Documents the cultural revolution behind the making of 1967's five Best Picture-nominated films, including Guess Who's Coming to Dinner, The Graduate, Doctor Doolittle, In the Heat of the Night, and Bonnie and Clyde, in an account that discusses how the movies reflected period beliefs about race, violence, and identity. 40,000 first printing.

From 1972 to 1975, Susan Meiselas spent her summers photographing and interviewing women who performed striptease for smalltown carnivals in New England, Pennsylvania and South Carolina. As she followed the girl shows from town to town, she portrayed the dancers on stage and off, photographing their public performances as well as their private lives. She also taped interviews with the dancers, their boyfriends, the show managers and paying customers. Meiselas' frank description of the lives of these women brought a hidden world to public attention. Produced during the early years of the women's movement, "Carnival Strippers" reflects the struggle for identity and self-esteem that characterized a complex era of change. This revised edition contains a new selection of Meiselas' black-and-white photographs together with the original interview excerpts. Additionally, an audio CD featuring a collage of participants' voices and a 1977 interview with the photographer are included. Essays by Sylvia Wolf and Deirdre English reflect on the importance of this body of work within the history of photography and the history of feminism.

Place of publication transcribed from publisher's website.

Accompanying DVD in pocket at the rear of book.

With behind-the-scenes gossip creating as much drama as the movies themselves, Hollywood in 1967 showcased the future of film in more ways than one. From the anti-heroes of "Bonnie and Clyde" and the illicit sex of "The Graduate" to the race relations of "In The Heat of the Night", suddenly no subject was taboo. This was a time of turbulence as hip young filmmakers embodying the restlessness and rebellion of a changing America wrought radical changes to the traditions of cinema. "Scenes from a Revolution" is an exceptional analysis of the films shortlisted for the Best Picture Academy Award of 1967 as well as an illuminating window into the popular culture of the time.

Fidel’s Cuba commemorates the anniversary of the Cuban leader’s victory with black-and white portraits of great power. With an insider’s intimacy, Osvaldo and Roberto Salas followed Castro from his clean-shaven days to the Sierra Maestra, where he and Che Guevara prepared to lead insurgents to victory. The infamous Bay of Pigs invasion, the only known meeting of Ernest Hemingway and Fidel, and the daily life of the Cuban people are all chronicled here.

Contains contemporary illustrations depicting sites, personalities, and events of the Revolution as well as facsimiles of documents and posters.