Finalist for the National Book Award!In this beautifully wrought memoir, award-winning writer John Philip Santos weaves together dream fragments, family remembrances, and Chicano mythology, reaching back into time and place to blend the story of one Mexican family with the soul of an entire people. The story unfolds through a pageant of unforgettable family figures: from Madrina--touched with epilepsy and prophecy ever since, as a girl, she saw a dying soul leave its body--to Teofilo, who was kidnapped as an infant and raised by the Kikapu Indians of Northern Mexico. At the heart of the book is Santos' search for the meaning of his grandfather's suicide in San Antonio, Texas, in 1939. Part treasury of the elders, part elegy, part personal odyssey, this is an immigration tale and a haunting family story that offers a rich, magical view of Mexican-American culture.

Finalist for the National Book Award!In this beautifully wrought memoir, award-winning writer John Philip Santos weaves together dream fragments, family remembrances, and Chicano mythology, reaching back into time and place to blend the story of one Mexican family with the soul of an entire people. The story unfolds through a pageant of unforgettable family figures: from Madrina--touched with epilepsy and prophecy ever since, as a girl, she saw a dying soul leave its body--to Teofilo, who was kidnapped as an infant and raised by the Kikapu Indians of Northern Mexico. At the heart of the book is Santos' search for the meaning of his grandfather's suicide in San Antonio, Texas, in 1939. Part treasury of the elders, part elegy, part personal odyssey, this is an immigration tale and a haunting family story that offers a rich, magical view of Mexican-American culture.

A family's epic origins in the hinterlands of Mexico that became Texas-and earlier, in Iberia In his acclaimed 1999 memoir Places Left Unfinished at the Time of Creation, John Phillip Santos told the story of one Mexican family- his father's-set within the larger story of Mexico itself. In this beautifully written new book, he tells of how another family-this time, his mother's-erased and forgot over time their ancient origins in Spain. Every family has a forgotten tale of where it came from. Who is driven to tell it and why? Weaving together a highly original mix of autobiography, conquest history, elegy, travel, family remembrance, and time travelling narration, Santos offers an unforgettable testimony to this calling and describes a lifelong quest to find the missing chronicle of his mother's family, one that takes him to various locations in South Texas and Mexico, to New York City, to Spain, and ultimately to the Middle East. Blending genres brilliantly, Santos raises profound questions about whether we can ever find our true homeland and what we can learn from our treasured, shared cultural legacies.

The experiences of a fourteen-year-old girl imprisoned in the Ravensbruck concentration camp during World War II. Illustrated with drawings made secretly by other camp inhabitants.

Timothy (later St. Timothy) is in his study in Thessalonika, where he is bishop of Macedonia. It is A.D. 96, and Timothy is under terrific pressure to record his version of the Sacred Story, since, far in the future, a cyberpunk (the Hacker) has been systematically destroying the tapes that describe the Good News, and Timothy's Gospel is the only one immune to the Hacker's deadly virus. Meanwhile, thanks to a breakthrough in computer software, an NBC crew is racing into the past to capture—live from the suburb of Golgotha—the Crucifixion, for a TV special guaranteed to boost the network's ratings in the fall sweeps. As a stream of visitors from twentieth-century America channel in to the first-century Holy Land—Mary Baker Eddy, Shirley MacLaine, Oral Roberts and family—Timothy struggles to complete his story. But is Timothy's text really Hacker-proof? And how will he deal with the truth about Jesus' eating disorder? Above all, will he get the anchor slot for the Big Show at Golgotha without representation by a major agency, like CAA 1,896 years in the future? Tune in.

Mona and Other Tales covers Reinaldo Arenas's entire career: his recently rediscovered debut (which got him a job at the Biblioteca Nacional in Havana), stories written in a political prison, and some of his last works, written in exile. Many of the stories have not previously appeared in English. Here is the tender story of a boy who recognizes evil for the first time and decides to ignore it; the tale of a writer struggling between the demands of creativity and of fame; common people dealing with changes brought about by revolution and exile; a romp with a famous, dangerous woman in the Metropolitan Museum; an outrageous fantasy that picks up where Garcia Lorca's famous play The House of Bernardo Alba ends. Told with Arenas's famous wit and humanity, Mona makes a perfect introduction to this important writer. Translated from the Spanish by Dolores Koch.

Hunger of Memory is the story of Mexican-American Richard Rodriguez, who begins his schooling in Sacramento, California, knowing just 50 words of English, and concludes his university studies in the stately quiet of the reading room of the British Museum. Here is the poignant journey of a “minority student” who pays the cost of his social assimilation and academic success with a painful alienation — from his past, his parents, his culture — and so describes the high price of “making it” in middle-class America. Provocative in its positions on affirmative action and bilingual education, Hunger of Memory is a powerful political statement, a profound study of the importance of language ... and the moving, intimate portrait of a boy struggling to become a man.