Mahbub Rashid embarks on a fascinating journey through urban space in all of its physical and social aspects, using the theories of Foucault, Bourdieu, Lefebvre, and others to explore how consumer capitalism, colonialism, and power disparity consciously shape cities. Using two Muslim cities as case studies, Algiers (Ottoman/French) and Zanzibar (Ottoman/British), Rashid shows how Western perceptions can only view Muslim cities through the lens of colonization—a lens that distorts both physical and social space. Is it possible, he asks, to find a useable urban past in a timeline broken by colonization? He concludes that political economy may be less relevant in premodern cities, that local variation is central to the understanding of power, that cities engage more actively in social reproduction than in production, that the manipulation of space is the exercise of power, that all urban space is a conscious construct and is therefore not inevitable, and that consumer capitalism is taking over everyday life. Ultimately, we reconstruct a present from a fragmented past through local struggles against the homogenizing power of abstract space.

The conscious construction of urban space

Inspired by the “spatial turn,” this volume links for the first time the study of diplomacy and spatiality in the premodern Islamicate world to understand practices and meanings ascribed to territory and realms. Debates on the nature of the sovereign state as a territorially defined political entity are closely linked to discussions of “modernity” and to the development of the field of international relations. While scholars from different disciplinary backgrounds have long questioned the existence of such a concept as a “territorial state,” rarely have they ventured outside the European context. A closer look at the premodern Islamicate world, however, shows that “space” and “territoriality” highly mattered in the conception of interstate contacts and in the conduct and evolution of diplomacy. This volume addresses these issues over the longue durée (thirteenth to nineteenth centuries) and from various approaches and sources, including letters, chancery manuals, notarial records, travelogues, chronicles, and fatwas. The contributors also explore the various diplomatic practices and understandings of spatiality that were present throughout the Islamicate world, from Al-Andalus to the Ottoman realms. The book will be of interest to students and researchers in a range of disciplines, including international relations, diplomatic history, and Islamic studies.

Boxing, Narrative and Culture: Critical Perspectives is the first interdisciplinary response to the dominant boxing narratives that are produced, performed and circulated in commercial boxing culture. This collection includes global perspectives on boxing. It highlights the diverse range of bodies and communities that engage with boxing practices but are oftentimes overlooked and overwritten by popular narrative tropes and misconceptions of the sport. These interdisciplinary and global perspectives engage with boxing’s shared narrative resources, offering new readings and insights on how and what boxing performs and for whom. The contributors to this collection are academics, artists, amateur boxers, and/or coaches who provide a culture critique of boxing. The work shows how boxing practices are performed and channelled by individuals and communities who access and utilise boxing culture as a means of physical enquiry, political statement, and community building. These contributions challenge the notion that boxing is a sport reserved for masculine bodies adorned as heroes, warriors, or victims of the sport. Exploring key themes in socio-cultural studies including gender, race, community, media and performance, this book is fascinating reading for anybody with an interest in physical culture, sport studies, cultural studies, gender studies, cultural geography, critical race theory, labour studies, performance studies or media studies.

The relationship between public and private spheres is one of the key concerns of the modern society. This book investigates this relationship, especially as manifested in the urban space with its social and psychological significance. Through theoretical and historical examination, it explores how and why the space of human socities is subdivided into public and private sections. It starts with the private, interior space of the mind and moves step by step, through the body, home, neighborhood and the city, outwards to the most public, impersonal spaces, exploring the nature of each realm and their complex, interdependent realtionships. A stimulating and thought provoking book for any architect, architectural historian, urban planner or designer.

This book provides an urgent framework and collective reflection on understanding ways to reconsider and recast architecture within ideas and politics of the commons and practices of commoning. Architecture from Public to Commons opens with Institutions the dialogue with the scales of the commons, the limits of language for fluid identities, the practices and challenges of architecture as an institution, the design of objects with apparent shared value in Chile, land protocols that explore alternatives to profit-seeking of property in New York, and spirited conversations about revolting against architectural labor from Latin America. Continuing chapters explore, under Territories, the boundaries of Blackness across the Atlantic between Ethiopia and Atlanta, the underground woven network with conflicting grounds of ipê wood between Brazil and the US, water cycles in depleted territories in Chile, indigenous women-led territorial and human rights struggles in Guatemala, climate change accidental commons in California, and the active search for racial justice between design and place in New Orleans. Contributions range from theoretical and historical essays to current case studies of on-the-ground practices in the US, the Middle East, Europe, and Central and South America. Bringing together architects, scholars, artists, historians, sociologists, curators, and activists, this book instils an urgent framework and renewed set of tools to pivot from architecture’s traditional public to a politicized commons. It will greatly interest students, academics, and researchers in architecture, urban design, architectural theory, landscape architecture, political economy, and sociology.

A groundbreaking anthropological analysis of Islam as experienced by Muslims, By Noon Prayer builds a conceptual model of Islam as a whole, while travelling along a comparative path of biblical, Egyptological, ethnographic, poetic, scriptural and visual materials. Grounded in long-term observation of Arabo-Islamic culture and society, the study captures the rhythm of Islam weaving through the lives of Muslim women and men.Examples of the rhythmic nature of Islam can be seen in all aspects of Muslims' everyday lives. Muslims break their Ramadan fast upon the sun setting, and they receive Ramadan by sighting the new moon. Prayer for their dead is by noon and burial is before sunset. This is space and time in Islam - moon, sun, dawn and sunset are all part of a unique and unified rhythm, interweaving the sacred and the ordinary, nature and culture in a pattern that is characteristically Islamic.