In The Sibyl Cassandra: A Christmas Play with the Insanity and Sanctity of Five Centuries Past, the sixteenth century play by Gil Vicente is translated in full, and provided with a full introduction by Cheryl Folkins McGinniss. Cassandra, the heroine, is a young woman who rebels against the expectations and roles that society has placed upon her. Her refusal to marry causes outrage and chaos. Amid song and dance, she is accused of blasphemy and madness until the nativity scene is magically revealed. All is restored through Christ--or is it? The translator has "unpacked" this fascinating drama from an ancestral trunk for its renewed display and enjoyment during the Christmas season.

Excerpt from The Play of the Sibyl Cassandra The Auto of the Sibyl Cassandra, written by Gil Vicente1 for performance on Christ mas Eve in 1503, marks a moment of transition in the history of the Peninsular drama. vestiges of the liturgical drama appear, for reasons which shall be con sidered; the new - fangled pastoral, first played just ten years before, by Juan del Encina, before the Duke of Alva, is here apparent and acclimated; a theme more or less humanistic and dear to the early Renaissance here mingles with a strain of pure folk-lore. The art is quattrocento in essence but serene and sure, and Cassandra the sibyl is own sister to N eroccio's sibyl on the pavement at Siena and Perugino's sibyls in the Cambio at Perugia. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Long overlooked in standard reference works, pioneering women medievalists finally receive their due in Women Medievalists and the Academy. This comprehensive edited volume brings to life a diverse collection of inspiring figures through memoirs, biographical essays, and interviews. Covering many different nationalities and academic disciplines—including literature, philology, history, archaeology, art history, theology or religious studies, and philosophy—each essay delves into one woman’s life, intellectual contributions, and efforts to succeed in a male-dominated field. Together, these extraordinary personal histories constitute a new standard reference that speaks to a growing interest in women’s roles in the development of scholarship and the academy. The collection begins in the eighteenth century with Elizabeth Elstob and continues to the present, and includes—among more than seventy profiles—such important figures as Anna Jameson, Lina Eckenstein, Georgiana Goddard King, Eileen Power, Dorothy L. Sayers, Dorothy Whitelock, Susan Mosher Stuard, Marcia Colish, and Caroline Walker Bynum, among others.