Georges Perec, novelist, filmmaker and essayist, was one of the most inventive and original writers of the twentieth century. A fascinating aspect of his work is its intrinsically geographical nature. With major projects on space and place, Perec’s writing speaks to a variety of geographical, urban and architectural concerns, both in a substantive way, including a focus on cities, streets, homes and apartments, and in a methodological way, experimenting with methods of urban exploration and observation, classification, enumeration and taxonomy. Georges Perec’s Geographies is the first book to offer a rounded picture of Perec’s geographical interests. Divided into two parts, Part I, Perec’s Geographies, explores the geographies within Perec’s work in film, literature and radio, from descriptions of streets to the spaces of his texts, while Part II, Perecquian Geographies, explores geographies in a range of material and metaphorical forms, including photographic essays, soundscapes, theatre, dance and writing, created by those directly inspired by Perec. Georges Perec’s Geographies extends the body of Perec criticism beyond Literary and French Studies to disciplines including Geography, Urban Studies, Planning and Architecture to offer a complete and systematic examination of Georges Perec’s geographies. The diversity of readings and approaches will be of interest not only to Perec readers and fans but to students and researchers across these subjects.

‘I adore Meades’s book . . . I want more of his rule-breaking irreverence in my kitchen’ New York Times ‘The Plagiarist in the Kitchen is hilariously grumpy, muttering at us “Don’t you bastards know anything?” You can read it purely for literary pleasure, but Jonathan Meades makes everything sound so delicious that the non-cook will be moved to cook and the bad cook will cook better’ David Hare, Guardian The Plagiarist in the Kitchen is an anti-cookbook. Best known as a provocative novelist, journalist and film-maker, Jonathan Meades has also been called ‘the best amateur chef in the world’ by Marco Pierre White. His contention here is that anyone who claims to have invented a dish is delusional, dishonestly contributing to the myth of culinary originality. Meades delivers a polemical but highly usable collection of 125 of his favourite recipes, each one an example of the fine art of culinary plagiarism. These are dishes and methods he has hijacked, adapted, improved upon and made his own. Without assuming any special knowledge or skill, the book is full of excellent advice. He tells us why the British never got the hang of garlic. That a purist would never dream of putting cheese in a Gratin Dauphinois. That cooking brains in brown butter cannot be improved upon. And why – despite the advice of Martin Scorsese’s mother – he insists on frying his meatballs. In a world dominated by health fads, food vloggers and over-priced kitchen gadgets, The Plagiarist in the Kitchen is timely reminder that, when it comes to food, it’s almost always better to borrow than to invent.

This landmark publication collects three decades of writing from one of the most original, provocative and consistently entertaining voices of our time. Anyone who cares about language and culture should have this book in their life. Thirty years ago, Jonathan Meades published a volume of reportorial journalism, essays, criticism, squibs and fictions called Peter Knows What Dick Likes. The critic James Wood was moved to write: ‘When journalism is like this, journalism and literature become one.’ Pedro and Ricky Come Again is every bit as rich and catholic as its predecessor. It is bigger, darker, funnier, and just as impervious to taste and manners. It bristles with wit and pin-sharp eloquence, whether Meades is contemplating northernness in a German forest or hymning the virtues of slang. From the indefensibility of nationalism and the ubiquitous abuse of the word ‘iconic’, to John Lennon’s shopping lists and the wine they call Black Tower, the work assembled here demonstrates Meades's unparalleled range and erudition, with pieces on cities, artists, sex, England, concrete, politics and much, much more.

‘The bookiest book about books you’ll ever read – I loved it’ Lucy Mangan ‘Truly delightful...I couldn’t have had more fun’ Benjamin Dreyer ‘Very funny, erudite and profound. A delight!’ Nina Stibbe This is the outside story of books. From blurbs to titles, quotes to (checks jacket) cute animal designs – via author feuds, writing tricks, classic literature, bonkbusters, plot spoilers and publishing secrets – discover why it’s good to judge a book by its cover. Maybe even this one…

