'Peter Lamborn Wilson shows why we cherish pirates - and why, for the sake of the future, we must continue to do so. Interesting and compelling...a rollicking, adventurous book.'Marcus Rediker, author, Between the Devil and the Deep Blue Sea'A chronicler, a historiographer, and a piratologist in the tradition of Defoe...with immense learning and interesting sympathies. His scholarship cuts through the seas of ignorance and prejudice with grace and power.'Peter Linebaugh, author, The London Hanged'One of those rare books which give historians new ideas to think about. It deals with 17th century European converts to Islam - usually but not always as pirates - whose numbers Wilson puts at thousands. His careful analysis of (the) renegadoes, their ideas, and political practice leads to a very tentative suggestion that some of them may have links with Rosicrucianism and the 18th-century Enlightenment...Historians will have to think about this book's novel theme and pursue its implications. Wilson really does turn the world upside down!'Christopher Hill, author, The World Turned Upside DownFrom the 16th to the 19th centuries, Muslim corsairs from the Barbary Coast ravaged European shipping and enslaved thousands of unlucky captives. During this same period, thousands more Europeans converted to Islam and joined the pirate holy war. Were these men (and women) the scum of the seas, apostates, traitors -- Renegadoes? Or did they abandon and betray Christendom as a praxis of social resistance?Peter Lamborn Wilson focuses on the corsairs' most impressive accomplishment, the independent Pirate Republic of Salé, in Morocco, in the 17th century. Corsairs, Sufis, pederasts, "irresistible" Moorish women, slaves, adventures, Irish rebels, heretical Jews, British spies, a Moorish pirate in old New York, and radical working-class heroes all populate a book which intends to entertain and to make a point about insurrectionary communities.

Original introduction by Warren Ellis, author of Transmetropolitan and Gun Machine Who are these bold rebels pillaging their European neighbors in the name of revolution? The Futurists! Utopian pirate-warriors of the tiny Regency of Carnaro, unlikely scourge of the Adriatic Sea. Mortal enemies of communists, capitalists, and even fascists (to whom they are not entirely unsympathetic). The ambitious Soldier-Citizens of Carnaro are led by a brilliant and passionate coterie of the perhaps insane. Lorenzo Secondari, World War I veteran, engineering genius, and leader of Croatian raiders. Frau Piffer, Syndicalist manufacturer of torpedos at a factory run by and for women. The Ace of Hearts, a dashing Milanese aristocrat, spymaster, and tactical savant. And the Prophet, a seductive warrior-poet who leads via free love and military ruthlessness. Fresh off of a worldwide demonstration of their might, can the Futurists engage the aid of sinister American traitors and establish world domination?

A wide-ranging collection of writings on emerging political structures in cyberspace. In Crypto Anarchy, Cyberstates, and Pirate Utopias, Peter Ludlow extends the approach he used so successfully in High Noon on the Electronic Frontier, offering a collection of writings that reflects the eclectic nature of the online world, as well as its tremendous energy and creativity. This time the subject is the emergence of governance structures within online communities and the visions of political sovereignty shaping some of those communities. Ludlow views virtual communities as laboratories for conducting experiments in the construction of new societies and governance structures. While many online experiments will fail, Ludlow argues that given the synergy of the online world, new and superior governance structures may emerge. Indeed, utopian visions are not out of place, provided that we understand the new utopias to be fleeting localized "islands in the Net" and not permanent institutions. The book is organized in five sections. The first section considers the sovereignty of the Internet. The second section asks how widespread access to resources such as Pretty Good Privacy and anonymous remailers allows the possibility of "Crypto Anarchy"—essentially carving out space for activities that lie outside the purview of nation states and other traditional powers. The third section shows how the growth of e-commerce is raising questions of legal jurisdiction and taxation for which the geographic boundaries of nation-states are obsolete. The fourth section looks at specific experimental governance structures evolved by online communities. The fifth section considers utopian and anti-utopian visions for cyberspace. Contributors Richard Barbrook, John Perry Barlow, William E. Baugh Jr., David S. Bennahum, Hakim Bey, David Brin, Andy Cameron, Dorothy E. Denning, Mark Dery, Kevin Doyle, Duncan Frissell, Eric Hughes, Karrie Jacobs, David Johnson, Peter Ludlow, Timothy C. May, Jennifer L. Mnookin, Nathan Newman, David G. Post, Jedediah S. Purdy, Charles J. Stivale

Hitching rides on a motley assortment of freighters, dhows, yachts, and fishing smacks, Kevin Rushby sailed up the east coast of Africa in search of the lost pirate settlements that, in the sixteenth century, were established on the islands and atolls in the Indian Ocean. He turned east to the islands of Comoros and Madagascar, his ultimate objective being to locate the descendants of the infamous sixteenth-century pirates-such as Captain Misson, the legendary French pirate who may have been dreamed up by Daniel Defoe; English sailor-turned-buccaneer Thomas White; and Rhode Islander Thomas Tew-who carved kingdoms for themselves in the remote jungles of northeast Madagascar. As he traveled, Rushby met up with the crackpot dreamers, tough settlers, fighters and failures who live on the coasts and islands now-where forgotten Portuguese forts lie covered in jungle, where some have tried to shoot their way to paradise, and where the ocean can destroy lives and dreams as quickly as men and women create them.

Lewis Dearborn is a lonely, anxious, "terminally shy" boy of eleven when his great-grandfather passes away and leaves Lewis's family with his decaying seaside mansion. Lewis is initially delighted with his new bedroom, a secluded tower in a remote part of the house. Then he discovers that it's already occupied -- by the ghosts of seven dead pirates. Worse, the ghosts expect him to help them re-take their ship, now restored and on display in a local museum, so they can make their way to Libertalia, a legendary pirate utopia. The only problem is that this motley crew hasn't left the house in almost two hundred years and is terrified of going outside. As Lewis warily sets out to assist his new roommates -- a raucous, unruly bunch who exhibit a strange delight in thrift-store fashions and a thirst for storybooks -- he begins to open himself to the possibilities of friendship, passion and joie de vivre and finds the courage to speak up.

Working people are taking back their time and technological know-how from the deadening jobs in small, under-the-radar ways, making life better right now. They reclaim the streets at Critical Mass cycle rides; they reclaim the urban landscape with guerrilla gardening and make common cause in virtual worlds with networks, freeware and hacking. This is a discourse on work, on what we do to make it bearable and the creativity of all those people who subvert the normal order of things. The DIY future is now.

A retelling of Robert Louis Stevenson’s Treasure Island, Pussy, King of the Pirates is a dizzyingly imaginative foray through world history, literature, and language itself.