Now that the FCC has changed the laws governing pirate radio and video stations, more and more people across the country are starting broadcasts from their homes. Of course transmitting equipment is very expensive, but now you can build your own transmitters for a fraction of the cost of purchasing. By reading about and building the over thirty projects in Pirate Radio and Video, you can construct your own station with a minimum investment for maximum learning. With projects for UHF, VHF, AM and FM transmitters, this book covers the gamut of popular bands and outputs. Not only will you learn how to build your own transmitters, but also how to troubleshoot problems, test outcomes and even synthesize several types of equipment into a powerful and unique system. Written with the electronics hobbyist in mind, each project includes basic diagrams, complete instructions as well as advice on how to make each project work best for you. The list of projects includes over several different FM radio transmitters, AM radio transmitters, microwave transmitters, shortwave transmitters, UHF video transmitters, VHF video transmitters as well as nearly a dozen special projects for test equipment and system set-ups. If you are interested in setting up your own radio or television broadcasting system, you will need a copy of this book to do it! Learn how to build your own UHF, VHF, AM and FM transmitters, saving thousands of dollars over buying equipment at a specialty store Start broadcasting your own video or radio signals from your self-built station Experience the fun and learning that radio and video production and broadcasting gives the whole family

Accompanying audio CD has 74 minutes of broadcast excerpts from dozens of underground radio stations.

“A superb account of the rise of modern broadcasting.” —Financial Times When the pirate operator Oliver Smedley shot and killed his rival Reg Calvert in Smedley’s country cottage on June 21, 1966, it was a turning point for the outlaw radio stations dotting the coastal waters of England. Situated on ships and offshore forts like Shivering Sands, these stations blasted away at the high-minded BBC’s broadcast monopoly with the new beats of the Stones and DJs like Screaming Lord Sutch. For free-market ideologues like Smedley, the pirate stations were entrepreneurial efforts to undermine the growing British welfare state as embodied by the BBC. The worlds of high table and underground collide in this riveting history.

This fascinating selection of photographs illustrates the ‘golden years’ of radio when pirates ruled the airwaves.

Radio Caroline was the world's most famous pirate radio station during its heyday in the 1960s and '70s, but did the thousands of people tuning in realise just what battles went on behind the scenes? Financed by respected city money men, this is a story of human endeavour and risk, international politics, business success and financial failures. A story of innovation, technical challenges, changing attitudes, unimaginable battles with nature, disasters, frustrations, challenging authority and the promotion of love and peace while, at times, harmony was far from evident behind the scenes. For one person to tell the full Radio Caroline story is impossible, but there are many who have been involved over the years whose memories and experiences bring this modern day adventure story of fighting overwhelming odds to life. Featuring many rare photographs and unpublished interviews with the 'pirates' who were there, Ray Clark, once a Radio Caroline disc jockey himself, tells the captivating story of the boat that rocked!

In this 1960 Edgar Award-winning thriller, a young housewife with two lively daughters and an endlessly crying baby battles domestic chaos as well as growing suspicions of the household's new lodger.

'Sonic intimacy' is a key concept through which sound, human and technological relations can be assessed in relation to racial capitalism. What is sonic intimacy, how is it changing and what is at stake in its transformation, are questions that should concern us all. Through an analysis of alternative music cultures of the Black Atlantic (reggae sound systems, jungle pirate radio and grime YouTube music videos), Malcolm James critically shows how sonic intimacy pertains to modernity's social, psychic, spatial and temporal movements. This book explores what is urgently at stake in the development of sonic intimacy for human relations and alternative black and anti-capitalist public politics.