The Fast Red Road--A Plainsong is a novel which plunders, in a gleeful, two-fisted fashion, the myth and pop-culture surrounding the American Indian. It is a story fueled on pot fumes and blues, borrowing and distorting the rigid conventions of the traditional western. Indians, cowboys, and outlaws are as interchangeable as their outfits; men strike poses from Gunsmoke, and horses are traded for Trans-Ams. Pidgin, the half-blood protagonist, inhabits a world of illusion--of aliens, ghosts, telekinesis, and water-pistol violence--where television offers redemption, and "the Indian always gets it up the ass." Having escaped the porn factories of Utah, Pidgin heads for Clovis, NM to bury his father, Cline. But the body is stolen at the funeral, and Pidgin must recover it. With the aid of car thief Charlie Ward, he criscrosses a wasted New Mexico, straying through bars, junkyards, and rodeos, evading the cops, and tearing through barriers "Dukestyle." "Charlie Ward slid his thin leather belt from his jeans and held it out the window, whipping the cutlass faster, faster, his dyed black hair unbraiding in the fifty mile per hour wind, and they never stopped for gas." Along the way, Pidgin escapes a giant coyote, survives a showdown with Custer, and encounters the remnants of the Goliard Tribe--a group of radicals to which Cline belonged. Pidgin's search allows him to reconcile the death of his father with five hundred years of colonial myth-making, and will eventually place him in a position to rewrite history. Jones tells his tale in lean, poetic prose. He paints a bleak, fever-burnt west--a land of strip-joints, strip-malls, and all you can eat beef-fed-beef stalls, where the inhabitants speak a raw, disposable lingo. His vision is dark yet frighteningly recognizable. In the tradition of Gerald Vizenor's Griever, The Fast Red Road--A Plainsong blazes a trail through the puppets and mirrors of myth, meeting the unexpected at every turn, and proving that the past--the texture of the road--can and must be changed.

In 1964, a group of scientists called the Los Alamos Five came close to finishing a nuclear energy project for the United States government when they were abruptly disbanded. Now the granddaughter of one of those five scientists, aerospace engineer Elinor Mitchell, discovers that she has highly sensitive information on the project in her possession--and a target on her back. SNAP agent and former Navy cryptologist Kekoa Young is tasked with monitoring Elinor. This is both convenient since she's his neighbor in Washington, DC, and decidedly inconvenient because . . . well, he kind of likes her. As Elinor follows the clues her grandfather left behind to a top-secret nuclear project, Kekoa has no choice but to step in. When Elinor learns he has been spying on her, she's crushed. But with danger closing in on all sides, she'll have to trust him to ensure her discoveries stay out of enemy hands. Natalie Walters sucks you into the global race for space domination in this perfectly paced second installment of her SNAP Agency romantic suspense series.

This book covers the Ubuntu 22.04 LTS (Jammy Jellyfish) release, focusing on applications and administrative tools. The emphasis here is on what users will face when using Ubuntu, covering topics like installation, applications, software management for Snap and APT, the Ubuntu desktops (GNOME, MATE, and KDE), shell commands, network connections, and system administration tasks. There are four parts: Getting Started, Applications, Desktops, and Administration. Part 1 focuses on getting started, covering Ubuntu information and resources, using the Ubuntu Live DVD/USB drive, installing and setting up Ubuntu, upgrading Ubuntu, basic use of the desktop interface, and connecting to wired and wireless networks. Repositories and their use are covered in detail, along with the new Snap system for managing Snap packages. Ubuntu Snap package management with Ubuntu Software, the snap command, the Snap Store are examined, as well as APT package management with Gnome Software, the Synaptic Package Manager, and the apt and apt-get commands. Part 2 keys in on office, multimedia, mail, Internet, and social media applications. Part 3 covers the Ubuntu, Kubuntu, Ubuntu MATE, Xubuntu, and Lubuntu desktops. as well as the BASH shell. The Ubuntu desktop, which uses GNOME, is examined in detail. Part 4 deals with administration topics, first discussing system tools like the GNOME system monitor, the Disk Usage Analyzer, Seahorse, and Disk Utility. Then a detailed chapter on Ubuntu system administration tools is presented, covering tasks such as managing users and file systems, Bluetooth setup, network folder sharing, backups, and printing. The network connections chapter covers a variety of network tasks, including manual configuration of wired and wireless connections, and firewalls.