How would you describe the love of God? Throughout the Gospel accounts, Jesus engaged women differently than He did men. Sometimes the difference is subtle. Sometimes it is stark. Always it is profound. Sometimes the love He offers them is gentle. Sometimes it is fierce. Always it is powerful. Sometimes that love feels like a warm embrace. Sometimes it’s more like a piercing jab. Always, it changes everything. Women today long to experience the same sort of life-changing love that Jesus lavished on His followers 2000 years ago. We still want to be completely seen and known and valued and set free—as painful as that process might sometimes be. Pierced and Embraced digs deeply into seven encounters that Jesus had with a wide variety of women in the Gospels to show how His love can be equally transformative in our lives today. It mixes attentive Scriptural engagement with personal narrative and relevant application, making the content fresh, accessible, engaging, and practical. You will: Understand the unique and powerful and complex ways in which Jesus loves the women of the gospels. Recognize your own longings for love and the (often inadequate) ways we seek to satisfy them. Discover how to live in the fullness of Jesus’ love for you. Includes study/reflection questions at the end of each chapter, inviting women to dig into the passages for themselves. Winner of the ECPA's Top Shelf Cover Award 2017

The work of renowned Ivoirian playwright Koffi Kwahulé has been translated into some 15 languages and is performed regularly throughout Europe, Africa, and the Americas. For the first time, Seven Plays of Koffi Kwahulé: In and Out of Africa makes available to an Anglophone audience some of the best and most representative plays by one of Francophone Africa’s most accomplished living playwrights. Kwahulé’s theater delves into both the horror of civil war in Africa and the diasporic experience of peoples of African origin living in Europe and the “New World.” From the split consciousness of the protagonist and rape victim in Jaz to the careless buffoonery of mercenaries in Brewery, Kwahulé’s characters speak in riffs and refrains that resonate with the improvisational pulse of jazz music. He confronts us with a violent world that represents the damage done to Africa and asks us, through exaggeration and surreal touches, to examine the reality of an ever-expanding network of global migrants. His plays speak to the contemporary state of humanity, suffering from exile, poverty, capitalist greed, collusion, and fear of “the other”—however that “other” gets defined. Judith G. Miller’s introductory essay situates Kwahulé among his postcolonial contemporaries. Short introductory essays to each play, accompanied by production photos, contextualize possible approaches to Kwahulé’s often enigmatic work. Anglophone theater scholars and theater professionals eager to engage with contemporary theater beyond their borders, particularly in terms of what so-called minority theater artists from other countries are creating, will welcome this indispensable collection. Students and scholars of African studies and of global French studies will also find this work intriguing and challenging.