This book argues that photography, with its inherent connection to the embodied material world and its ease of transmissibility, operates as an implicitly political medium. It makes the case that the right to see is fundamental to the right to be. Limning the paradoxical links between photography as a medium and the conditions of political, social, and epistemological disappearance, the book interprets works by African American, Indigenous American, Latinx, and Asian American photographers as acts of political activism in the contemporary idiom. Placing photographic praxis at the crux of 21st-century crises of political equity and sociality, the book uncovers the discursive visual movements through which photography enacts reappearances, bringing to visibility erased and elided histories in the Americas. Artists discussed in-depth include Shelley Niro, Carrie Mae Weems, Paula Luttringer, LaToya Ruby Frazier, Matika Wilbur, Martine Gutiérrez, Ana Mendieta, An-My Lê, and Rebecca Belmore. The book makes visible the American land as a site of contestation, an as-yet not fully recognized battlefield.

"This collection of photographic portraits traces 150 years of U.S. history through the lives of well-known abolitionists, artists, scientists, writers, statesmen, entertainers, and sports figures. Drawing on the photography collection of the Smithsonian's National Portrait Gallery, Deborah Willis celebrates the ways in which these images furthered recognition and equality in America, and even today challenge us all to uphold America's highest ideals and promises." --Book Jacket.

Whether at UFW picket lines in California’s Central Valley or capturing summertime street life in East Harlem Latinx photographers have documented fights for dignity and justice as well as the daily lives of ordinary people. Their powerful, innovative photographic art touches on family, identity, protest, borders, and other themes, including the experiences of immigration and marginalization common to many of their communities. Yet the work of these artists has largely been excluded from the documented history of photography in the United States. Through individual profiles of more than eighty photographers from the early history of the photographic medium to the present, Elizabeth Ferrer introduces readers to Latinx portraitists, photojournalists, and documentarians and their legacies. She traces the rise of a Latinx consciousness in photography in the 1960s and '70s and the growth of identity-based approaches in the 1980s and '90s. Ferrer argues that in many cases a shared sense of struggle has motivated photographers to work purposefully, driven by a deep sense of resistance, social and political commitments, and cultural affirmation, and she highlights the significance of family photos to their approaches and outlooks. Works range from documentary and street photography to narrative series to conceptual projects. Latinx Photography in the United States is the first book to offer a parallel history of photography, one that no longer lies at the margins but rather plays a crucial role in imagining and creating a broader, more inclusive American visual history.

"Collaboration and Resistance: Images of Life in Vichy France, 1940-1944 offers an unprecedented view of French life during World War II under German occupation. Most of these images came from the Vichy government office of information and propaganda and have not been seen in historical context. Some have never before been published. Other images, such as posters, newspapers, leaflets, and rare photographs that make evident the activity of the Resistance, as well as the machine of German propaganda, are taken from little-known archival sources."--BOOK JACKET.

The Lord?s Resistance Army (LRA), led by the infamous Joseph Kony, was active in northern Uganda from the second half of the 1980s. The rebel group became notorious for the use of extreme violence, in particular its large-scale abductions of children. Rebel Lives is a visual story about life inside the rebel movement: based on photographs taken by LRA commanders between 1994 and 2004, this book documents life within violent circumstances, and depicts the rebels as they wanted to be seen among themselves and by the outside world. 00Kristof Titeca, Associate Professor in Development Studies at the University of Antwerp and expert on the LRA, collected this material, and used it to trace the photographed (former) rebels. Together with Congolese photographer Georges Senga, he travelled back to photograph the former rebels in their current context. 00With text contributions from Jonathan Littell, Harriet Anena, Rein Deslé, and Christine Oryema Lalobo.

In Imprisoned in a Luminous Glare, Leigh Raiford argues that over the past one hundred years activists in the black freedom struggle have used photographic imagery both to gain political recognition and to develop a different visual vocabulary abou

Our Culture Is Our Resistance: Repression, Refuge, and Healing in Guatemala is a stunning document of this tiny Central American country, revealing stories of life and death, of hope and despair, and of struggles for survival, respect, and truth. For the past ten years Jonathan Moller has photographed communities uprooted by war in Guatemala. The beauty and strength of Moller's one hundred forty-seven tritone portraits and the accompanying texts not only document and preserve the faces and events associated with this land and its history, but also display for the viewer the humanity and dignity of these largely Mayan indigenous peoples. Sponsors and official endorsers of the book include Amnesty International, the Soros Foundation, Global Exchange, The Nation Institute, the Photo Review, Witness for Peace, and Cultural Survival.