A debut novel that's as sharp as a knife's point. Plain Kate lives in a world of superstitions and curses, where a song can heal a wound and a shadow can work deep magic. As the wood-carver's daughter, Kate held a carving knife before a spoon, and her wooden charms are so fine that some even call her "witch-blade" -- a dangerous nickname in a town where witches are hunted and burned in the square.

Orphaned Kate lives in a time afraid of magic, her only friend a talking cat. She has a gift for carving wooden-charms, but her unusual gift attracts dangerous attention in a place where witches are burned. When her village falls on bad times, suspicion falls on Kate. A blend of Russian folklore and fantasy. Suggested level: secondary.

I was not always a white girl. I used to be just Charlotte. A person named Charlotte Halsey. But when I met Milo, when I fell in love with him, I became White, like a lit light bulb is white. In the mirror there is my skin the color of sand, hair the color of butter, eyes blue as seawater. Just so bleachy white I am practically clear. Milo is black, what they call “Black,” only not to me. To me he has mostly been just Milo. They say lovers can find each other just by using the sense of smell; that we are all really animals in that way, no different from dogs or deer. I know it’s true. I could find Milo blind in a room of men, the smell of him like pine trees in a snowy wind. I could pick him out just by the slow rising of his breath while he slept. So no, until this happened, up to the time of the assault, he was not black, not to me. He was Milo. He was my husband. – from Whitegirl As Kate Manning’s riveting debut novel begins, a thirty-five-year-old white woman lies secluded in her home overlooking the Pacific, unable to speak, recovering from a violent assault that has nearly taken her life. Her husband, a famous black actor, is in jail for the crime. Is he guilty? She’s not sure. She remembers nothing of the assault. Longing for answers, she sifts through the history of their life together, trying to determine how two people once so in love might find themselves so ruined. Charlotte Halsey and Milo Robicheaux met briefly in college in the 1970s, where she was a beautiful, troubled girl hungry for freedom, and he was the star athlete with Olympic dreams. Years later, when she is a successful model and he a famous sports hero turned actor, their paths cross again in New York City and they fall in love. But their marriage is soon fraught with tension. As Milo’s celebrity skyrockets, motherhood ends Charlotte’s career, leaving her increasingly alienated from the man she believed she knew so well. Jealousy and mistrust grow between them even as they strive to build a life together against increasing odds. A poignant anatomy of a marriage undone by the pressure of fame and the struggle for identity, Whitegirl is the arresting debut of a significant new voice in contemporary fiction.

From Linda Castillo, the New York Times bestselling author of A Gathering of Secrets, comes a new Kate Burkholder short mystery, In Plain Sight: a story of star-crossed love and murder in Amish country. Seventeen year old Amish boy, Noah Kline, is struck by a car as he walks alongside a dark country road late one night in Painters Mill. Seriously injured, he lapses into a coma. Initially, Chief of Police Kate Burkholder believes it’s a straightforward hit and run, a driver that panicked and fled. But evidence soon emerges that the incident wasn’t accidental at all--and Kate uncovers a story of teenage passion and jealousy that may have led to attempted murder.

An exquisitely written, uplifting middle grade debut by acclaimed author, Erin Bow, about a young girl who defies her family's expectations in order to save her brother and become an eagle hunter, perfect for fans of PAX. It goes against all tradition for Aisulu to train an eagle, for among the Kazakh nomads, only men can fly them. But everything changes when Aisulu discovers that her brother, Serik, has been concealing a bad limp that risks not just his future as the family's leader, but his life too. When her parents leave to seek a cure for Serik in a distant hospital, Aisulu finds herself living with her intimidating uncle and strange auntie--and secretly caring for an orphaned baby eagle. To save her brother and keep her family from having to leave their nomadic life behind forever, Aisulu must earn her eagle's trust and fight for her right to soar. Along the way, she discovers that family are people who choose each other, home is a place you build, and hope is a thing with feathers. Erin Bow's lyrical middle grade debut is perfect for fans of original animal-friendship stories like Pax and Because of Winn Dixie.

Phoebe Hall’s Manhattan life is unexpectedly derailed off the fast track when her long-term boyfriend leaves her just as she is accused of plagiarizing her latest bestselling celebrity biography. Looking for a quiet place to pick up the pieces, Phoebe jumps at the offer to teach at a small private college run by her former boarding school roommate and close friend Glenda in a sleepy Pennsylvania town. But behind the campus’s quiet cafés and looming maple trees lies something darker. The body of a junior co-ed washes up from the nearby river, and soon rumors begin to swirl of of past crimes and abuses wrought by a disturbing secret society known as The Sixes. Determined to find answers and help Glenda, Phoebe secretly embarks on a search for clues—a quest that soon raises dark memories of her own boarding school days. Plunging deeper into danger with every step, Phoebe knows she’s close to unmasking a killer. But with truth comes a deeply terrifying revelation: the past can’t be outrun . . . and starting over can be a crime punishable by death.

This book considers how a combination of place-based writing and location responsive technologies produce new kinds of literary experiences. Building on the work done in the Ambient Literature Project (2016–2018), this books argues that these encounters constitute new literary forms, in which the authored text lies at the heart of an embodied and mediated experience. The visual, sonic, social and historic resources of place become the elements of a live and emergent mise-en-scène. Specific techniques of narration, including hallucination, memory, history, place based writing, and drama, as well as reworking of traditional storytelling forms combine with the work of app and user experience design, interaction, software authoring, and GIS (geographical information systems) to produce ambient experiences where the user reads a textual and sonic literary space. These experiences are temporary, ambiguous, and unpredictable in their meaning but unlike the theatre, the gallery, or the cinema they take place in the everyday shared world. The book explores the potentiality of a new literary form produced by the exchange between location-aware cultural objects, writers and readers. This book, and the work it explores, lays the ground for a new poetics of situated writing and reading practices.