Centered on Northern Britain, this work ranges widely, calling on the battle poetry of the Cymry, the annals of the Irish, and the art of the Anglo-Saxons to enhance and enlarge its themes. It interweaves history and archaeology to create a picture of the period.

When the Romans withdrew from Britain, the north of the country was ruled by the most mysterious of the ancient British races, the Picts. Much of what is known about these “painted” warriors, comes from the remains of the fortifications that they left scattered around Scotland. Although the Picts are famous as sea raiders, they were also subjected to attacks from a number of opponents. To their south, the Romano-British reoccupied the abandoned Roman fortifications and hired Saxon mercenaries to strike against the Picts. Meanwhile, from the west a new group, the Scoti, attacked from Ireland. This book covers the fortification of the ancient Picts in all their conflicts and discusses the importance of these sites as religious centres and seats of power, while using the latest archeological evidence to help unravel the mystery of this ancient race.

During the first millennium AD the most northerly part of Britain evolved into the country known today as Scotland. The transition was a long process of social and political change driven by the ambitions of powerful warlords. At first these men were tribal chiefs, Roman generals or rulers of small kingdoms. Later, after the Romans departed, the initiative was seized by dynamic warrior-kings who campaigned far beyond their own borders. Armies of Picts, Scots, Vikings, Britons and Anglo-Saxons fought each other for supremacy. From Lothian to Orkney, from Fife to the Isle of Skye, fierce battles were won and lost. By AD 1000 the political situation had changed for ever. Led by a dynasty of Gaelic-speaking kings the Picts and Scots began to forge a single, unified nation which transcended past enmities. In this book the remarkable story of how ancient North Britain became the medieval kingdom of Scotland is told.

The experience of modernization -- the dizzying social changes that swept millions of people into the capitalist world -- and modernism in art, literature and architecture are brilliantly integrated in this account.

Originally published: 5th ed. Boston: Little, Brown and Co., 1956.