In Picturing the Islamicate World, Nadja Danilenko explores the message of the first preserved maps from the Islamicate world. Safeguarded in al-Iṣṭakhrī’s Book of Routes and Realms (10th century C.E.), the world map and twenty regional maps complement the text to a reference book of the territories under Muslim rule. Rather than shaping the Islamicate world according to political or religious concerns, al-Iṣṭakhrī chose a timeless design intended to outlast upheavals. Considering the treatise was transmitted for almost a millennium, al-Iṣṭakhrī’s strategy seems to have paid off. By investigating the Persian and Ottoman translations and all extant manuscripts, Nadja Danilenko unravels the manuscript tradition of al-Iṣṭakhrī’s work, revealing who took an interest in it and why.

Islamic peoples account for one fifth of the world's population and yet there is widespread misunderstanding in the West of what Islam really is. Francis Robinson and his team set out to address this, revealing the complex and sometimes contrary nature of Muslim culture. As well as taking on the issues uppermost in everyone's minds, such as the role of religious and political fundamentalism, they demonstrate the importance of commerce; literacy and learning; Islamic art; the effects of immigration, exodus, and conquest; and the roots of current crises in the Middle East, Bosnia, and the Gulf. Throughout, emphasis is placed on the interaction between Islam and the West, from the first Latin translations of the Quran to the fatwa on Salman Rushdie. This elegant book deliberately sets out to dismantle the Western impression of Islam as a monolithic world and replace it with a balanced view, from current issues of fundamentalism to its dynamic culture and art. Francis Robinson is the editor of two outstanding reference works: Atlas of the Islamic World Since 1500 (Cambridge, 1982) and The Cambridge Encyclopedia of India (1989).

Offers a survey of Islamic architecture through essays that discuss how different structures reflect the culture, and profiles with maps, photographs, details, and descriptions of noteworthy buildings.

Picturing Islam: Art and Ethics in a Muslim Lifeworld explores issues of religion, nationalism, ethnicity, and globalization through the life and work of the prominent contemporary Indonesian artist Abdul Djalil Pirous. Presents a unique addition to the anthropology of art and religion Demonstrates the impact of Islam, ethnicity, nationalism, and globalization on the work and life of an internationally recognized postcolonial artist Weaves together visual and narrative materials to tell an engrossing story of a cosmopolitan Muslim artist Looks at contemporary Islamic art and the way it has been produced in the world's largest Muslim nation, Indonesia

Adam Silverstein's book offers a fascinating account of the official methods of communication employed in the Near East from pre-Islamic times through the Mamluk period. Postal systems were set up by rulers in order to maintain control over vast tracts of land. These systems, invented centuries before steam-engines or cars, enabled the swift circulation of different commodities - from letters, people and horses to exotic fruits and ice. As the correspondence transported often included confidential reports from a ruler's provinces, such postal systems doubled as espionage-networks through which news reached the central authorities quickly enough to allow a timely reaction to events. The book sheds light not only on the role of communications technology in Islamic history, but also on how nomadic culture contributed to empire-building in the Near East. This is a long-awaited contribution to the history of pre-modern communications systems in the Near Eastern world.

First published in 2008. This volume is a historical summary which describes the main events in the rise and evolution of this world religion and indicates its significance for present-day relations between the faiths.