Rachmaninoff's compositions for piano and orchestra won him an important position among modern composers. The works that made his reputation include these three piano concertos, reprinted from authoritative full-score Russian editions.

A practical way to learn and rehearse, these concertos are arranged for two pianos: the first features the original solo piano part; the second, a skillful reduction of original orchestra parts.

Many of Mozart's own cadenzas are preserved, but many more that he improvised in performance were never written down. In that spirit, famed pianist Lili Kraus sensed an obligation and a challenge to follow the tradition of using her own cadenzas where no original was available. This collection, then contains Mozart's original cadenzas as well as editorial versions by Ms. Kraus for Concertos 1-27.

A practical way for pianists to learn, practice, and rehearse, this volume features a pair of brilliant concertos arranged for two pianos. The first piano part is the original solo piano part; the second, a skillful reduction of the original orchestra parts. This edition has been reproduced from the acclaimed Joseffy edition.

Mozart's Adagio and Rondo (K. 617) was written for the armonica, or musical glasses (a set of tuned glass bowls) and a quartet consisting of flute, oboe, viola, and cello. The music is effective played as an organ solo. The Adagio may be registered "forte," in the style of Mozart's Fantasia (K. 608). The Rondo should be played on the flute stops. Arranged for organ by E. Power Briggs.

(Sheet Music Direct Piano Solo). Rachmaninoff's beloved third concerto presented as a piano solo.