Photoplay editions were usually hardcover reprints of novels that had been made into movies, illustrated with photographs from the film productions. Sometimes, instead, they were "fictionized" versions of film scripts, rewritten in narrative form. Here is an annotated checklist of more than 500 horror and mystery photoplay novels and magazine fictionizations, collected over a period of four decades. Photo-illustrated stories that are not strictly in the horror or mystery genres are included if they are linked to films with such stars as Lon Chaney, Boris Karloff, Bela Lugosi, or other genre figures. Mysteries are generally defined as novels or stories featuring a detective as the central character, although in some cases melodramas, thrillers, and film noir books having crime as a plot element are included. Science fiction and fantasy works, and others having outre aspects, are also within scope. With a few exceptions, the cut-off date for inclusion in the catalog is the year 1970. In an entertaining introductory essay the author reflects on the attractions of assembling such a collection, analyzes aspects of the social significance and aesthetic content of its books, and draws many surprising inferences from their advertisements, illustrations, and marks of previous ownership. The subsequent catalog is the first survey in the field to extend bibliographical coverage beyond books to movie tie-in magazine stories. Included in an appendix is the complete text of "The Gorilla," a short story version of a lost First National Film, reprinted from a rare issue of Moving Picture Stories from 1927.

A reference bibliography (by film title) for collectors of "Photoplay Editions and other MOvie Tie-In Books". These are special publications that coincide with the release of a feature film. Either a re-issue of novel or a novelization from the screenplay are the typical presentations. The book will "tie-in" the film and story through movie photo/artwork or written credit. Each book listing dtails author, alternate titles, film company, year of release, major actors depicted and a description of the book (including values). The bibliography references the begining years for this material through 1969 (1912-1969), involving 6200 books and over 4000 films. All books are printed in the English language.

Silent Film and the Formations of U.S. Literary Culture: Literature in Motion argues that the emergence of motion pictures constituted a defining moment in U.S. literary history. Author Sarah Gleeson-White discovers what happened to literary culture-both popular and higher-brow—when inserted into the spectacular world of motion pictures during the early decades of the twentieth century. How did literary culture respond to, and how was it altered by, the development of motion pictures, literature's exemplar and rival in narrative realism and enthrallment? Gleeson-White draws on extensive archival film and literary materials, and unearths a range of collaborative, cross-media expressive and industrial practices to reveal the manifold ways in which early-twentieth-century literary culture sought both to harness and temper the reach of motion pictures.

The total number of Everyman's Library volumes that still survive somewhere in the world exceeds 70 million. Since the inception of the Library in 1906, nearly 1200 unique volumes have been published, constantly placing the world's greatest books before a large public. A few of these titles proved unpopular and were never reprinted. But most were reprinted dozens of times, packaged in numerous ways, and benefited from updated editorial work and book design over the last century. Terry Seymour has studied and researched every aspect of this great mass of books. He now captures and distills this knowledge in A Printing History of Everyman's Library 1906-1982. A critical feature, of course, is to update the various collecting factoids that have emerged since 2005 when his Guide to Collecting Everyman's Library was published. The meat of the new book, however, is the Bibliographical Entries section. Each volume that has ever been printed receives its own entry, detailing every printing, each dust jacket variation, any new introductions, updated scarcity numbers, and all relevant notes. Typically an entry contains at least six lines of information, but often much more. In essence, each entry is a story written exclusively about each volume. Armed with this resource, collectors and booksellers can know reliably everything about the Everyman's Library volume that sits on their shelf or is ready to be purchased or sold. They will see how a book fits into the total printing history of that title, and be able to describe and value the book with precision. To further enhance the value of this book, color images illustrate all of the key collecting points. An extensive index of editors, translators and artists is now included. Not just a solo effort, the Printing History has been vetted by other expert collectors, ensuring greater accuracy and comprehensiveness.

Thomas H. Ince (1880--1924) turned movie-making into a business enterprise. Progressing from actor to director and screenwriter, he revolutionized the motion picture industry through developing the role of the producer. In addition to building the first major Hollywood studio facility, dubbed "Inceville," he was responsible for more than 800 films. Thomas Ince: Hollywood's Independent Pioneer chronicles Ince's life from the stage to his sudden death as he was about to join forces with media tycoon William Randolph Hearst. Author Brian Taves explores Ince's impact on Hollywood's production system, the Western, his creation of the first American movies starring Asian performers, and his cinematic exploration of the status of women in society. Until now, Thomas Ince has not been the subject of a biography. This book offers insight into the world of silent cinema through the story of one of its earliest and most influential moguls.

Photoplay editions--movie tie-in books published in conjunction with the release of the film--were first published around 1912, reached their height in the 1920s and 1930s, and continue, sporadically, to be published today. (And stage play editions go back to the 1890s.) For many lost films of early Hollywood, photoplay editions can be the most tangible reminders that they ever existed. The most popular, such as Dracula, Frankenstein, and King Kong, sell for thousands of dollars on those rare occasions when they are offered. Two text chapters trace the history of photoplay editions to the present and discuss the major and minor publishers and the various formats that developed. The condition, popularity, demand, and value of photoplay edition books are also discussed. Part One is a list of American (including Canadian) photoplay editions listed by book title and including such details as the author, publisher, date published, alternate titles, type of dust jacket and the number of photographic stills, main credits, and the estimated value in U.S. dollars. Part Two is a simple list by author of these photoplay editions. Parts Three and Four follow the same format but are listings of British (including Australian) photoplay editions. Part Five lists stage play editions by book title (with full data) and Part Six is a simple list of stage play editions by actor or actress.