Mozart's last five piano concertos in full score, plus cadenzas for Nos. 23 and 27, and the Concerto Rondo in D Major, K. 382. Reprinted from authoritative Breitkopf & Härtel edition. Study score.

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Michael Steinberg's 1996 volume The Symphony: A Reader's Guide received glowing reviews across America. It was hailed as "wonderfully clear...recommended warmly to music lovers on all levels" (Washington Post), "informed and thoughtful" (Chicago Tribune), and "composed by a master stylist" (San Francisco Chronicle). Seiji Ozawa wrote that "his beautiful and effortless prose speaks from the heart." Michael Tilson Thomas called The Symphony "an essential book for any concertgoer." Now comes the companion volume--The Concerto: A Listener's Guide. In this marvelous book, Steinberg discusses over 120 works, ranging from Johann Sebastian Bach in the 1720s to John Adams in 1994. Readers will find here the heart of the standard repertory, among them Bach's Brandenburg Concertos, eighteen of Mozart's piano concertos, all the concertos of Beethoven and Brahms, and major works by Mendelssohn, Schumann, Liszt, Bruch, Dvora'k, Tchaikovsky, Grieg, Elgar, Sibelius, Strauss, and Rachmaninoff. The book also provides luminous introductions to the achievement of twentieth-century masters such as Arnold Schoenberg, Be'la Barto'k, Igor Stravinsky, Alban Berg, Paul Hindemith, Sergei Prokofiev, Aaron Copland, and Elliott Carter. Steinberg examines the work of these musical giants with unflagging enthusiasm and bright style. He is a master of capturing the expressive, dramatic, and emotional values of the music and of conveying the historical and personal context in which these wondrous works were composed. His writing blends impeccable scholarship, deeply felt love of music, and entertaining whimsy. Here then is a superb journey through one of music's richest and most diverse forms, with Michael Steinberg along as host, guide, and the best of companions.

How much time do I have left? A hundred days? A thousand? If I knew I was going to die next week but could be taken to see The Marriage of Figaro tonight, would I go? Absolutely.' In a long and generously lived life, Barry Jones has been on an endless quest to share the extraordinary and the beautiful, to encourage the pursuit of an abundant life of reading and listening. Following the publication of A Thinking Reed, he was staggered by the response to his lists of the great works that have had the most profound effect on his life and thinking. Here he expands on those lists to write about the literature and the music that has inspired him. With no claims to objectivity, he urges us to take the plunge, to rattle the bars of the cage and expose ourselves to the music of Hildegard of Bingen, Johann Sebastian Bach, Mozart and Beethoven, Schubert, Wagner, Mahler, Ravel and Stravinsky as well as the writings of Homer, Dante, Chaucer, Montaigne, Cervantes, Shakespeare, Sterne, Tolstoy, Proust, Joyce, and Beckett among many more. Eagerly awaited by his many followers, The Shock of Recognition is a deeply considered, richly rewarding and often very funny journey of the mind.

Identifies almost two hundred forty composers whose works are most important to an understanding of classical music, with essays on sixty of the most significant. Presented in chronological order for the Medieval, Renaissance, and Elizabethan ages, the age of the Baroque, the age of Classicism, the Romantic age, and the age of Modernism.

Lindeman, a musicologist, traces and defines the historical development of the concerto form as it passed from Mozart to succeeding generations. He then assesses Beethoven's contributions, and examines the classical model of the form in the early 19th century by overviewing several early romantic composers' works. Subsequent chapters analyze and assess the responses of five precursers of Schumann, whose work offers a synthesis of radical experiments and traditional tenets. He concludes by suggesting that concertos of Lizst offer a road into further developments of the genre in the second half of the century. Illustrated with bandw portraits of composers and excerpts from musical scores. Annotation copyrighted by Book News, Inc., Portland, OR