Pieces of Resistance is a 1988 collection of Eugene Goodheart's essays and reviews written between 1960 and 1985. The book responds to the political, cultural, and literary changes expressed during this period by novelists, critics, and journalists. Goodheart's book is divided into three parts. The first section discusses critics Trilling, Rahv, Leslie Fiedler, Geoffrey Hartman, David Bleich, and Susan Sontag - to name a few. The second part devotes itself to contemporary culture and includes essays on journals such as The New York Review of Books, Commentary, and The Evergreen Review, which in the 1960s and early 1970s provided a well-lit playground for various political, cultural, and literary themes. Finally, Goodheart examines the work of many modern writers with essays on Isaac Bashevis Singer, Daniel Fuchs, Ralph Ellison, Nadine Gordimer, V. S. Naipaul, Bernard Malamud, William Styron, Donald Barthelme, Raymond Carver, and Saul Bellow. Goodheart does not pretend to impersonal objectivity; his commitment to evaluative criticism is a deliberate response to increasingly specialized forms of criticism.

Resource exploitation in the form of land-grabbing has become a major debate worldwide. Based on extensive field research conducted at the India-Pakistan border, using Kishanganga Hydroelectric Project as a case study, this book on corporate land-grabbing in Kashmir explains how capital is at play in a conflict zone. The author explains how different actors—village elites, government officers, politicians, civil society coalitions, peasants, and the states of India and Pakistan—mobilize support to legitimize their respective claims. It captures how the tensions between developmentalism, environmentalism, and national interest on one hand, and universal rights, national sovereignty, subnational identity, and resistance on the other—facilitate and challenge these corporate resource-grabs simultaneously. The author argues that the patterns and scale of land- and resource-grabbing has led to depeasantization, dispossession, displacement, loss of livelihoods, forced commoditization of the local peasantry, and damages to the local ecology at large. The book thus combines the literature in violence and development and dispossession studies by addressing the socio-political conflict in land- and resource-grabbing in conflict zones.

One of the most important American authors and public intellectuals of the twentieth century, Ralph Ellison had a keen and unsentimental understanding of the relationship between race, art, and activism in American life. He contended with other writers of his day in his examination of the entrenched racism in society, and his writing continues to inform national conversations in letters and culture. The essays in Approaches to Teaching the Works of Ralph Ellison will help instructors in colleges, high schools, and prisons teach not only the indispensable Invisible Man but also Ellison's short stories, his essays, and the two editions of his second, unfinished novel, Juneteenth and Three Days before the Shooting . . . . In considering Ellison's works in relation to jazz, technology, humor, politics, queerness, and disability, this volume mirrors the breadth of Ellison's own life, which extended from the Jim Crow era through the Black Power movement.