This volume contains Philosophy in the Bedroom, a major novel that presents the clearest summation of his political philosophy; Eugenie de Franval, a novella widely considered to be a masterpiece of eighteenth-century French literature; and the only authentic and complete American edition of his most famous work, Justine.

Philosophy in the Bedroom accounts the lascivious education of a privileged young lady at the dawn of womanhood. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The Marquis de Sade's first book is an account of Eugenie's education by two libertines. The girl is finally so well-trained, she quite happily watches the rape of her own mother. Actually, the title is a comedy, and is generally considered de Sade's funniest work.

Philosophy in the Bedroom Marquis De Sade - Philosophy in the Bedroom is a 1795 book by the Marquis de Sade written in the form of a dramatic dialogue. Though initially considered a work of pornography, the book has come to be considered a socio-political drama. Set in a bedroom, the seven dialogues concern Eugenie, a virgin, who has been sent to the house of Madame de Saint-Ange by her father, to be instructed in the ways of the libertine. Along with Le Chevalier de Mirval, (Madame de Saint-Ange's 20-year-old brother), and Dolmancé, a 36-year-old atheist and bisexual, they all teach her their ways. When her mother shows up, she is punished for bringing her daughter up with 'false virtues'.

"This is the first book to examine the cultural history of Marquis de Sade's (1740-1814) philosophical ideas and their lasting influence on political and artistic debates. An icon of free expression, Sade lived through France's Reign of Terror, and his writings offer both a pitiless mirror on humanity and a series of subversive metaphors that allow for the exploration of political, sexual, and psychological terror. Generations of avant-garde writers and artists have responded to Sade's philosophy as a means of liberation and as a radical engagement with social politics and sexual desire, writing fiction modelled on Sade's novels, illustrating luxury editions of his works, and translating his ideas into film, photography, and painting. In The Sadean Imagination, Alyce Mahon examines how Sade used images and texts as forms that could explore and dramatize the concept of terror on political, physical, and psychic levels, and how avant-garde artists have continued to engage in a complex dialogue with his works. Studying Sade's influence on art from the French Revolution through the twentieth century, Mahon examines works ranging from Anne Desclos's The Story of O, to images, texts, and films by Man Ray, Pier Paolo Pasolini, Guillaume Apollinaire, Jean-Jacques Lebel, and Peter Brook. She also discusses writings and responses to Sade by feminist theorists including Angela Carter and Judith Butler. Throughout, she shows how Sade's work challenged traditional artistic expectations and pushed the boundaries of the body and the body politic, inspiring future artists, writers, and filmmakers to imagine and portray the unthinkable"--

Drawing on Greek myth, Plato, Shakespeare, and a wide range of modern literature and movies, the author invites readers into a deep appreciation of timeless ancient wisdom through reflecting on their own powers for love and their susceptibility to desire. The two aspects of Plato's erotic vision, androgyny and creativity, lead readers to a sense of grateful wonder and sacred awe at our own erotic powers.