Cult activity played an extremely important role in ancient Greece--to the point, historians believe, that the placing of cult centers played a major part in establishing the whole concept of the city-state in archaic Greece. The essays in this collection critically examine the social and political importance of sanctuary placement, extending the analysis back to Mycenean Greece and on to Greece under Roman occupation. Revealing the complexity of relations between religion and politics in ancient Greece, these essays show how important tradition, gender relations, and cult identity were in creating and maintaining the religious mapping of the ancient Greek countryside.

When He came to earth, Jesus Christ was rejected in every quarter in which He stepped. The Creator was rejected by His own creation. “He came to His own and His own received Him not,” said John. For this reason, Jesus Christ had “no where to lay His head.” There was one exception, however. A little village just outside of Jerusalem named Bethany. Bethany was the only place on earth where Jesus was completely received. God’s Favorite Place on Earth is a retelling of Jesus’ many visits to Bethany and a relaying of the message it holds for us today. Frank Viola presents a beautifully crafted narrative from the viewpoint of Lazarus, one of the people who lived in Bethany with his two sisters. This incomparable story not only brings the Gospel narratives to life, but it addresses the struggle against doubt, discouragement, fear, guilt, rejection, and spiritual apathy that challenges countless Christians today. In profoundly moving prose, God’s Favorite Place on Earth will captivate your heart with its beauty, charm, and depth. In this book you will discover how to live as a “Bethany” in our world today, being set free to love and follow Jesus like never before.

Daily religious devotion in the Greek and Roman worlds centered on the family and the home. Besides official worship in rural sacred areas and at temples in towns, the ancients kept household shrines with statuettes of different deities that could have a deep personal and spiritual meaning. Roman houses were often filled with images of gods. Gods and goddesses were represented in mythological paintings on walls and in decorative mosaics on floors, in bronze and marble sculptures, on ornate silver dining vessels, and on lowly clay oil lamps that lit dark rooms. Even many modest homes had one or more religious objects that were privately venerated. Ranging from the humble to the magnificent, these small objects could be fashioned in any medium from terracotta to precious metal or stone. Showcasing the collections in the Getty Villa, this book’s emphasis on the spiritual beliefs and practices of individuals promises to make the works of Greek and Roman art more accessible to readers. Compelling representations of private religious devotion, these small objects express personal ways of worshiping that are still familiar to us today. A chapter on contemporary domestic worship further enhances the relevance of these miniature sculptures for modern viewers.

Originally published in Germany fifty years ago, The Gods of the Greeks has remained an enduring work. Influential scholar Erika Simon was one of the first to emphasize the importance of analyzing visual culture alongside literature to better understand how ancient Greeks perceived their gods. Giving due consideration to cult ritual and the phenomenon of genealogical relationships between mortals and immortals, this pioneering volume remains one of the few to approach the Greek gods from an archaeological perspective. From Zeus to Hermes, each of the major deities is considered in turn, with Simon’s insights on their nature and attributes guiding the reader to a fuller understanding of how their followers perceived and worshipped them in the ancient world. This careful and fluid translation finally makes Simon’s landmark edition accessible to English-language readers. With an abundance of beautiful illustrations, the book examines portrayals of the thirteen major gods in art over the course of two millennia. Scholars who study the lives and practices of those living in ancient Greece will value this newest contribution.

Minter explores what happens when good desires become false gods, robbing people of an intimate relationship with the heavenly Father. (Christian)

Following the award-winning BBC Radio 4 series, a panoramic exploration of peoples, objects and beliefs from the celebrated author of A History of the World in 100 Objects and Germany 'Riveting, extraordinary ... tells the sweeping story of religious belief in all its inventive variety. The emphasis is not on our differences, but on shared spiritual yearnings' Rachel Campbell-Johnston, The Times, Books of the Year One of the central facts of human existence is that every society shares a set of beliefs and assumptions - a faith, an ideology, a religion - that goes far beyond the life of the individual. These beliefs are an essential part of a shared identity. They have a unique power to define - and to divide - us, and are a driving force in the politics of much of the world today. Throughout history they have most often been, in the widest sense, religious. Yet this book is not a history of religion, nor an argument in favour of faith. It is about the stories which give shape to our lives, and the different ways in which societies imagine their place in the world. Looking across history and around the globe, it interrogates objects, places and human activities to try to understand what shared beliefs can mean in the public life of a community or a nation, how they shape the relationship between the individual and the state, and how they help give us our sense of who we are. For in deciding how we live with our gods, we also decide how to live with each other. 'The new blockbuster by the museums maestro Neil MacGregor ... The man who chronicles world history through objects is back ... examining a new set of objects to explore the theme of faith in society' Sunday Times