Between 1928 and 1971, nearly one million immigrants landed in Canada at Pier 21 in Halifax, Nova Scotia. During those years, it was one of the main ocean immigration facilities in Canada, including when it welcomed home nearly 400,000 Canadians after service overseas during the Second World War. In the immediate postwar period, Pier 21 became the busiest ocean port of entry in the country. Today, people across Canada still enjoy connections to Pier 21 through family history and stories of arrival at the site. Since 1998, researchers at the Pier 21 Interpretive Centre and now the Canadian Museum of Immigration have been conducting interviews, reviewing archival materials, gathering written stories, and acquiring photographs, documents, and other objects reflecting the history of Pier 21. Pier 21: A History builds upon the resulting collection. It presents a history of this important Canadian ocean immigration facility during its years of operation and later emergence as a site of public commemoration. Published in English. Also available in French: Quai 21: Une histoire.

(ages 8 - 12) Award-winning children's author, Anne Renaud, delivers another important chapter of Canada's history to young readers. From 1928 to 1971, a cavernous shed-like building stood in Halifax harbour, welcoming more than one million newcomers to Canada. It also was the last view of home seen by close to 500,000 Canadian service personnel, as they sailed off to battle during World War II. Across its threshold came the ebb and flow of home children and guest children, soldiers and war brides, refugees and displaced persons, carried to and from its doors by ocean liners, military ships and small sailing vessels. For many, seeing the cluster of buildings known as Pier 21 meant that their new lives were beginning. This is a chronicle of Pier 21 and of those who passed through, some on their way to foreign lands to fight for freedom, and others on their way to becoming part of the growing nation of Canada.

Alice gets to voyage and learn changes as she sails with her family to Canada. Eager to to know everything, she finds everything genuine as she arrives to pier21 Halifax, Nova Scotia in 1963.

In a globalizing world, frontiers may be in flux but they remain as significant as ever. New borders are established even as old borders are erased. Beyond lines on maps, however, borders are spatial zones in which distinctive architectural, graphic, and other design elements are deployed to signal the nature of the space and to guide, if not actually control, behaviour and social relations within it. This volume unpacks how manipulations of space and design in frontier zones, historically as well as today, set the stage for specific kinds of interactions and convey meanings about these sites and the experiences they embody. Frontier zones organize an array of functions to facilitate the passage of goods, information, and people, and to define and control access. Bringing together studies from Asia, Africa, the Middle East, Europe, and North America, this collection of essays casts a wide net to consider borders of diverse sorts. Investigations of contemporary political frontiers are set within the context of examinations of historical borders, borders that have existed within cities, and virtual borders. This range allows for reflection on shifts in how frontier zones are articulated and the impermanence of border emplacements, as well as on likely scenarios for future frontiers. This text is unique in bringing together a number of scholarly perspectives in the arts and humanities to examine how spatial and architectural design decisions convey meaning, shape or abet specific social practices, and stage memories of frontier zones that no longer function as such. It joins and expands discussions in social science disciplines, in which considerations of border practices tend to overlook the role of built form and material culture more broadly in representing social practices and meanings.