Pinocchio, The Tale of a Puppet follows the adventures of a talking wooden puppet whose nose grew longer whenever he told a lie and who wanted more than anything else to become a real boy.As carpenter Master Antonio begins to carve a block of pinewood into a leg for his table the log shouts out, "Don't strike me too hard!" Frightened by the talking log, Master Cherry does not know what to do until his neighbor Geppetto drops by looking for a piece of wood to build a marionette. Antonio gives the block to Geppetto. And thus begins the life of Pinocchio, the puppet that turns into a boy.Pinocchio, The Tale of a Puppet is a novel for children by Carlo Collodi is about the mischievous adventures of Pinocchio, an animated marionette, and his poor father and woodcarver Geppetto. It is considered a classic of children's literature and has spawned many derivative works of art. But this is not the story we've seen in film but the original version full of harrowing adventures faced by Pinnocchio. It includes 40 illustrations.

In 1940, Walt Disney released his second feature film: Pinocchio, based on Carlo Collodi’s 1883 Italian children’s novel. The film was groundbreaking: it pioneered the latest animation and sound technology of the era, and established a blueprint for Disney filmmaking that remains intact today. It became the first animated feature to win a competitive Academy Award® (in fact, it won two), and earned a place on the roster of the National Film Registry. Pinocchio’s crucial role has endured decades, given its rare 100% rating on the film website Rotten Tomatoes and the lively discourse that continues to surround the film today. To celebrate the film’s 75th anniversary, author J.B. Kaufman presents a complete history of the making of Pinocchio, from source material to rerelease. Pinocchio, published in partnership with the Walt Disney Family Foundation and the Walt Disney Family Museum, is an in-depth exploration of the making of the film. Academy Award-winning animator and film historian John Canemaker says of Pinocchio: “In great detail, J. B. Kaufman reveals the struggles, triumphs and disappointments encountered by Disney and his staff during the creation of this sacred monster of a film. Woven here is a once-upon-a-time story sure to fascinate and inform readers, an exciting adventure into the inner workings of a one-of-a kind studio and team at its creative peak.” Go behind to the scenes with stories of the inner workings of the Golden Age of Animation, the animators’ personalities and story changes like why Jiminy Cricket’s character almost got left on the cutting room floor. Over 300 photographs, illustrations and concept sketches – many of which are available for the very first time – accompany the story behind the story. Become a part of the wild, legendary ride that was the making of Pinocchio.

The adventures of the wooden puppet boy whose nose grew whenever he told a lie.

A wooden puppet full of tricks and mischief, with a talent for getting into and out of trouble, wants more than anything else to become a real boy. Features pop-up and pull-tab illustrations.

Truly one of the most beautiful books of animation art ever produced, this celebration of the character of 'Pinocchio' is an extraordinary museum-quality volume that celebrates the work of the legendary artist who, more than half a century ago, worked with Disney to create one of the world's best-loved animation films.

While Carlo Collodi's internationally revered Pinocchio may not have been the single source of the modernist fascination with puppets and marionettes, the book's appearance on the threshold of the modernist movement heralded a new artistic interest in the making of human likenesses. And the puppets, marionettes, and other forms that figure so vividly and provocatively in modernist and avant-garde drama can, according to Harold Segel, be regarded as Pinocchio's progeny. Segel argues that the philosophical, social, and artistic proclivities of the modernist movement converged in the discovery of an exciting new relevance in the puppet and marionette. Previously viewed as entertainment for children and fairground audiences, puppets emerged as an integral component of the modernist vision. They became metaphors for human helplessness in the face of powerful forces -- from Eros and the supernatural to history, industrial society, and national myth. Dramatists used them to satirize the tyranny of bourgeois custom and convention, to deflate the arrogance of the powerful, and to breathe new life into a theater that had become tradition-bound and commercialized. Pinocchio's Progeny offers a broad overview of the uses of these figures in European drama from 1890 to 1935. It considers developments in France, Spain, Italy, Austria, Germany, Sweden, Russia, Poland and Czechoslovakia. In his introduction, Segel reviews the premodernist literary and dramatic treatment of the puppet and marionette from Cervantes' Don Quixote to the turn-of-the- century European cabaret. His epilogue considers the appearance of puppets and marionettes in postmodern European and American drama by examining worksby such dramatists as Jean-Claude Van Itallie, Heiner MA1/4ller, and Tadeusz Kantor.

Based on the classic tale of a wooden boy who longs to be human, this action-packed adaptation of the Pinocchio story includes a message that is both morally uplifting and true to the message of the Gospel of Christ. Join Pinocchio in his trials and adventures as he searches for eternal life and eventually discovers the miracle of the new birth.