In Plato's Timaeus and the Missing Fourth Guest, Donna M. Altimari Adler proposes a new Timaeus scale structure. She finds the harmonic cosmos, mathematically, at 35 A-36 D, regarding the text as a number generator. Plato's primary number sequence, she argues, yields a matrix defining a sophisticated harmony of the spheres. She stresses the Decad as the pattern governing both human perception and the generation of all things, in the Timaeus, including the World Soul and musical scale symbolizing it. She precisely identifies Plato's "fabric" and its locus of severance and solves other thorny problems of textual interpretation.

Faced with the difficult task of discerning Plato’s true ideas from the contradictory voices he used to express them, scholars have never fully made sense of the many incompatibilities within and between the dialogues. In the magisterial Plato’s Philosophers, Catherine Zuckert explains for the first time how these prose dramas cohere to reveal a comprehensive Platonic understanding of philosophy. To expose this coherence, Zuckert examines the dialogues not in their supposed order of composition but according to the dramatic order in which Plato indicates they took place. This unconventional arrangement lays bare a narrative of the rise, development, and limitations of Socratic philosophy. In the drama’s earliest dialogues, for example, non-Socratic philosophers introduce the political and philosophical problems to which Socrates tries to respond. A second dramatic group shows how Socrates develops his distinctive philosophical style. And, finally, the later dialogues feature interlocutors who reveal his philosophy’s limitations. Despite these limitations, Zuckert concludes, Plato made Socrates the dialogues’ central figure because Socrates raises the fundamental human question: what is the best way to live? Plato’s dramatization of Socratic imperfections suggests, moreover, that he recognized the apparently unbridgeable gap between our understandings of human life and the nonhuman world. At a time when this gap continues to raise questions—about the division between sciences and the humanities and the potentially dehumanizing effects of scientific progress—Zuckert’s brilliant interpretation of the entire Platonic corpus offers genuinely new insights into worlds past and present.

This book examines the Jungian imperative that the Third must become the Fourth through the lens of Carl Jung’s complex reception of Plato. While in psychoanalytic discourse the Third is typically viewed as an agent that brings about healing, the author highlights that, in the case of Jung, an early emphasis on the Third as the “transcendent function” gave way to an increasing insistence on the importance of the Fourth. And yet, he asks, why must “the Third become the Fourth”? Paul Bishop begins with a survey of work on Jung’s relation to Plato, before turning to Jung’s readings of the Timaeus and Black Books, as well as Goethe’s Faust II and Nietzsche’s Zarathustra. He proceeds to unpick Jung’s statements on the Third and the Fourth though a compelling analysis of how Jung draws upon religious and alchemical traditions, Pythagorean numerology, his own dream-like experiences and Plato’s cosmology. This book will appeal to practitioners and to scholars working in the history of ideas, psychoanalysis, philosophy, and psychoanalytic theory.

Described as ‘the most beautiful book ever printed’ previous research has focused on the printing history of the Hypnerotomachia and its copious literary sources. This monograph critically engages with the narrative of the Hypnerotomachia and with Poliphilo as a character within this narrative, placing it within its European literary context. Using narratological analysis, it examines the journey of Poliphilo and the series of symbolic, allegorical, and metaphorical experiences narrated by him that are indicative of his metamorphosing interiority. It analyses the relationship between Poliphilo and his external surroundings in sequences of the narrative pertaining to thresholds; the symbolic architectural, topographical, and garden forms and spaces; and Poliphilo’s transforming interior passions including his love of antiquarianism, language, and Polia, the latter of which leads to his elegiac description of lovesickness, besides examinations of numerosophical symbolism in number, form, and proportion of the architectural descriptions and how they relate to the narrative.

Although it has long been established that Syrianus, the teacher of Proclus, was the source of much of his student's metaphysics, it is not known precisely what in Proclus' thought can be attributed to Syrianus. The problem is compounded by the fact that Syrianus wrote very little and there is uncertainty as to whether written commentaries ever existed of his teaching on Plato's Timaeus and Parmenides, the most important sources for Platonic metaphysics. This work attempts to re-construct the major tenets of Syrianus' philosophical teachings on the Timaeus and Parmenides based on the testimonia of Proclus, as found in Proclus' commentaries on Plato's Timaeus and Parmenides and, Damascius, as reported in his On First Principles and commentary on Plato's Parmenides.

My name is Dennis McKenna. I am a Physician Assistant and have been practicing as such for over 40 years. This book - Where Do Doctors Hide Their Wings - is a recap of my training and my first years in the field of medicine. The book consists of 27 chapters. Some may make you laugh while others make you cry. As incredulous and unbelievable as some of the chapters may seem - the stories and experiences are all true. These are real people - real events - and real stories of the care they received- along with a couple stories of my life as I progressed through this journey. The people, the patients, and my teachers and superiors have had an immeasurable influence on who I have become and how I practice as a PA. My mentors (doctors with wings) have taught me to love their craft and to continually hunger for ever-expanding depths of knowledge. It was at their sides that I grew to love my patients as persons. They taught me how to distinguish the person from the malady, honoring the best in each of them so that they may, in turn, contribute to others. Medicine is an art of restoring health, dignity, and value to all humanity. The laying on of hands to assess one's ills has a function of discovery and diagnostic value, but it is also an imparting of energy from the practitioner to the patient. I'm hoping this book will start a conversation between doctors and patients and once again we will all recognize each other as humans.

Proclus' commentary on Plato's "Timaeus" is perhaps the most important surviving Neoplatonic commentary. In it Proclus contemplates nature's mysterious origins and at the same time employs the deductive rigour required to address perennial philosophical questions. Nature, for him, is both divine and mathematically transparent. He renders theories of Time, Eternity, Providence, Evil, Soul and Intellect and constructs an elaborate ontology that includes mathematics and astronomy. He gives ample play to pagan theology too, frequently lapsing into the arcane language of the "Chaldaean Oracles". "Ten Gifts of the Demiurge" is an essential companion to this rich but complex and densely wrought text, providing an analysis of its arguments and showing that it, like the cosmos Proclus reveres, is a living coherent whole. The book provides aides to understanding Proclus' work within the complex background of Neoplatonic philosophy, familiarising the reader with the political context of the Athenian school, analysing Proclus' key terminology, and giving background to the philosophical arguments and ancient sciences upon which Proclus draws.Above all, it helps the reader appreciate the varicoloured light that Proclus sheds on the secrets of nature.