In 1877, America was in turmoil from a recession, labor strikes and ethnic conflicts. From far off Idaho came a heroine to raise the flagging spirits of a nation. At the beginning of the Nez Perce War Isabella Benedict carried her children up the White Bird Canyon without food, while in mortal danger, until she encountered the U. S. Cavalry. Ironically, a Nez Perce man came to her rescue when the army proved inept. Her life included 2 husbands and 9 children, a father killed in a gunfight, a stepfather lynched in Lewiston, and a son-in-law convicted of manslaughter. Isabella used her Irish toughness, perseverance, and family loyalty to make her way on the American frontier and leave a legacy for her many descendants. Her story reveals a great deal about early Florence, White Bird, Grangeville, and Slate Creek, Idaho and about all the women of the West.

The great adventurer who helped make whitewater rafting a beloved national pastime comes to vivid life in this rollicking biography. Georgie White Clark—adventurer, raconteur, eccentric—first came to know the canyons of the Colorado River by swimming portions of them with a single companion. She subsequently hiked and rafted portions of the canyons, increasingly sharing her love of the Colorado River with friends and acquaintances. At first establishing a part-time guide service as a way to support her own river trips, Clark went on to become perhaps the canyons’ best-known river guide, introducing their rapids to many others, both on the river, via her large-capacity rubber rafts, and across the nation, via magazine articles and movies. Georgie Clark saw the river and her sport change with the building of Glen Canyon Dam, enormous increases in the popularity of river running, and increased National Park Service regulation of rafting and river guides. Adjusting, though not always easily, to the changes, she helped transform an elite adventure sport into a major tourist activity.

Reprint of the original, first published in 1875.

From the late 1970s into the early 1990s, a generation of female filmmakers took aim at their home countries’ popular myths of the frontier. Deeply influenced by second-wave feminism and supported by hard-won access to governmental and institutional funding and training, their trailblazing films challenged traditionally male genres like the Western. Instead of reinforcing the myths of nationhood often portrayed in such films—invariably featuring a lone white male hero pitted against the “savage” and “uncivilized” native terrain—these filmmakers constructed counternarratives centering on women and marginalized communities. In place of rugged cowboys violently removing indigenous peoples to make the frontier safe for their virtuous wives and daughters, these filmmakers told the stories of colonial and postcolonial societies from a female and/or subaltern point of view. Herstories on Screen is a transnational study of feature narrative films from Australia, Canada, the United States, and New Zealand/Aotearoa that deconstruct settler-colonial myths. Kathleen Cummins offers in-depth readings of ten works by a diverse range of women filmmakers including Jane Campion, Julie Dash, Merata Mita, Tracey Moffatt, and Anne Wheeler. She reveals how they skillfully deploy genre tropes and popular storytelling conventions in order to critique master narratives of feminine domesticity and purity and depict women and subaltern people performing acts of agency and resistance. Cummins details the ways in which second-wave feminist theory and aesthetics informed these filmmakers’ efforts to debunk idealized Anglo-Saxon femininity and motherhood and lay bare gendered and sexual violence and colonial oppression.

The astonishing first-person account of Mississippi pioneer woman struggling to survive, protect her family, and make a home in the early American South. Near the end of her life, Mary Mann Hamilton (1866 - c.1936) began recording her experiences in the backwoods of the Mississippi Delta. The result is this astonishing first-person account of a pioneer woman who braved grueling work, profound tragedy, and a pitiless wilderness (she and her family faced floods, tornadoes, fires, bears, panthers, and snakes) to protect her home in the early American South. An early draft of Trials of the Earth was submitted to a writers' competition sponsored by Little, Brown in 1933. It didn't win, and we almost lost the chance to bring this raw, vivid narrative to readers. Eighty-three years later, in partnership with Mary Mann Hamilton's descendants, we're proud to share this irreplaceable piece of American history. Written in spare, rich prose, Trials of the Earth is a precious record of one woman's extraordinary endurance and courage that will resonate with readers of history and fiction alike.