This book offers new perspectives on the environmental history of lands that have come under Russian and Soviet rule by paying attention to 'place' and 'nature' in the intersection between humans and the environments that surround them. Through case studies of specific places in northwestern Russia, for example the Solovetskie Islands, the Urals, Siberia, in particular Lake Baikal, and the Russian Far East, the book highlights the importance of local environments and the specificities of individual places and spaces in understanding the human-nature nexus. This focus is accentuated by the fact that the authors have considerable, first-hand experience of the places they write about that complements and supplements their research in textual sources.

Though the forests are still green and the lakes full of water, an unending stream of invasions is changing many ecosystems around the world from productive, tightly integrated webs of native species to loose assemblages of stressed native species and aggressive invaders. The earth is becoming what author David Quammen has called a "planet of weeds." Nature Out of Place brings this devastating but overlooked crisis to the forefront of public consciousness by offering a fascinating exploration of its causes and consequences, along with a thoughtful and practical consideration of what can be done about it. The father and son team of Jason and Roy Van Driesche offer a unique combination of narratives that highlight specific locations and problems along with comprehensive explanations of the underlying scientific and policy issues. Chapters examine Hawaii, where introduced feral pigs are destroying the islands' native forests; zebra mussel invasion in the rivers of Ohio; the decades-long effort to eradicate an invasive weed on the Great Plains; and a story about the restoration of both ecological and human history in an urban natural area. In-depth background chapters explain topics ranging from how ecosystems become diverse, to the characteristics of effective invaders, to procedures and policies that can help prevent future invasions. The book ends with a number of specific suggestions for ways that individuals can help reduce the impacts of invasive species, and offers resources for further information. By bringing the problem of invasive species to life for readers at all levels, Nature Out of Place will play an essential role in the vital effort to raise public awareness of this ongoing ecological crisis.

“A groundbreaking work about race and the American landscape, and a deep meditation on nature…wise and beautiful.”—Helen Macdonald, author of H is for Hawk A Foreword Reviews Best Book of the Year and Nautilus Silver Award Winner In me, there is the red of miry clay, the brown of spring floods, the gold of ripening tobacco. All of these hues are me; I am, in the deepest sense, colored. Dating back to slavery, Edgefield County, South Carolina—a place “easy to pass by on the way somewhere else”—has been home to generations of Lanhams. In The Home Place, readers meet these extraordinary people, including Drew himself, who over the course of the 1970s falls in love with the natural world around him. As his passion takes flight, however, he begins to ask what it means to be “the rare bird, the oddity.” By turns angry, funny, elegiac, and heartbreaking, The Home Place is a meditation on nature and belonging by an ornithologist and professor of ecology, at once a deeply moving memoir and riveting exploration of the contradictions of black identity in the rural South—and in America today. “When you’re done with The Home Place, it won’t be done with you. Its wonders will linger like everything luminous.”—Star Tribune “A lyrical story about the power of the wild…synthesizes his own family history, geography, nature, and race into a compelling argument for conservation and resilience.”—National Geographic

Philosophers have traditionally used conceptual analysis to investigate knowledge. Hilary Kornblith argues that this is misguided: it is not the concept of knowledge that we should be investigating, but knowledge itself, a robust natural phenomenon, suitable for scientific study. Cognitive ethologists not only attribute intentional states to non-human animals, they also speak of such animals as having knowledge; and this talk of knowledge does causal and explanatory work withintheir theories. The account of knowledge which emerges from this literature is a version of reliabilism: knowledge is reliably produced true belief.This account of knowledge is not meant merely to provide an elucidation of an important scientific category. Rather, Kornblith argues that knowledge, in this very sense, is what philosophers have been talking about all along. Rival accounts are examined in detail and it is argued that they are inadequate to the phenomenon of knowledge (even of human knowledge).One traditional objection to this sort of naturalistic approach to epistemology is that, in providing a descriptive account of the nature of important epistemic categories, it must inevitably deprive these categories of their normative force. But Kornblith argues that a proper account of epistemic normativity flows directly from the account of knowledge which is found in cognitive ethology. Knowledge may be properly understood as a real feature of the world which makes normative demands uponus.This controversial and refreshingly original book offers philosophers a new way to do epistemology.

In this extensively revised and enlarged edition of his best-selling book, David Suzuki reflects on the increasingly radical changes in nature and science — from global warming to the science behind mother/baby interactions — and examines what they mean for humankind’s place in the world. The book begins by presenting the concept of people as creatures of the Earth who depend on its gifts of air, water, soil, and sun energy. The author explains how people are genetically programmed to crave the company of other species, and how people suffer enormously when they fail to live in harmony with them. Suzuki analyzes those deep spiritual needs, rooted in nature, that are a crucial component of a loving world. Drawing on his own experiences and those of others who have put their beliefs into action, The Sacred Balance is a powerful, passionate book with concrete suggestions for creating an ecologically sustainable, satisfying, and fair future by rediscovering and addressing humanity’s basic needs.

This study situates John Burroughs, together with John Muir and Theodore Roosevelt, as one of a trinity of thinkers who, between the Civil War and World War I, defined and secured a place for nature in mainstream American culture. Though not as well known today, Burroughs was the most popular American nature writer of his time. Prolific and consistent, he published scores of essays in influential large-circulation magazines and was often compared to Thoreau. Unlike Thoreau, however, whose reputation grew posthumously, Burroughs wasa celebrity during his lifetime: he wrote more than thirty books, enjoyed a continual high level of visibility, and saw his work taught widely in public schools. James Perrin Warren shows how Burroughs helped guide urban and suburban middle-class readers “back to nature” during a time of intense industrialization and urbanization. Warren discusses Burroughs’s connections not only to Muir and Roosevelt but also to his forebears Emerson, Thoreau, and Whitman. By tracing the complex philosophical, creative, and temperamental lineage of these six giants, Warren shows how, in their friendships and rivalries, Burroughs, Muir, and Roosevelt made the high literary romanticism of Emerson, Thoreau, and Whitman relevant to late-nineteenth- and early-twentieth-century Americans. At the same time, Warren offers insights into the rise of the nature essay as a genre, the role of popular magazines as shapers and conveyors of public values, and the dynamism of place in terms of such opposed concepts as retreat and engagement, nature and culture, and wilderness and civilization. Because Warren draws on Burroughs’s personal, critical, and philosophical writings as well as his better-known narrative essays, readers will come away with a more informed sense of Burroughs as a literary naturalist and a major early practitioner of ecocriticism. John Burroughs and the Place of Nature helps extend the map of America’s cultural landscape during the period 1870-1920 by recovering an unfairly neglected practitioner of one of his era’s most effective forces for change: nature writing.