The author charts the construction of masculinity within American literary culture from the 1930s to the 1970s. He examines the macho criticism that originated in the 1930s within the high modernist New York intellectual circle and tracks the issues of class struggle, anti-communism, and the clash between the Old and New Left in the 1960s. By extending literary culture to include not just novels, plays, and poetry, but diaries, journals, manifestos, essays, literary criticism, journalism, non-fiction, essays on psychology and sociology, and screenplays, he foregrounds the multiplicity of gender attitudes available in each of the historical moments he addresses.

Jewish masculinity as a diverse set of adaptive reactions to masculine hegemony and the political, religious, and social realities of American Jews throughout the twentieth century. For twentieth-century Jewish immigrants and their children attempting to gain full access to American society, performative masculinity was a tool of acculturation. However, as scholar Miriam Eve Mora demonstrates, this performance is consistently challenged by American mainstream society that holds Jewish men outside of the American ideal of masculinity. Depicted as weak, effeminate, cowardly, gentle, bookish, or conflict-averse, Jewish men have been ascribed these qualities by outside forces, but some have also intentionally subscribed themselves to masculinities at odds with the American mainstream. Carrying a Big Schtickdissects notions of Jewish masculinity and its perception and practice in America in the twentieth century through the lenses of immigration and cultural history. Tracing Jewish masculinity through major themes and events including both World Wars, the Holocaust, American Zionism, Israeli statehood, and the Six-Day War, this work establishes that the struggle of this process can shed light on the changing dynamics in religious, social, and economic American Jewish life.

Leading with the Chin focuses on the Esquire writings of James Baldwin, Truman Capote, Raymond Carver, Don DeLillo, Norman Mailer, and Tim O'Brien to examine how these authors negotiated important shifts in American masculinity. Using the works of these six authors as case studies, Leading with the Chin argues that Esquire permitted writers to confront national fantasies of American masculinity as they were impacted by the rise of neoliberalism, civil rights and gay rights, and the cultural dominance of the professional-managerial class. Applying the methodologies of periodical studies and the theoretical concerns of masculinity studies, this book recontextualizes the prose and fiction of these authors by analyzing them in the material context of the magazine. Relating each author's articulation of masculinity to the advertisements, editorials, and articles published in each issue, Leading with the Chin shows that Esquire reflected and helped to shape the forces that structured American masculinity in the twentieth century.

Queering the Terminator: Sexuality and Cyborg Cinema considers the sexual politics and queer implications of the Terminator films, from the first 1984 film to the 2015 reboot.

In such popular television series as The West Wing and 24, in thrillers like Tom Clancy’s novels, and in recent films, plays, graphic novels, and internet cartoons, America has been led by an amazing variety of chief executives. Some of these are real presidents who have been fictionally reimagined. Others are “might-have-beens” like Philip Roth’s President Charles Lindbergh. Many more have never existed except in some storyteller’s mind. In The Presidents We Imagine, Jeff Smith examines the presidency’s ever-changing place in the American imagination. Ranging across different media and analyzing works of many kinds, some familiar and some never before studied, he explores the evolution of presidential fictions, their central themes, the impact on them of new and emerging media, and their largely unexamined role in the nation’s real politics. Smith traces fictions of the presidency from the plays and polemics of the eighteenth century—when the new office was born in what Alexander Hamilton called “the regions of fiction”—to the digital products of the twenty-first century, with their seemingly limitless user-defined ways of imagining the world’s most important political figure. Students of American culture and politics, as well as readers interested in political fiction and film, will find here a colorful, indispensable guide to the many surprising ways Americans have been “representing” presidents even as those presidents have represented them. “Especially timely in an era when media image-mongering increasingly shapes presidential politics.”—Paul S. Boyer, series editor “Smith's understanding of the sociopolitical realities of US history is impressive; likewise his interpretations of works of literature and popular culture. . . .In addition to presenting thoughtful analysis, the book is also fun. Readers will enjoy encounters with, for example, The Beggar's Opera, Duck Soup, Edward Bellamy's Looking Backward, Philip Roth's Plot against America, the comedic campaigns of W. C. Fields for President and Pogo for President, and presidential fictions that continue up to the last President Bush. . . . His writing is fluid and conversational, but every page reveals deep understanding and focus. Summing Up: Highly recommended. All readers.”—CHOICE

The New York Times Bestseller A New York Times Notable Book of 2022 Named one of Vanity Fair's “Best Books of 2022” “Not since Robert Caro’s Years of Lyndon Johnson have I been so riveted by a work of history. Secret City is not gay history. It is American history.” —George Stephanopoulos Washington, D.C., has always been a city of secrets. Few have been more dramatic than the ones revealed in James Kirchick’s Secret City. For decades, the specter of homosexuality haunted Washington. The mere suggestion that a person might be gay destroyed reputations, ended careers, and ruined lives. At the height of the Cold War, fear of homosexuality became intertwined with the growing threat of international communism, leading to a purge of gay men and lesbians from the federal government. In the fevered atmosphere of political Washington, the secret “too loathsome to mention” held enormous, terrifying power. Utilizing thousands of pages of declassified documents, interviews with over one hundred people, and material unearthed from presidential libraries and archives around the country, Secret City is a chronicle of American politics like no other. Beginning with the tragic story of Sumner Welles, Franklin Delano Roosevelt’s brilliant diplomatic advisor and the man at the center of “the greatest national scandal since the existence of the United States,” James Kirchick illuminates how homosexuality shaped each successive presidential administration through the end of the twentieth century. Cultural and political anxiety over gay people sparked a decades-long witch hunt, impacting everything from the rivalry between the CIA and the FBI to the ascent of Joseph McCarthy, the struggle for Black civil rights, and the rise of the conservative movement. Among other revelations, Kirchick tells of the World War II–era gay spymaster who pioneered seduction as a tool of American espionage, the devoted aide whom Lyndon Johnson treated as a son yet abandoned once his homosexuality was discovered, and how allegations of a “homosexual ring” controlling Ronald Reagan nearly derailed his 1980 election victory. Magisterial in scope and intimate in detail, Secret City will forever transform our understanding of American history.

As more and more work is being done in the name of the ever-growing field of study of literary representations of masculinities, it seems timely to not only review its development and main contributions to the larger field of masculinity studies, but also to look at its latest advances and new directions. These are precisely the two main aims of Masculinities and Literary Studies, which seeks to explore the conjunction between these two fields while exploring some of the latest developments and new directions resulting from such intersections. If much of the existing masculinity scholarship has traditionally been grounded in a specific discipline, this volume also seeks to provide an innovative methodological approach to the subject of literary masculinities by proving the applicability of the latest interdisciplinary masculinity scholarship - namely, sociology, social work, psychology, economics, political science, ecology, etc. - to the literary analysis, thus crossing the traditional boundary between the Social Sciences and the Humanities in new and profound ways. Presenting the latest advances in masculinity scholarship, this interdisciplinary book will appeal to gender and masculinity scholars from a wide variety of fields, including sociology and social work, psychology, philosophy, political science, and cultural and literary studies.