In this volume of the Shawn M. Tomlinson Guide to Photography Series, Tomlinson takes an in-depth look at the Sony A100 and continues his series devoted to helping budding photographers get started without breaking the bank. In this case, Tomlinson considers the first Sony DSLR to be great start. "After waiting the proper mourning time for Minolta - about a year - Sony took the black armband off and unveiled its first DSLR, the A100. And why is this important now? It's vitally important if you are a beginning photographer and want to get a great DSLR and great lenses that won't mortgage your house."

In 'Getting Started in Photography," Photographer and writer Shawn M. Tomlinson creates a quick guide to help budding photographers. The book includes equipment advice, exercises for becoming better, photo processing basics and more. From the book: "What anyone starting out needs is, well, a starting point. Some basic information about equipment and technique to get everything moving. And, hey, I'm here to help." In part two, 'Great Starter DSLR: Revisiting the Sony A100, ' he takes an in-depth look at the camera and continues his series devoted to helping budding photographers get started without breaking the bank. In this case, Tomlinson considers the first Sony DSLR, the A100. From the book: "After waiting the proper mourning time for Minolta - about a year - Sony took the black armband off and unveiled its first DSLR, the A100. And why is this important now? It's vitally important if you are a beginning photographer and want to get a great DSLR and great lenses that won't mortgage your house."

In this expanded edition of 'Photography: The Workhorse DSLR: Revisiting the Canon EOS 20D, ' photographer and author Shawn M. Tomlinson reminds us of just what a great camera the 20D was. The camera is relevant today, especially for those just starting out in photography. Tomlinson illustrates the book with many images shot with the Canon EOS 20D, which he uses frequently in his own work. This popular volume now contains more details and hands-on practice hints and tips

The designers at Nikon in 2004-05 were looking for a way to reach the semi-pro photographer. The semi-pro is someone who has another job but shoots photos Ñ often at weddings Ñ as a part-time job. TheyÕre sometimes called weekend warriors. They tend to be serious and dedicated, but they had no need for the pro digital single-lens reflex behemoths like the Canon EOS IDX Mark II or the Nikon D5. What they needed then and now is a DSLR camera that is built strong, is always reliable and can handle their workload. That led to the first true semi-pro camera from the company, the Nikon D200. The D200 may have been overshadowed by its successor, the Nikon D300, but itÕs still a great camera. A great camera that can be had relatively cheaply, and that makes it an even better camera.

It has been a long, strange road, and probably has no end clearly in sight. Many more books are in the works as I write this in early December 2018. For example, I have published nine novels to date, and am writing nine more, with plans for some beyond that. The Shawn M. Tomlinson's Guide to Photography series has 29 titles in print, with another five or six nearly complete, and plans for 30 to 40 more. I'm also trying to rework and rearrange those books into omnibus editions by chronology and by theme.I never will get every book done I want to do, but it keeps me busy.I always planned on putting out a catalog of all the Zirlinson Books, but kept getting waylaid for one reason or another until now. This catalog is available as a print book in color. The color print book will be cost prohibitive for many people, so there likely will be a black and white version available, too.

The author takes a look at the reasons to buy a second digital single-lens reflex camera body and gives some advice about what the 2nd DSLR should be. This expanded edition goes more in-depth about the reasons to own a 2nd DSLR body and includes film SLR cameras and a handy backup system.

Simply put, medium-format photography is quite a bit more complex than shooting with 35mm film SLRs or 35mm-style DSLRs. It takes a bit more skill - and experience - to handle medium-format cameras. Not only do you need to learn to think differently about how you shoot, but you also have a whole new type of equipment to learn. Medium-format cameras produce bigger images, which allows for more detail and greater enlargement. And because they, in general, were designed for professional photographers, the lenses tend to be of better quality that most 35mm lenses, which also adds to the detail in the images. In this book, we'll take a look at medium-format SLRs and TLRs, and we'll even touch upon some other types. We'll also consider a few lenses, although these largely are a matter of choice. And there are far fewer choices for medium-format cameras than for other types. Time to do some weight training and heft those medium-format cameras and lenses into position. Let's go.