Why do thousands of Mormons devote their summer vacations to following the Mormon Trail? Why does the Church of Jesus Christ of Latter-day Day Saints spend millions of dollars to build monuments and Visitor Centers that believers can visit to experience the history of their nineteenth-century predecessors who fled westward in search of their promised land? Why do so many Mormon teenagers dress up in Little-House-on-the-Prairie-style garb and push handcarts over the highest local hills they can find? And what exactly is a "traveling Zion"? In Pioneers in the Attic, Sara Patterson analyzes how and why Mormons are engaging their nineteenth-century past in the modern era, arguing that as the LDS community globalized in the late twentieth and early twenty-first centuries, its relationship to space was transformed. Following their exodus to Utah, nineteenth-century Mormons believed that they must gather together in Salt Lake Zion - their new center place. They believed that Zion was a place you could point to on a map, a place you should dwell in to live a righteous life. Later Mormons had to reinterpret these central theological principles as their community spread around the globe, but to say that they simply spiritualized concepts that had once been understood literally is only one piece of the puzzle. Contemporary Mormons still want to touch and to feel these principles, so they mark and claim the landscapes of the American West with versions of their history carved in stone. They develop rituals that allow them not only to learn the history of the nineteenth-century journey west, but to engage it with all of their senses. Pioneers in the Attic reveals how modern-day Mormons have created a sense of community and felt religion through the memorialization of early Mormon pioneers of the American West, immortalizing a narrative of shared identity through an emphasis on place and collective memory.

"Place and Memory Along the Mormon Trail argues that as the Latter-day Saint community globalized in the late twentieth and early twenty-first centuries, its relationship to space transformed. Initially, nineteenth-century Mormons believed that they must literally gather together in their new Salt Lake Zion-their center place. They believed that Zion was a place you could point to on a map, a place you should dwell in to live a righteous life. Later Mormons had to reinterpret these central theological principles as their community spread around the globe. They began to make such claims as "We should spiritually gather together" and "Zion is wherever the people of God are." But to say that they simply spiritualized concepts that had once been understood literally is only one piece of the puzzle. Contemporary Mormons still want to touch and to feel these principles. And so they mark and claim the landscapes of the American West with versions of their history carved in stone. They develop rituals that allow them not only to learn the history of the nineteenth-century journey west, but to engage it with all of their senses. Pioneers in the Attic examines the ways that contemporary Mormons first spiritualized and then reliteralized and concretized several central theological concepts in order to emphasize and make meaningful a center place even as they become an increasingly place-less community"

From a rediscovered collection of autobiographical accounts written by hundreds of Kansas pioneer women in the early twentieth century, Joanna Stratton has created a collection hailed by Newsweek as “uncommonly interesting” and “a remarkable distillation of primary sources.” Never before has there been such a detailed record of women’s courage, such a living portrait of the women who civilized the American frontier. Here are their stories: wilderness mothers, schoolmarms, Indian squaws, immigrants, homesteaders, and circuit riders. Their personal recollections of prairie fires, locust plagues, cowboy shootouts, Indian raids, and blizzards on the plains vividly reveal the drama, danger and excitement of the pioneer experience. These were women of relentless determination, whose tenacity helped them to conquer loneliness and privation. Their work was the work of survival, it demanded as much from them as from their men—and at last that partnership has been recognized. “These voices are haunting” (The New York Times Book Review), and they reveal the special heroism and industriousness of pioneer women as never before.

Latter-day Saint Art: A Critical Reader seeks to fill a substantial gap by providing a comprehensive examination of the visual art of the Latter-day Saints from the nineteenth century to the present. The volume includes twenty-two essays examining art by, for, or about Mormons, as well as over 200 high-quality color illustrations.

The three volumes of My Own Pioneers together tell a remarkable story of the desperate pioneer struggles of four generations of the author’s family. Although the memorable historical journey begins seven generations ago, these three volumes of stories focus on four important pioneer generation. They are the culmination of fifteen years of painstaking research as the author carefully reconstructs her family’s pioneer struggles from before 1830 to 1918 using information from family records, journals, memoirs, histories and letters, supplemented by accounts from their pioneer companions, and by Church and other official records. Volume I tells about the author’s once prosperous pioneer families survived the French and Indian War and the War of 1812, then eventually relocated to join the newly founded Mormon Church. The stories tell how the pressure of mobs and mob wars eventually forced these families to abandon everything as they were driven from place to place, until they found themselves exiled on the western-most border of the United States—at the Missouri River—looking toward the wild and hostile West as their only refuge. Stories describe how dozens of family members were among the Mormon refugees who died by the hundreds at the Missouri River, of illness, starvation and exposure. Yet family members had managed to journey among Indians on the frontier to preach, and had sailed through nearly catastrophic ocean storms to preach in England. And despite much sorrow and hardship, this volume relates how five family members left their loved ones behind at the sickly Missouri River in order to march down the Old Santa Fe Trail in the U.S. Army’s Mormon Battalion to prove their loyalty to the government by helping to fight a war with Mexico.

Memoirs of John R. Young, Utah Pioneer, 1847 by John R. Young, first published in 1920, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.