'Peter Lamborn Wilson shows why we cherish pirates - and why, for the sake of the future, we must continue to do so. Interesting and compelling...a rollicking, adventurous book.'Marcus Rediker, author, Between the Devil and the Deep Blue Sea'A chronicler, a historiographer, and a piratologist in the tradition of Defoe...with immense learning and interesting sympathies. His scholarship cuts through the seas of ignorance and prejudice with grace and power.'Peter Linebaugh, author, The London Hanged'One of those rare books which give historians new ideas to think about. It deals with 17th century European converts to Islam - usually but not always as pirates - whose numbers Wilson puts at thousands. His careful analysis of (the) renegadoes, their ideas, and political practice leads to a very tentative suggestion that some of them may have links with Rosicrucianism and the 18th-century Enlightenment...Historians will have to think about this book's novel theme and pursue its implications. Wilson really does turn the world upside down!'Christopher Hill, author, The World Turned Upside DownFrom the 16th to the 19th centuries, Muslim corsairs from the Barbary Coast ravaged European shipping and enslaved thousands of unlucky captives. During this same period, thousands more Europeans converted to Islam and joined the pirate holy war. Were these men (and women) the scum of the seas, apostates, traitors -- Renegadoes? Or did they abandon and betray Christendom as a praxis of social resistance?Peter Lamborn Wilson focuses on the corsairs' most impressive accomplishment, the independent Pirate Republic of Salé, in Morocco, in the 17th century. Corsairs, Sufis, pederasts, "irresistible" Moorish women, slaves, adventures, Irish rebels, heretical Jews, British spies, a Moorish pirate in old New York, and radical working-class heroes all populate a book which intends to entertain and to make a point about insurrectionary communities.

Original introduction by Warren Ellis, author of Transmetropolitan and Gun Machine Who are these bold rebels pillaging their European neighbors in the name of revolution? The Futurists! Utopian pirate-warriors of the tiny Regency of Carnaro, unlikely scourge of the Adriatic Sea. Mortal enemies of communists, capitalists, and even fascists (to whom they are not entirely unsympathetic). The ambitious Soldier-Citizens of Carnaro are led by a brilliant and passionate coterie of the perhaps insane. Lorenzo Secondari, World War I veteran, engineering genius, and leader of Croatian raiders. Frau Piffer, Syndicalist manufacturer of torpedos at a factory run by and for women. The Ace of Hearts, a dashing Milanese aristocrat, spymaster, and tactical savant. And the Prophet, a seductive warrior-poet who leads via free love and military ruthlessness. Fresh off of a worldwide demonstration of their might, can the Futurists engage the aid of sinister American traitors and establish world domination?

A wide-ranging collection of writings on emerging political structures in cyberspace. In Crypto Anarchy, Cyberstates, and Pirate Utopias, Peter Ludlow extends the approach he used so successfully in High Noon on the Electronic Frontier, offering a collection of writings that reflects the eclectic nature of the online world, as well as its tremendous energy and creativity. This time the subject is the emergence of governance structures within online communities and the visions of political sovereignty shaping some of those communities. Ludlow views virtual communities as laboratories for conducting experiments in the construction of new societies and governance structures. While many online experiments will fail, Ludlow argues that given the synergy of the online world, new and superior governance structures may emerge. Indeed, utopian visions are not out of place, provided that we understand the new utopias to be fleeting localized "islands in the Net" and not permanent institutions. The book is organized in five sections. The first section considers the sovereignty of the Internet. The second section asks how widespread access to resources such as Pretty Good Privacy and anonymous remailers allows the possibility of "Crypto Anarchy"—essentially carving out space for activities that lie outside the purview of nation states and other traditional powers. The third section shows how the growth of e-commerce is raising questions of legal jurisdiction and taxation for which the geographic boundaries of nation-states are obsolete. The fourth section looks at specific experimental governance structures evolved by online communities. The fifth section considers utopian and anti-utopian visions for cyberspace. Contributors Richard Barbrook, John Perry Barlow, William E. Baugh Jr., David S. Bennahum, Hakim Bey, David Brin, Andy Cameron, Dorothy E. Denning, Mark Dery, Kevin Doyle, Duncan Frissell, Eric Hughes, Karrie Jacobs, David Johnson, Peter Ludlow, Timothy C. May, Jennifer L. Mnookin, Nathan Newman, David G. Post, Jedediah S. Purdy, Charles J. Stivale

