Throughout his life, Picasso turned to the work of earlier masters for inspiration, making paintings, drawings, and prints after their compositions. Susan Grace Galassi, a specialist on Picasso, discusses the most significant examples of these works

Picasso's "one-liners" constitute a small but delightful contribution to the artist's great body of drawings. Although his prominence as a draughtsman has long been recognized, the unique nature of Picasso's one-liners has never been fully examined, or collected before in a single volume. These 50 drawings offer a fascinating look at this whimsical side of the artist's work. Color throughout.

Chronicles the competition and mutual respect shared by Henri Matisse and Pablo Picasso, with details of their divergent but equally passionate and influential lives.

Published on the occasion of the exhibition "Picasso: Themes and Variations" held at the Museum of Modern Art, New York, N.Y., Mar. 24-Sept. 6, 2010.

Master Minds: Creativity in Picasso’s & Husain’s Paintings The book, “Master Minds: Creativity in Picasso’s and Husain’s Paintings”, is a projection of master minds in the field of art. It reveals about the creative works of art that are not just show pieces to adorn rich homes, museums and art galleries but to bring awareness about human attitude and cultural heritage. The projection of these works of art could lead to international integration and establish an amicable relationship between people of all communities and further form a peaceful global human society. This book Part 1 to Part 5 also serves the purpose of academic study for art scholars and art researchers all over the world In the entire book, “Master Minds: Creativity in Picasso’s and Husain’s Paintings,” light has been thrown on Picasso’s and Husain’s life and paintings. There is an analytical study of their works of art. The significant aspects dealt with in their paintings are creativity viewed through linear quality, forms, colors, pictorial composition, subject matter, styles, mediums, techniques, similarities and differences in their works of art. I consider myself to be fortunate to avail the opportunity to journey through a significant part of the life and works of these two great artists. Their contribution to the world of art is exemplary for many future generations. Picasso and Husain have proved that the aesthetic artistic trend of thought has no barriers and boundaries. The mind of an artist can reach any part of the universe and create wonders in the form of an art. Picasso’s and Husain’s immortalized paintings mesmerize the observer when their creative activity springs out in their paintings which speak in a silent language of forms and colors. An exposure to visual art in any form has proved to be a form of communication. Our global human society is divided by languages, customs, religions, economic developments and geographical locations, but the visual language in the form of paintings of artists all over the world have united the global society by their creative activity. When an artist’s aesthetic sense is highly developed and his ability to grasp and display is superb he ultimately becomes a pioneer of a unique technique or style. Picasso’s cubism and Husain’s allegorical series of paintings in Husainean style are the products of the vigorous experiments with different mediums and techniques. It has been noticed that their works have a glimpse of the existing styles and techniques mingled with an antiquarian approach where the result is absolutely unique and creative. Their works of art are deemed to immortalize their names as the ever shining prominent stars in the sky of the world of art. There are total 226 illustrations in Part 1 to Part 5 of the ebooks that include a unique analytical study of the paintings and the sketches of the artists, Pablo Picasso and Maqbool Fida Husain. Dr.Harpal Sodhi

In Picasso's Demoiselles, eminent art historian Suzanne Preston Blier uncovers the previously unknown history of Pablo Picasso's Les Demoiselles d’Avignon, one of the twentieth century's most important, celebrated, and studied paintings. Drawing on her expertise in African art and newly discovered sources, Blier reads the painting not as a simple bordello scene but as Picasso's interpretation of the diversity of representations of women from around the world that he encountered in photographs and sculptures. These representations are central to understanding the painting's creation and help identify the demoiselles as global figures, mothers, grandmothers, lovers, and sisters, as well as part of the colonial world Picasso inhabited. Simply put, Blier fundamentally transforms what we know about this revolutionary and iconic work.