The first autobiography by Leroy “Satchel” Paige, one of the best and most colorful pitchers in the history of professional baseball. Based on interviews conducted by Cleveland sports writer Hal Lebovitz, this book was first released shortly after Paige joined the Indians in 1948 (days after his 42nd birthday and after 22 years playing with various Negro League, minor league and Puerto Rican League teams). Told in a casual first-person style, Paige's stories provide a snapshot from a bygone era of Major League baseball. Paige tells how he began his pitching career by throwing rocks (”We had a pretty rough gang down on the South Side of Mobile, near the Bay, where I was born and raised”). He describes his early years in baseball, starting at age 17 with the Chattanooga Black Lookouts in 1926, and addresses the controversy over varying claims about his age and the source of his nickname. He talks about ballplayers he had known, in particular Josh Gibson (”the best of all”) of the Pittsburgh Crawfords and Homestead Grays, and Bob Feller (with whom Paige barnstormed years before joining the Indians). Includes a foreword by Indians owner Bill Veeck and a note from Indians player-manager Lou Boudreau. With Paige's help, the Indians went on to win the 1948 World Series.

It has been said that sport is the great leveler, that on the playing field everyone is of equal status. Through the years, however, few institutions have better embodied America's ideals and prejudices than baseball. Jackie Robinson's debut with the Brooklyn Dodgers marked the first time an African American participated in a major league contest in the 20th century, and his abilities verified what many had believed all along--that African Americans could compete with white players and excel. The experiences and important contributions of six African American baseball players from the 1900s to the present day are presented in this work. The players are Andrew "Rube" Foster, perhaps the most important figure in black baseball during the first quarter of the 20th century; Satchel Paige, whose talent quickly became known in organized baseball and was built into a near mythical figure by an enchanted press; Larry Doby, who took the field with the Cleveland Indians three months after Jackie Robinson appeared with the Dodgers; Curt Flood, remembered less for the exceptional player he was than for challenging baseball's reserve clause; Dave Parker, the first black player to make a million dollars a year but also a prominent witness to the Pittsburgh drug trial; and Barry Bonds, known for his clashes with fans and the media but most recently revered for his MVP season in 2002 and record-breaking 73 home runs in 2001.

Focusing on the ten most influential baseball books of all time, this volume explores how these landmark works changed the game itself and made waves in American society at large. Satchel Paige's Pitchin' Man informed the dialog surrounding integration. Ring Lardner's You Know Me Al changed the way Americans viewed their baseball heroes and influenced the work of Hemingway and Fitzgerald. Bill James's Baseball Abstract transformed the way managers--including those in fields other than baseball--analyzed numbers. Pete Rose's My Story and My Prison Without Bars exposed and deepened a cultural divide that paved the way for Donald Trump.

Soon after Satchel Paige arrived at spring training in 1937 to pitch for the Pittsburgh Crawfords, he and five of his teammates, including Josh Gibson and Cool Papa Bell, were lured to the Dominican Republic with the promise of easy money to play a short baseball tournament in support of the country’s dictator, Rafael Trujillo. As it turned out, the money wasn’t so easy. After Paige and his friends arrived on the island, they found themselves under the thumb of Trujillo, known by Dominicans for murdering those who disappointed him. In the initial games, the Ciudad Trujillo all-star team floundered. Living outside the shadow of segregation, Satchel and his recruits spent their nights carousing and their days dropping close games to their rivals, who were also stocked with great players. Desperate to restore discipline, Trujillo tapped the leader of his death squads to become part of the team management. The American players believed they might be lined up and shot if they lost the tournament. When Paige’s team ultimately rallied to win, it barely registered with Trujillo, who a few months later ordered the killings of fifteen thousand Haitians at the border between Haiti and the Dominican Republic. Paige and his teammates returned to the states to face banishment from the Negro Leagues, but ironically they barnstormed across America wearing their Trujillo All-Stars uniforms. The Pitcher and the Dictator is an extraordinary story of race, politics, and some of the greatest baseball players ever assembled, playing high-stakes baseball in support of one of the Caribbean’s cruelest dictators. For more information about The Pitcher and the Dictator, visit thepitcherandthedictator.com.

Though Satchel Paige lived into the early 1980s, much of our information about his life and especially his career is the stuff of anecdote. He is nevertheless a central figure--arguably the central figure--in our reconstructions of Negro Leagues history. This collection of papers from the 9th Annual Jerry Malloy Negro League Conference focuses on the celebrity of Satchel Paige and the team he is most closely associated with, the Kansas City Monarchs. Accounts of Paige's exploits are scrutinized and the effects of his fame, on both the contemporary perception of black baseball and its depiction in the years since, are discussed.

Presents quips, anecdotes, quotations, and observations from Satchel Paige that describe his experiences in the Negro League and in major league baseball, his thoughts on fellow players, his views on race, and tributes from others.

Taking readers back in time to 1947, an award-winning journalist chronicles an integrated baseball team in Bismarck, North Dakota that rose above a segregated society to become champions, delving into the history of the players, the town and baseball itself.