“Thoroughly engrossing . . . a spirited, suspenseful, economically told tale whose significance is manifest and whose pace never flags.” —The Wall Street Journal From The New York Times–bestselling author of The Ghost Map and Extra Life, the story of a pirate who changed the world Henry Every was the seventeenth century’s most notorious pirate. The press published wildly popular—and wildly inaccurate—reports of his nefarious adventures. The British government offered enormous bounties for his capture, alive or (preferably) dead. But Steven Johnson argues that Every’s most lasting legacy was his inadvertent triggering of a major shift in the global economy. Enemy of All Mankind focuses on one key event—the attack on an Indian treasure ship by Every and his crew—and its surprising repercussions across time and space. It’s the gripping tale of one of the most lucrative crimes in history, the first international manhunt, and the trial of the seventeenth century. Johnson uses the extraordinary story of Henry Every and his crimes to explore the emergence of the East India Company, the British Empire, and the modern global marketplace: a densely interconnected planet ruled by nations and corporations. How did this unlikely pirate and his notorious crime end up playing a key role in the birth of multinational capitalism? In the same mode as Johnson’s classic nonfiction historical thriller The Ghost Map, Enemy of All Mankind deftly traces the path from a single struck match to a global conflagration.

Utopias have long interested scholars of the intellectual and literary history of the early modern period. From the time of Thomas More's Utopia (1516), fictional utopias were indebted to contemporary travel narratives, with which they shared interests in physical and metaphorical journeys, processes of exploration and discovery, encounters with new peoples, and exchange between cultures. Travel writers, too, turned to utopian discourses to describe the new worlds and societies they encountered. Both utopia and travel writing came to involve a process of reflection upon their authors' societies and cultures, as well as representations of new and different worlds. As awareness of early modern encounters with new worlds moves beyond the Atlantic World to consider exploration and travel, piracy and cultural exchange throughout the globe, an assessment of the mutual indebtedness of these genres, as well as an introduction to their development, is needed. New Worlds Reflected provides a significant contribution both to the history of utopian literature and travel, and to the wider cultural and intellectual history of the time, assembling original essays from scholars interested in representations of the globe and new and ideal worlds in the period from the sixteenth to eighteenth centuries, and in the imaginative reciprocal responsiveness of utopian and travel writing. Together these essays underline the mutual indebtedness of travel and utopia in the early modern period, and highlight the rich variety of ways in which writers made use of the prospect of new and ideal worlds. New Worlds Reflected showcases new work in the fields of early modern utopian and global studies and will appeal to all scholars interested in such questions.

Hitching rides on a motley assortment of freighters, dhows, yachts, and fishing smacks, Kevin Rushby sailed up the east coast of Africa in search of the lost pirate settlements that, in the sixteenth century, were established on the islands and atolls in the Indian Ocean. He turned east to the islands of Comoros and Madagascar, his ultimate objective being to locate the descendants of the infamous sixteenth-century pirates-such as Captain Misson, the legendary French pirate who may have been dreamed up by Daniel Defoe; English sailor-turned-buccaneer Thomas White; and Rhode Islander Thomas Tew-who carved kingdoms for themselves in the remote jungles of northeast Madagascar. As he traveled, Rushby met up with the crackpot dreamers, tough settlers, fighters and failures who live on the coasts and islands now-where forgotten Portuguese forts lie covered in jungle, where some have tried to shoot their way to paradise, and where the ocean can destroy lives and dreams as quickly as men and women create them.

This collection of new essays covers the myriad portrayals of the figure of the pirate in historical records, literary narratives, films, television series, opera, anime and games. Contributors explore the nuances of both real and fictional pirates, giving attention to renowned works such as Robert Louis Stevenson's Treasure Island, J.M. Barrie's Peter Pan, the Pirates of the Caribbean saga, and the anime One Piece, as well as less well known works such as pirate romances, William Clarke Russell's The Frozen Pirate, Lionel Lindsay's artworks, Steven Speilberg's The Adventures of Tintin, and Pastafarian texts.