Paul Halsall offer excerpts from "I, Pierre Seel, Deported Homosexual: A Memoir of Nazi Terror." Seel was a Frenchman that was deported by the Nazis to a concentration camp in 1941 because of his homosexuality. Halsall provides the information as part of People with a History, an online guide to lesbian, gay, bisexual, and transgendered history.

On a fateful day in May 1941, in Nazi-occupied Strasbourg, seventeen-year- old Pierre Seel was summoned by the Gestapo. This was the beginning of his journey through the horrors of a concentration camp. For nearly forty years, Seel kept this secret in order to hide his homosexuality. Eventually he decided to speak out, bearing witness to an aspect of the Holocaust rarely seen. This edition, with a new foreword from gay-literature historian Gregory Woods, is an extraordinary firsthand account of the Nazi roundup and the deportation of homosexuals.

At the age of seventeen, in the arms of a thief, Pierre Seel felt his watch sliding off his wrist. So begins the astonishing chain of events that led to the Schirmeck-Vorbruch concentration camp, where Seel suffered unspeakable horrors for the sole "crime" of being a homosexual. The story of survival in the camps has been told many times, but Seel's is one of the only firsthand accounts of the Nazi roundup and deportation of homosexuals. For nearly forty years he kept his experiences - including torture, humiliation, and witnessing the vicious murder of his lover at the hands of the Nazis - a secret in order to cover up his homosexuality. He found a wife through a personal ad, married, and raised three children. "The Liberation", he writes, "was for others". Finally, haunted by his experiences and by the silence of others, he decided to bear witness to an aspect of the Holocaust rarely seen. As he noted, "If I do not speak, I will become the accomplice of my torturers".

The key to getting on with our closest Continental neighbours is to know the truth about what they endured during the German Occupation in the Second World War. Forget the films and television dramas about the Resistance; here is the true picture of the Occupation. This often chilling history, based on previously unpublished accounts by men and women who lived through it, tells how they went cold and hungry while Edith Piaf and Maurice Chevalier made their fortunes. Whole towns were destroyed and thousands killed by British bombs. Collaboration earned Marshal Pétain and Pierre Laval death sentences after the Liberation, whereas French police who sent thousands of women and children to the gas chambers at Auschwitz went unpunished, as did the gendarmes who guarded French concentration camps and handcuffed hostages for the firing squads. Over 70,000 children were fathered by German personnel in France while 1.6 million husbands and lovers languished in POW camps, but if only half the French women whose heads were shaved at the Liberation were accused of 'horizontal collaboration', what were the others punished for? And what about the many thousands of French lives saved by two courageous Germans?

The past few years have featured such blockbusters as Super-Size Me, Fahrenheit 9/11, Sicko, March of the Penguins, and An Inconvenient Truth. And as news articles proclaim a new era in the history of documentary films, more and more new directors are making their first film a nonfiction one. But in addition to posing all of the usual challenges inherent to more standard filmmaking, documentaries also present unique problems that need to be understood from the outset. Where does the idea come from? How do you raise the money? How much money do you need? What visual style is best suited to the story? What are the legal issues involved? And how can a film reach that all-important milestone and find a willing distributor? Epstein, Friedman, and Wood tackle all of these important questions with examples and anecdotes from their own careers. The result is an informative and entertaining guide for those just starting out, and an enlightening read for anyone interested in a behind-the-scenes look at this newly reinvigorated field of film.

Winner of the Wolfson History Prize 2019 Shortlisted for the 2019 Cundill History Prize From the Holocaust Museum in Washington, D.C. to the "stumbling stones" embedded in Berlin sidewalks, memorials to victims of Nazi violence have proliferated across the globe. More than a million visitors — as many as killed there during its operation — now visit Auschwitz each year. There is no shortage of commemoration of Nazi crimes. But has there been justice? Reckonings shows persuasively that there has not. The name "Auschwitz," for example, is often evoked to encapsulate the Holocaust. Yet focusing on one concentration camp, however horrific the scale of the crimes committed there, does not capture the myriad ways individuals became tangled up on the side of the perpetrators, or the diversity of experiences among their victims. And it can obscure the continuing legacies of Nazi persecution across generations and across continents. Exploring the lives of individuals across a spectrum of suffering and guilt — each one capturing one small part of the greater story — Mary Fulbrook's haunting and powerful book uses "reckoning" in the widest possible sense: to reveal the disparity between the extent of inhumanity and later attempts to interpret and rectify wrongs, as the consequences of violent reverberated through time. From the early brutality of political oppression and anti-Semitic policies, through the "euthanasia" program, to the full devastation of the ghettos and death camps, then moving across the post-war decades of selective confrontation with perpetrators and ever-expanding recognition of victims, Reckonings exposes the disjuncture between official myths about "dealing with the past" and the fact that the vast majority of Nazi perpetrators were never held accountable. In the successor states to the Third Reich — East Germany, West Germany, and Austria — prosecution varied widely and selective justice was combined with the reintegration of former Nazis. Meanwhile, those who had lived through this period, as well as their children, the "second generation," continued to face the legacies of Nazism in the private sphere - in ways often at odds with those of public remembrance and memorials. By following the various phases of trials and testimonies, from those immediately after the war through succeeding decades and up to the present, Reckonings illuminates the shifting accounts by which both perpetrators and survivors have assessed the significance of this past for subsequent generations, and calibrates anew the scales of justice.

Account of male gay literature across cultures and languages and from ancient times to the present. It traces writing by and about homosexual men from ancient Greece and Rome through the Middle Ages and Renaissance to the twentieth-century gay literary explosion. It includes writers of wide-ranging literary status (from high cultural icons like Virgil, Dante, Marlowe, Shakespeare, and Proust to popular novelists like Clive Barker and Dashiell Hammett) and of various locations (from Mishima s Tokyo and Abu Nuwas s Baghdad to David Leavitt s New York). It also deals with representations of male-male love by writers who were not themselves homosexual or bisexual men.