A stunning visual journey through Cambodian culture, history, art, struggle, and modernization. Cambodia has two parallel histories. One is the constant stream of adventurers and diplomats, kings and rebels, archaeologists and artists drawn to the magnificent ruins at Angkor. Another is the formation of a nation through the Cambodian people's fierce struggles with colonialism, war, revolution, famine, and finally, the long road to recovery. This book captures these parallel stories through the eyes of talented photographers who were present to record such events. The images, which include many rare and never-before-published photos, are drawn from archives, national collections, libraries, and private collections. This treasure trove of nearly 500 photographs showcases the work of over 100 photographers--including pioneering female photographers, Cambodian and international photographers, and some who died soon after the rise of the Khmer Rouge. Within these pages, readers will find a fresh perspective on Cambodia. From the early days of French colonialism through the struggle for independence, and emergence into an uneasy peace in the 21st century.

Unbelievable feats of transportation are an everyday occurrence on the streets of Cambodia. Tuk-tuks, cyclos, cars, trucks, motorbikes and bicycles transport loads that defy your wildest imagination. Tuk-tuks crammed to the roof with fruit and veg, beaten-up old taxis transporting pigs bigger than people, beds bigger than pigs and water tanks bigger than beds Six people on one small motorbike, and sixty-seven people standing on the back of a flatbed lorry. Photographers Hans Kemp and Conor Wall spent hundreds of long, painful hours on the back of motorbikes documenting this unique street culture, resulting in this amazing book loaded with incredible photographs that will forever change your definition of "packed "

Roughly 1.7 million people died in Cambodia from untreated disease, starvation, and execution during the Khmer Rouge reign of less than four years in the late 1970s. The regime’s brutality has come to be symbolized by the multitude of black-and-white mug shots of prisoners taken at the notorious Tuol Sleng prison, where thousands of “enemies of the state” were tortured before being sent to the Killing Fields. In Archiving the Unspeakable, Michelle Caswell traces the social life of these photographic records through the lens of archival studies and elucidates how, paradoxically, they have become agents of silence and witnessing, human rights and injustice as they are deployed at various moments in time and space. From their creation as Khmer Rouge administrative records to their transformation beginning in 1979 into museum displays, archival collections, and databases, the mug shots are key components in an ongoing drama of unimaginable human suffering. Winner, Waldo Gifford Leland Award, Society of American Archivists Longlist, ICAS Book Prize, International Convention of Asia Scholars

Cambodia: a Journey through the Land of the Khmer throws the doors to this small Southeast Asian kingdom wide open and invites both visitors and armchair travelers on a trip through the history and landscape of Cambodia while introducing the country s people, their unique and resilient culture and colorful festivals.

In Cambodia, between 1975 and 1979, some two million people died at the hands of the Khmer Rouge. Twenty years later, not one member had been held accountable for the genocide. Haunted by an image of one of them, Comrade Duch, photographer Nic Dunlop set out to bring him to life, and thereby to account. "I needed to understand how a movement that laid claim to a vision of a better world could instead produce a revolution of unparalleled ferocity; how a seemingly ordinary man from one of the poorer parts of Cambodia could turn into one of the worst mass murderers of the twentieth century:" Weaving seamlessly between past and present, Dunlop unfolds the history of Cambodia as a lens through which to understand its tragic last forty years. He makes clear how much responsibility the United States must share, through failed political alliances and the illegal bombing of Cambodia, for the bloodshed that followed. Guided by witnesses, Dunlop teases out the details of Duch's transformation from sensitive schoolchild and dedicated teacher to the revolutionary killer who later slipped quietly back into village life. From the temples of Angkor to the prisons of Pol Pot's regime, to his unexpected meeting with Duch himself, Dunlop's special vision as a photographer enlarges our own. The Lost Executioner is a blend of history and testimony-and a reminder that, whether in the killing fields of Cambodia or the deserts of Darfur, if we turn our backs on genocide, we must bear a collective guilt.

This book accurately chronicles the creation of the French Protectorate of Cambodia through the accounts of the people who actually participated in its inception and in the context of the political intrigues of that time and place involving Cambodia, Siam, France and Great Britain. In the same decade of the 1860's two other related treaties complicated and then resolved the protectorate treaty. Drawing on the same historical context this new book commemorates the 150th anniversary in 2016 of the beginning of photography in Cambodia, presenting over 145 rare engravings, maps, and the remarkable first photographs captured at Angkor and Phnom Penh by John Thomson and Emile Gsell, decades before photographic film was even invented. On February 26, 1866 John Thomson arrived at Angkor Wat to capture the first photographs there. Four months later Emile Gsell's historic photographs at Angkor also marked the beginning of the French expedition, led by Commander Doudart de Lagrée, to explore the then uncharted Mekong River from Cambodia to the north of China, one of the great and most courageous expeditions of exploration in recent centuries. In the end, France captured Cambodia, Siam captured Angkor, King Norodom captured the crown and the throne of Cambodia and for at least a short time the independence of the kingdom, John Thomson and Emile Gsell captured the first photographs at Angkor, and Ernest Doudart de Lagrée was captured by duty, adventure and the affection of a little Cambodian boy named Chhun.