The first novel which appeared in Georges Simenon's famous Maigret series, in a gripping new translation by David Bellos. Not that he looked like a cartoon policeman. He didn't have a moustache and he didn't wear heavy boots. His clothes were well cut and made of fairly light worsted. He shaved every day and looked after his hands. But his frame was proletarian. He was a big, bony man. His firm muscles filled out his jacket and quickly pulled all his trousers out of shape. He had a way of imposing himself just by standing there. His assertive presence had often irked many of his own colleagues. In Simenon's first novel featuring Maigret, the laconic detective is taken from grimy bars to luxury hotels as he traces the true identity of Pietr the Latvian. This novel has been published in previous translations as The Case of Peter the Lett and Maigret and the Enigmatic Lett. 'Compelling, remorseless, brilliant' John Gray 'One of the greatest writers of the twentieth century' Guardian

“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian In Simenon’s iconic first novel featuring Inspector Maigret, the laconic detective is taken from grimy bars to luxury hotels as he traces a fraudster’s true identity Inspector Jules Maigret, a taciturn detective and commissaire of the Paris Brigade Criminelle, receives notice from Interpol that a notorious conman known only as Peitr the Latvian is en route to France. Armed with a broad description and a scant few clues, Maigret plans to intercept him at the train station outside Paris. But when he arrives, he finds that there are several suspects—some living, and some dead—who meet the description uncannily well. Who is Pietr the Latvian, truly? A vagrant, a seaman, a businessman, a corpse? Russian, Norwegian, American or Latvian? In Pietr the Latvian, the iconic first novel of Simenon’s classic series that made Inspector Maigret a legendary figure in the annals of detective fiction, Maigret must use his every instinct to unravel the mystery and track down the truth.

The third book in the new Penguin Maigret series: Georges Simenon's haunting tale about the lengths to which people will go to escape from guilt, in a compelling new translation by Linda Coverdale. A first ink drawing showed a hanged man swinging from a gallows on which perched an enormous crow. And there were at least twenty other etchings and pen or pencil sketches that had the same leitmotif of hanging. On the edge of a forest: a man hanging from every branch. A church steeple: beneath the weathercock, a human body dangling from each arm of the cross. . . Below another sketch were written four lines from François Villon's Ballade of the Hanged Men. On a trip to Brussels, Maigret unwittingly causes a man's suicide, but his own remorse is overshadowed by the discovery of the sordid events that drove the desperate man to shoot himself. Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in previous translations as Maigret and the Hundred Gibbets and The Crime of Inspector Maigret. 'Compelling, remorseless, brilliant' John Gray 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent

A new translation of Georges Simenon's gripping novel set in an insular fishing community, book eight in the new Penguin Maigret series. It was indeed a photograph, a picture of a woman. But the face was completely hidden, scribbled all over in red ink. Someone had tried to obliterate the head, someone very angry. The pen had bitten into the paper. There were so many criss-crossed lines that not a single square millimetre had been left visible. On the other hand, below the head, the torso had not been touched. A pair of large breasts. A light-coloured silk dress, very tight and very low cut. Sailors don't talk much to other men, especially not to policemen. But after Captain Fallut's body is found floating near his trawler, they all mention the Evil Eye when they speak of the Ocean's voyage. Penguin is publishing the entire series of Maigret novels in new translations. This novel has been published in a previous translation as The Sailors' Rendezvous. 'Compelling, remorseless, brilliant' John Gray 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent

“One of the greatest writers of the twentieth century . . . Simenon was unequaled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories.” —The Guardian In this delightful holiday-themed collection of nine short stories, Inspector Maigret must solve a series of little mysteries—just in time for Christmas morning Christmas mysteries abound in this light-hearted holiday collection of Jules Maigret’s exploits: In one, an otherwise sensible little girl insists that she has seen Father Christmas, a statement alarming to her neighbors, Monsieur and Madame Maigret. Then, a choirboy helps the inspector solve a crime while he lies in bed with a cold; another boy, pursued by a criminal, ingeniously leaves a trail to help Maigret track him. Many of these stories feature observant and resourceful children, frightened yet resolute, who bring out a paternal streak in the childless Maigret. The rapport between the inspector and these youthful heroes imparts a delightful freshness to this holiday collection. A Maigret Christmas is a cornucopia for fans of Maigret and mysteries alike.