layal Liverpool. Layal Liverpool spent years as a teen bouncing from doctor to doctor, each one failing to diagnose her dermatological complaint. Just when she’d grown used to the idea that she had an extremely rare and untreatable skin condition, one dermatologist, after a quick exam, told her that she had a classic (and common) case of eczema and explained that it often appears differently on darker skin. Her experience stuck with her, making her wonder whether other medical conditions might be going undiagnosed in darker-skinned people and whether racism could, in fact, make people sick. The pandemic taught us that diseases like Covid disproportionately affect people of color. Here, Liverpool goes a step further to show that this disparity exists for all types of illness and that it is caused by racism. In Systemic, Liverpool shares her journey to show how racism, woven into our societies, as well as into the structures of medicine and science, is harmful to our health. Refuting the false belief that there are biological differences between races, Liverpool goes on to show that racism-related stress and trauma can however, lead to biological changes that make people of color more vulnerable to illness, debunking the myth of illness as the great equalizer. From the problem of racial bias in medicine where the default human subject is white, to the dangerous health consequences of systemic racism, from the physical and psychological effects of daily microaggressions to intergenerational trauma and data gaps, Liverpool reveals the fatal stereotypes that keep people of color undiagnosed, untreated, and unsafe, and tells us what we can do about it.

Doherty provides detailed information on the outrageous festival---its inception, history, growth, and players--for the hundreds of thousands who have attended, as well as those who only wish they had.

Jessica Bruderis a reporter for theOregonian.Her writing has also appeared in theNew York Times,theWashington Post,and theNew York Observer.She lives in Portland, Oregon.

Doctorow delivers the direct sequel to "Little Brother"Nin which Marcus Yallow finds himself once again risking everything to take on creeping tyranny and surveillance after California's economy collapses.

Winner of the Stanford Dolman Travel Book of the Year (UK) "William Atkins is an erudite writer with a wonderful wit and gaze and this is a new and exciting beast of a travel book."—Joy Williams In the classic literary tradition of Bruce Chatwin and Geoff Dyer, a rich and exquisitely written account of travels in eight deserts on five continents that evokes the timeless allure of these remote and forbidding places. One-third of the earth's surface is classified as desert. Restless, unhappy in love, and intrigued by the Desert Fathers who forged Christian monasticism in the Egyptian desert, William Atkins decided to travel in eight of the world's driest, hottest places: the Empty Quarter of Oman, the Gobi Desert and Taklamakan deserts of northwest China, the Great Victoria Desert of Australia, the man-made desert of the Aral Sea in Kazkahstan, the Black Rock and Sonoran Deserts of the American Southwest, and Egypt's Eastern Desert. Each of his travel narratives effortlessly weaves aspects of natural history, historical background, and present-day reportage into a compelling tapestry that reveals the human appeal of these often inhuman landscapes.