The 'pivot pattern' is a unique type of chiasmus, a linguistic pattern characterized by an inversion of the internal order of a phrase or passage. The main idea is found primarily at its pivot, while its elements, normally of an uneven number, are distributed on both sides of the pivot in a mirrored symmetry. Klaus undertakes here to compile a 'grammar' of the pattern, and to characterize, exemplify and differentiate its various forms.

The 'pivot pattern' is a unique type of chiasmus, a linguistic pattern characterized by an inversion of the internal order of a phrase or passage. The main idea is found primarily at its pivot, while its elements, normally of an uneven number, are distributed on both sides of the pivot in a mirrored symmetry. Klaus undertakes here to compile a 'grammar' of the pattern, and to characterize, exemplify and differentiate its various forms.

Siew seeks to examine the events that will unfold within the three and a half years before the dawn of the kingdom of God on earth. He argues that John composed the textual unit of Rev 11:1--14:5 as a coherent and unified literary unit structured in a macro-chiasm. He pays special attention to the fusion of form and content and seeks to elucidate how the concentric and chiastic pattern informs the meaning of the literary units within 11:1--14:5, and proposes that the text of 11:1--14:5 is best analyzed using Hebraic literary conventions, devices, and compositional techniques such as chiasm, parallelism, parataxis, and structural parallelism. The macro-chiastic pattern provides the literary-structural framework for John to portray that the events of the last three and a half years unfold on earth as a result of what transpires in heaven. Specifically, the war in heaven between Michael and the dragon has earthly ramifications. The outcome of the heavenly war where Satan is defeated and thrown out of heaven to earth results in the war on earth between the two beasts of Rev 13 and the two witnesses of Rev 11. The narrative of the war in heaven (12:7-12) is seen as the pivot of the macro-chiastic structure. Siew pays close attention to the time-period of the three-and-a-half years as a temporal and structural marker which functions to unite the various units in 11:1--14:5 into a coherent and integral whole. The events of the last days will be centred in Jerusalem.

Siew seeks to examine the events that will unfold within the three and a half years before the dawn of the kingdom of God on earth. He argues that John composed the textual unit of Rev 11:1--14:5 as a coherent and unified literary unit structured in a macro-chiasm. He pays special attention to the fusion of form and content and seeks to elucidate how the concentric and chiastic pattern informs the meaning of the literary units within 11:1--14:5, and proposes that the text of 11:1--14:5 is best analyzed using Hebraic literary conventions, devices, and compositional techniques such as chiasm, parallelism, parataxis, and structural parallelism. The macro-chiastic pattern provides the literary-structural framework for John to portray that the events of the last three and a half years unfold on earth as a result of what transpires in heaven. Specifically, the war in heaven between Michael and the dragon has earthly ramifications. The outcome of the heavenly war where Satan is defeated and thrown out of heaven to earth results in the war on earth between the two beasts of Rev 13 and the two witnesses of Rev 11. The narrative of the war in heaven (12:7-12) is seen as the pivot of the macro-chiastic structure. Siew pays close attention to the time-period of the three-and-a-half years as a temporal and structural marker which functions to unite the various units in 11:1--14:5 into a coherent and integral whole. The events of the last days will be centred in Jerusalem.

This book explores the portrayal of the rise, reign, and demise of Abimelech in Judges 9 and asks about whose interests this portrayal may have served. The negative depiction of Abimelech's kingship in this chapter, coupled with Gideon's rejection of kingship in Judges 8:22-23, has led interpreters to view the passage as anti-monarchic. This perspective clashes with the pro-monarchic stance of Judges 17-21. However, while the portrayal of Abimelech's kingship is negative, it may yet have served as a legitimation strategy for the monarchy. In support, this study examines Judges 9 through three methodological lenses: a narrative analysis, a rhetorical analysis and a social scientific analysis. In addition, anthropological data on early and developing states shows that such states attempt to prevent fissioning (the tendency inherent within political systems to break up and form other similar units) by subverting local leaders, groups, and institutions, and so legitimate the centralization of power. When read in this light, Judges 9 supports monarchic interests by seeking to subvert localized rule and alliances in favor of a centralized polity.

Applying criteria for the identification of biblical Hebrew poetry, Jason M. H. Gaines distinguishes a nearly complete poetic Priestly stratum in the Pentateuch (“Poetic P”), coherent in literary, narrative, and ideological terms, from a later prose redaction (“Prosaic P”), which is fragmentary, supplemental, and distinct in thematic and theological concern. Gaines describes the whole of the “Poetic P” source and offers a Hebrew reconstruction of the document. This dramatically innovative understanding of the history of the Priestly composition opens up new vistas in the study of the Pentateuch.

Diverse approaches to biblical theology This volume presents a collection of studies on the methodology for conceiving the theological interpretation of the Hebrew Bible among Jews and Christians as well as the treatment of key issues such as creation, the land of Israel, and divine absence. Contributors include Georg Fischer, SJ, David Frankel, Benjamin J. M. Johnson, Soo J. Kim, Wonil Kim, Jacqueline E. Lapsley, Julia M. O’Brien, Dalit Rom-Shiloni, Marvin A. Sweeney, and Andrea L. Weiss. Features: Examination of metaphor, repentance, and shame in the presence of God Ten essays addressing the nature of biblical theology from a Jewish, Christian, or critical perspective Discussion of the changes that have taken place in the field of biblical theology since World War II