Sabino Canyon, a desert canyon in the American Southwest near Tucson, Arizona, is enjoyed yearly by thousands of city residents as well as visitors from around the world. Picturing Sabino tells the story of the canyon’s transformation from a barely known oasis, miles from a small nineteenth-century town, into an immensely popular recreation area on the edge of a modern metropolis. Covering a century of change, from 1885 to 1985, this work rejoices in the canyon’s natural beauty and also relates the ups and downs of its protection and enjoyment. The story is vividly told through numerous historical photographs, lively anecdotes, and an engaging text, informed by decades of research by David Wentworth Lazaroff. Along the way the reader makes the acquaintance of ordinary picnickers as well as influential citizens who helped to reshape the canyon, while witnessing the canyon’s evolving relationship with its growing urban neighbor. The book will fascinate readers who are already familiar with Sabino Canyon, as well as anyone with an interest in local or regional history, or in historical photography.

This history of Sabino Canyon shows like never before why this mountain canyon near Tucson, Arizona, is such a beloved place. With more than two hundred images and engaging text, David Wentworth Lazaroff relays relates a hundred years of history, revealing how the canyon changed from a little-known oasis into an immensely popular recreation area on the edge of a modern metropolis.

A popular guide to the natural and human history of a verdant canyon at the edge of the desert outside Tucson, Arizona. Many fine color plates and lucid drawings.

Mexico's Valleys of Cuicatlán and Tehuacán provides an accessible overview of an extraordinary region of Central Mexico. Through firsthand experience and engaging prose, the authors provide a synthesis of the environment, plants, and peoples of the valleys, showing their importance and influence as Mesoamerican arteries for environmental and cultural interchange through Mexico.

Indigeneity in Latin American Cinema explores how contemporary films (2000-2020) participate in the evolution and circulation of images and sounds that in many ways define how indigenous communities are imagined, at a local, regional and global scale. The volume reviews the diversity of portrayals from a chronological, geopolitical, linguistic, epistemic-ontological, transnational and intersectional, paradigm-changing and self-representational perspective, allocating one chapter to each theme. The corpus of this study consists of 68 fictional features directed by non-indigenous filmmakers, 31 cinematic works produced by indigenous directors/communities, and 22 Cine Regional (Regional Cinema) films. The book also draws upon a significant number of engravings, drawings, paintings, photographs and films, produced between 1493 and 2000, as primary sources for the historical review of the visual representations of indigeneity. Through content and close (textual) analysis, interviews with audiences, surveys and social media posts analysis, the author looks at the contexts in which Latin American films circulate in international festivals and the paradigm shifts introduced by self-representational cinema and Roma (Mexico, 2018). Conclusively, the author provides the foundations of histrionic indigeneity, a theory that explains how overtly histrionic proclivities play a significant role in depictions of an imagined indigenous Other in recent films.

Chimayó is renowned for its Hispano master weaving families, lowriders, and its storied church, El Santurio de Chimayó. The old Plaza del Cerro had once been the village's center place, where locals gathered to pick up mail, socialize and celebrate religious and family events. Over the years after WWII, the plaza was neglected, but the memory of the once-vibrant place remained vivid in the stories of village elders. The first edition of Sabino's Map, published in 1995, documented oral histories of these elders. It would prove to be a critical turning point for many Chimayosos. At the Chimayó book launch, Usner recalls locals embraced the book, one cousin of his even declaring, "For the first time in my life I feel like I can be proud to be from Chimayó." In the past thirty years since its publication, the community and its people have been revitalized with the help of the Chimayó Cultural Preservation Association and the establishment of a museum on the old plaza--in the home of Usner's ancestors. This landmark publication, read and passed on through generations, is considered a classic of New Mexico literature, alongside other treasured books including John Nichols's Milagro Beanfield War, Rudolfo Anaya's Bless Me Ultima, and Ruben Cobos's Dictionary of New Mexico and Northern New Mexico Spanish.

Anna Sabino is an artist, but certainly not a starving one. She wasn’t born into a wealthy family, didn’t inherit money from a distant relative, and doesn’t have a rich husband. But she made it as an entrepreneur, as a single woman, and most importantly, as an artist. In Your Creative Career, she shows her fellow artists and creatives how to build a business that reflects their talent and true calling while generating serious cash. Whether the goal is to build an empire and be financially free, create a lifestyle business, or just to have more time, Your Creative Career guides you through every aspect of creative entrepreneurship. If you want to start your creative career, transition into it, or give it a boost, this book is a must read that features: Proven systems and strategies to create ideally priced products that keep selling. The importance of going through all the steps of making it from idea inception and execution to branding and distribution. The importance of transitioning from artistic solitude to collaborative, creative entrepreneurship. The most effective marketing and PR methods adjusted to the new reality of short attention spans and information overload.