Rachmaninoff's compositions for piano and orchestra won him an important position among modern composers. The works that made his reputation include these three piano concertos, reprinted from authoritative full-score Russian editions.

(Piano Collection). For advanced players, this is Rachmaninoff Complete Preludes, Op. 3, 23 and 32.

Ambitious in scale, highly original in both content and design, these popular works exhibit Brahms's mastery of the concerto. Reproduced from an authoritative source; perfect for rehearsals and recitals.

Piano Concerto No. 3 "Maryland Concerto" by Alexander Peskanov consists of three movements:I. Joy - Allegro con brioII. Lullaby - Andante cantabileIII. Journey - Allegretto scherzandoThis piece is dedicated to the composer's friend, Jan Puckett. (Piano and orchestra, two piano reduction). The work is published by Classical Video Concepts, Inc.

A practical way to learn and rehearse, these concertos are arranged for two pianos: the first features the original solo piano part; the second, a skillful reduction of original orchestra parts.

Suitable for all admirers of the piano, this work brings together more than 3,000 works for piano and orchestra. It comes with a supplement containing over 200 new entries.

The three piano concertos contained in this volume were all composed in 1785, when Mozart was 29. High points of one of the most amazingly productive and creatively brilliant periods in the composer's life, yet they are masterworks of very different character: No. 20 (K466 in D Minor), a work of intensity, passion, and spiritual conflict; No. 21 (K467 in C Major), with its luminous, world-famous "Andante, " a work of calm and majesty; and No. 22 (K482 in E-flat Major), music of grace and maturity, said to have "realized the century's ideal whilst yet casting aside the shackles of fashion." These three works are presented here in authoritative two-piano playing editions edited by Franz Kullak and Hans Bischoff, two of the nineteenth century's leading piano editors and teachers of pianists. Their classic format for two keyboards is the universal standard, for students and professionals alike, for learning and rehearsing all piano concertos. It gives the pianist the most accessible form and practical means to prepare a work for performance. To this practicality Dover adds the convenience and economy of compiling three major concertos within a single volume.