In The News of the World, Ron Carlson's celebrated last collection, it was widely noted that the news was good. Here, as everybody goes to Plan B, the news is stronger, edgy, and bittersweet. Here are men and women in the middle--of life, of relationships. There is a difference between what they set out for and what they get. A single mother keeps house on an aircraft carrier. A new father finds himself seduced by a motorcycle. A lonely professor is forced to face a few truths. Braced by honesty and lifted by affection for the world, these stories are a stunning showcase for a writer tackling universal themes in new ways. Get ready: when Plan A breaks down, Ron Carlson is here.

"These stories are full of surprises, jolts, and lightning strikes of recognition. Do yourself a favor and read Ron Carlson." —Stephen King Ron Carlson's stories, sometimes wicked or bittersweet, often zany, are rich with a hard-earned hopefulness frequently absent in contemporary fiction. In this generous gathering from collections no longer available, longtime fans and new readers alike can savor the development of a master of idiosyncrasy. Properly celebrated for his range, Carlson offers us a rural sheriff who's wary of UFOs ("Phenomena"), a lawyer on a mission in remote Alaska ("Blazo"), a baseball player turned killer-by-accident ("Zanduce at Second"), and a nineteen-year-old who experiences an unsettling sexual awakening during an Arizona summer ("Oxygen"). Here also is a man accusing Bigfoot of stealing his wife, followed by Bigfoot's incomparable response. Not least of the treasures is "The H Street Sledding Record," a story perfect for family holiday reading, in which a young father creates the magic of Santa by throwing manure on his roof on Christmas Eve. This book proves Carlson's axiom that "a short story is not a single thing done a single way," and it offers us—finally—a full view of his remarkable talents.

A dazzling collection of short stories about North American outdoor life—both classic and contemporary—from James Fenimore Cooper and Jack London to Margaret Atwood and Anthony Doerr and many more. The North American landscape, in its rich and rugged variety, has inspired an equally wide and deep range of fiction over the past centuries. Diana Fuss has gathered a rich collection of timeless classics and contemporary discoveries summoning up our close and imagined encounters with all things wild. From the nineteenth century’s Washington Irving (“Rip Van Winkle”) to the twenty-first century’s Ted Chiang (“The Great Silence”)—a panoramic view of wilderness fiction, from Gothic tales of mystery and suspense (“The Heroic Slave” by Frederick Douglass), to tales of danger and survival (“Walking Out” by David Quammen); from modern tales of retreat and solitude (“Happiness” by Ron Carlson), to never-before-told tales of our new reality—of environment and extinction (“the river” by adrienne maree brown): these are stories that reveal the many ways in which the American literary landscape has shaped—and is shaped by—our conceptions of the wild. Diana Fuss nimbly shows, in her introductory text and commentary throughout, the development of the wilderness story, from its emergence in the work of Nathaniel Hawthorne (“Young Goodman Brown”) and James Fenimore Cooper (“A Panther Tale”), to the height of its popularity in the stories of Jack London (“To Build a Fire”), to the environmentally conscious writing of T. C. Boyle (“After the Plague”) and Karen Russell (“St. Lucy’s Home for Girls Raised by Wolves”). Among those whose work appears in the collection: Wallace Stegner, Annie Proulx, Ambrose Bierce, Ernest Hemingway, William Faulkner, L. Frank Baum, Margaret Atwood, Tommy Orange, Walter Van Tilburg Clark, and Ray Bradbury.

Is this happily ever after? Lucy has her life planned out: she'll graduate and then join her boyfriend, Luke, at college in Austin. She'll become a Spanish teacher and of course they'll get married. So there's no reason to wait, right? They try to be careful. But then Lucy gets pregnant. Now, none of Lucy's options are part of her picture-perfect plan. Together, she and Luke will have to make the most difficult decision of their lives.

Focuses on how the declining market for short-story writers after World War II saw the migration of these writers to universities where they not only continued to write, but established creative writing classes that would in turn inspire and develop new generations of writers of various genres.

Ron Carlson has been praised as "a master of the short story" (Booklist). In this essay collection, Ron Carlson Writes a Story, he offers a full range of notes and gives rare insight into a veteran writer's process by inviting the reader to watch over his shoulder as he creates the short story "The Governor's Ball." "This is a story of a story" he begins, and proceeds to offer practical advice for creating a great story, from the first glimmer of an idea to the final sentence. Carlson urges the writer to refuse the outside distractions—a second cup of coffee, a troll through the dictionary—and attend to the necessity of uncertainty, the pleasures of an unfolding story. "The Governor's Ball"—included in its entirety—serves as a fascinating illustration of the detailed anatomy of a short story.

Dream Hoarders sparked a national conversation on the dangerous separation between the upper middle class and everyone else. Now in paperback and newly updated for the age of Trump, Brookings Institution senior fellow Richard Reeves is continuing to challenge the class system in America. In America, everyone knows that the top 1 percent are the villains. The rest of us, the 99 percent—we are the good guys. Not so, argues Reeves. The real class divide is not between the upper class and the upper middle class: it is between the upper middle class and everyone else. The separation of the upper middle class from everyone else is both economic and social, and the practice of “opportunity hoarding”—gaining exclusive access to scarce resources—is especially prevalent among parents who want to perpetuate privilege to the benefit of their children. While many families believe this is just good parenting, it is actually hurting others by reducing their chances of securing these opportunities. There is a glass floor created for each affluent child helped by his or her wealthy, stable family. That glass floor is a glass ceiling for another child. Throughout Dream Hoarders, Reeves explores the creation and perpetuation of opportunity hoarding, and what should be done to stop it, including controversial solutions such as ending legacy admissions to school. He offers specific steps toward reducing inequality and asks the upper middle class to pay for it. Convinced of their merit, members of the upper middle class believes they are entitled to those tax breaks and hoarded opportunities. After all, they aren't the 1 percent. The national obsession with the super rich allows the upper middle class to convince themselves that they are just like the rest of America. In Dream Hoarders, Reeves argues that in many ways, they are worse, and that changes in policy and social conscience are the only way to fix the broken system.