2012 Poetry Midwest Booksellers Choice Award winner "[Todd Boss] can make any rhyme feel like a concealed weapon." —Sherman Alexie With poems about loss, home, marriage, and the inner music of our lives, Pitch is a series of variations on an overturned piano. By turns bright and dark like the keys on a keyboard, these poems demonstrate the range of one of contemporary poetry’s most musical poets, a master of internal rhyme. from “Overtures on an Overturned Piano” . . . our hi-beams played across the gleaming bed of snowdrifted bramble where it lay, moaning chaotically . . .

In Pitch Dark Anarchy, Randall Horton returns with renewed intensity to the themes that animated his acclaimed collections The Definition of Place and The Lingua Franca of Ninth Street. An extended meditation on the legacy of slavery and the Amistad rebellion serves as a kind of prefatory note, while the body of the text confronts contemporary issues of racial identity and urban decay.

Bernstein, a leading voice in American literary theory, writes an irreverent guide to modernist and contemporary poetics.

Examines sports poems, showing readers how to find the meaning in a poem and discussing the techniques the poets used to create them.

This book invites the reader to jump into a selection of poems about sports written by people from different places and times. It gives the reader the keys needed to unlock poems. It equips the reader to explore the meanings that a poem has, and it explains the techniques poets use to create their effects.

In baseball, as in much poetry, beauty comes from tension. Groundrules and boundaries confine those who would play, but the best find ways to exploit their strictures, and just as the daring base runner takes second on a fly to right, the practiced poet trips the sleepy reader with a surprise rhyme, bold line break, or a jarring reversal of foot. It's no surprise, then, that hardball has a larger body of literature than other sports, or that aficionados are more likely than others to quote lines of verse in support of the game they love. This is Tim Peeler's second book of poems from baseball. It contains some of his most moving and best-crafted poetry. Starting with time-honored themes--fathers and sons, baseball and time, memory and the nation, team and player and loyalty--the poet adapts the universal to the local and personal, proving that baseball, with its easy accommodation of reflection, remains a powerful tool for mining our individual and collective history.

It is remarkable that any Westerner—even so fine a poet as Kenneth Rexroth—could have captured in translation so much of the subtle essence of classic Japanese poetry: the depth of controlled passion, the austere elegance of style, the compressed richness of imagery. The poems are drawn chiefly from the traditional Manyoshu, Kokinshu and Hyakunin Isshu collections, but there are also examplaes of haiku and other later forms. The sound of the Japanese texts i reproduced in Romaji script and the names of the poets in the calligraphy of Ukai Uchiyama. The translator's introduction gives us basic background on the history and nature of Japanese poetry, which is supplemented by notes on the individual poets and an extensive bibliography.