This is a dual biography, the story of Louis Esson, the distinguished playwright who has been called 'the father of Australian drama', and his wife Hilda, who did her own pioneering in the theatre and in public health. The plays they wrote and performed reflected the drama of their lives: creative angst, intellectual conflict, untimely death, romantic entanglement, jealousy and despair. Yet Peter Fitzpatrick's book is more than a good read. As a critical appraisal of Louis Esson's plays and an exploration of the relationships the Essons had with well-known literary and theatrical figures in Australia and overseas, the book is an exploration of a developing Australian culture and identity. It is also about the dynamics of a marriage between two brilliant people, reflecting not only the patterns of gender relationships in their own time, but universal passions and strategies.

Tatjana Goldberg reveals the extent to which gender and socially constructed identity influenced female violinists’ ‘separate but unequal’ status in a great male-dominated virtuoso lineage by focussing on the few that stood out: the American Maud Powell (1867–1920), Australian-born Alma Moodie (1898–1943), and the British Marie Hall (1884–1956). Despite breaking down traditional gender-based patriarchal social and cultural norms, becoming celebrated soloists, and greatly contributing towards violin works and the early recording industry (Powell and Hall), they received little historical recognition. Goldberg provides a more complete picture of their artistic achievements and the impact they had on audiences.

The Chess Traveler and Pioneer by Michael Abron __________________________________

This collection of essays challenges conceptions of "high" modernism, its preoccupation with style at the expense of issues such as race, class and gender, and its exclusive focus both on predominately male writers, poetry and prose fiction by highlighting the diversity of cultural production in the modernist period. This book focusses specifically on women's cultural production, covering a wide range of arts and genres including chapters on painting, theatre, and magazines. The book investigates how women usually constructed as "others", themselves construct others in their work in a period prominently concerned with the construction of self as an issue. This diversity offers a new format of reading modernism in a cross-disciplinary context.

In this essay collection, established experts and new researchers, reassess the performances and cultural significance of Ellen Terry, her daughter Edith Craig (1869–1947) and her son Edward Gordon Craig (1872–1966), as well as Bram Stoker, Lewis Carroll and some less familiar figures.