Piano concerto no. 5 in G major, opus 55
Title | Piano concerto no. 5 in G major, opus 55 PDF eBook |
Author | Sergey Prokofiev |
Publisher | |
Pages | 134 |
Release | 2000 |
Genre | Concertos (Piano) |
ISBN |
Concerto no. 5 in G major, op. 55, for piano and orchestra
Title | Concerto no. 5 in G major, op. 55, for piano and orchestra PDF eBook |
Author | Sergey Prokofiev |
Publisher | |
Pages | 80 |
Release | 1972 |
Genre | Concertos (Piano) |
ISBN |
The Concerto
Title | The Concerto PDF eBook |
Author | Stephan D. Lindeman |
Publisher | Taylor & Francis |
Pages | 666 |
Release | 2006 |
Genre | Music |
ISBN | 0415976197 |
Twelve-tone and serial music were dominant forms of composition following World War II and remained so at least through the mid-1970s. In 1961, Ann Phillips Basart published the pioneering bibliographic work in the field.
A History of the Concerto
Title | A History of the Concerto PDF eBook |
Author | Michael Thomas Roeder |
Publisher | Hal Leonard Corporation |
Pages | 487 |
Release | 1994 |
Genre | Concerto |
ISBN | 0931340616 |
A History of the Concerto may be read from cover to cover, but readers may also use the extensive index to focus on specific concertos and their composers. Numerous musical examples illuminate critical points. While some readers may want to study the more detailed analyses with scores in hand, this is not essential for an understanding of the text.
A Musical Life
Title | A Musical Life PDF eBook |
Author | Max Rudolf |
Publisher | Pendragon Press |
Pages | 564 |
Release | 2001 |
Genre | Biography & Autobiography |
ISBN | 9781576470381 |
This volume offers a collection of articles written by the renowned conductor and scholar Max Rudolf, together with a selection of his correspondence relating to material in the articles. Max Rudolf's conducting career spanned seventy years, from his first performances in l920-2l to his last in 1990. His life was devoted to performing, scholarship, and teaching. He conducted at the Metropolitan Opera from 1943 to 1937 and was Musical Director of the Cincinnati Symphony from 1938 to 1970, after which he combined guest conducting with teaching opera and conducting at the Curtis Institute in Philadelphia. The articles reflect a lifetime of thought on the art of conducting, musical style, and performance practice. Rudolf, known as an interpreter of the classical repertoire, freely shared his vast knowledge of Mozart's and Beethoven's scores with colleagues and students. His conducting book, The Grammar of Conducting, has been the leading college text in the field for many years. As such it has extended his influence on many generations of conductors. Throughout his life, Rudolf corresponded voluminously with other musicians. The letters included in this volume were selected because they shed a warm, personal light on the formal published articles thus providing an opportunity to share the mind and thoughts of an outstanding human bein
Selected Letters of Sergei Prokofiev
Title | Selected Letters of Sergei Prokofiev PDF eBook |
Author | Sergey Prokofiev |
Publisher | UPNE |
Pages | 384 |
Release | 1998 |
Genre | Biography & Autobiography |
ISBN | 9781555533472 |
This volume collects for the first time in English the most representative and enlightening of Prokofiev's letters, including some previously suppressed missives that have never before been published. Expertly translated and annotated by Harlow Robinson, the correspondence presented here covers Prokofiev's earliest years at St. Petersburg Conservatory, his extensive worldwide travels, and his return to Moscow. Among the correspondents are childhood friend Vera Alpers, harpist Eleonora Damskaya, ballet impresario Sergei Diaghilev, theatrical director Vsevolod Meyerhold, Soviet critic Boris Asafiev, composers Vernon Duke and Nikolai Miaskovsky, soprano Nina Koshetz, musicologist Nicolas Slonimsky, violinist Jascha Heifetz, conductor Serge Koussevitsky, and film director Sergei Eisenstein. Prokofiev vividly describes, often with dramatic flair and a quirky sense of humor, concerts, performances, his compositions, political events, and meetings with other musicians and composers. His observations are peppered with musical gossip as well as eccentric, original, and disarmingly apolitical insights.
Vanishing Sensibilities
Title | Vanishing Sensibilities PDF eBook |
Author | Kristina Muxfeldt |
Publisher | Oxford University Press |
Pages | 264 |
Release | 2012-04-01 |
Genre | Music |
ISBN | 0199782644 |
Vanishing Sensibilities examines once passionate cultural concerns that shaped music of Schubert, Beethoven, Schumann, and works of their contemporaries in drama or poetry. Music, especially music with text, was a powerful force in lively ongoing conversations about the nature of liberty, which included such topics as the role of consent in marriage, same-sex relationships, freedom of the press, and the freedom to worship (or not). Among the most common vehicles for stimulating debate about pressing social concerns were the genres of historical drama, and legend or myth, whose stories became inflected in fascinating ways during the Age of Metternich. Interior and imagined worlds, memories and fantasies, were called up in purely instrumental music, and music was privately celebrated for its ability to circumvent the restrictions that were choking the verbal arts. Author Kristina Muxfeldt invites us to listen in on these cultural conversations, dating from a time when the climate of censorship made the tone of what was said every bit as important as its literal content. At this critical moment in European history such things as a performer's delivery, spontaneous improvisation, or the demeanor of the music could carry forbidden messages of hope and political resistance--flying under the censor's radar like a carrier pigeon. Rather than trying to decode or fix meanings, Muxfeldt concerns herself with the very mechanisms of their communication, and she confronts distortions to meaning that form over time as the cultural or political pressures shaping the original expression fade and are eventually forgotten. In these pages are accounts of works successful in their own time alongside others that failed to achieve more than a liminal presence, among them Schubert's Alfonso und Estrella and his last opera project Der Graf von Gleichen, whose libretto was banned even before Schubert set to work composing it. Enlivening the narrative are generous music examples, reproductions of artwork, and facsimiles of autograph material.