Issue for Jan./Apr. 1979 called Special issue; consists of official proceedings of the International Colloquium on Contextual Theology.

Building upon Dr Crossley's 2011 book ('Hernando de los Ríos Coronel and the Spanish Philippines in the Golden Age') this new work further expands our understanding of the Spanish Philippines by looking at Gómez Pérez Dasmariñas and his son Luis, successive governors from 1589. Drawing upon a rich selection of documents from the official Spanish archives (principally the Archivo General de Indias, Seville) and earlier histories, the book also utilizes an unpublished 628 page manuscript in the Lilly Library at Indiana University to provide many details not available elsewhere. In so doing the book reveals the complex situation that existed in the Philippines and how the two governors (and the people around them) threw out, and responded to, challenges from a variety of different cultures. Born into a rich family in north-western Spain about 1539, Gómez Pérez Dasmariñas had a distinguished career in Spain before being selected in 1588, to become the new governor of the Philippines. A devout Christian intent on converting the new country in which he found himself, Dasmariñas epitomised the Spanish state's increasing emphasis on its missionary role. He departed Spain with clear instructions from the king, which had been drawn up in response to requests from the Philippines, asking for a better governor and one of higher moral standards than they had previously enjoyed. From the evidence found in his sources, John Newsome Crossley argues that Dasmariñas largely measured up to these requirements. Killed in an attempt to capture the fort at Ternate in the Moluccas in 1593, Gómez Pérez Dasmariñas was succeeded by his son Luis. After being replaced himself as governor in 1596, Luis remained in the Philippines until his death in the Chinese rebellion of 1603 in Manila. In revealing the story of the two Dasmariñas governors, this book further illuminates the history of the Spanish Philippines and its relationship both with the wider Spanish empire, and the regional powers including China, Japan, Siam and Cambodia.

The first-ever comprehensive introduction to traditional Filipino healing practices—featuring rare photographs and insights into the roots and modern-day rituals of this ancient shamanic and spiritual belief system. “. . . brilliantly blends the art and science of the sacred teachings of Filipino traditional healing to help people find their path toward health and happiness.” —Deepak Chopra Way of the Ancient Healer provides an overview of the rich tradition of Filipino healing practices, discussing their origins, world influences, and role in daily life. Enhanced with over 200 photographs and illustrations, the book combines years of historical research with detailed descriptions of the spiritual belief system that forms the foundation of these practices. Giving readers a rare look at modern-day Filipino healing rituals, the book also includes personal examples from author Virgil Mayor Apostol’s own experiences with shamanic healing and dream interpretation. The book begins with an explanation of Apostol’s Filipino lineage and legacy as a healer. After a brief history of the Philippine archipelago, he describes the roots of traditional Filipino healing and spirituality, and discusses the Indian, Islamic, Chinese, Japanese, Spanish, and American influences that have impacted the Filipino culture. He presents a thorough description of Filipino shamanic and spiritual practices that have developed from the concept that everything in nature contains a spirit (animism) and that living in the presence of spirits demands certain protocols and rituals for interacting with them. The book’s final chapter thoughtfully explores the spiritual tools used in Filipino healing–talismans, amulets, stones, and other natural symbols of power.

Through its missionary, pedagogical, and scientific accomplishments, the Society of Jesus-known as the Jesuits-became one of the first institutions with a truly "global" reach, in practice and intention. The Oxford Handbook of the Jesuits offers a critical assessment of the Order, helping to chart new directions for research at a time when there is renewed interest in Jesuit studies. In particular, the Handbook examines their resilient dynamism and innovative spirit, grounded in Catholic theology and Christian spirituality, but also profoundly rooted in society and cultural institutions. It also explores Jesuit contributions to education, the arts, politics, and theology, among others. The volume is organized in seven major sections, totaling forty articles, on the Order's foundation and administration, the theological underpinnings of its activities, the Jesuit involvement with secular culture, missiology, the Order's contributions to the arts and sciences, the suppression the Order endured in the 18th century, and finally, the restoration. The volume also looks at the way the Jesuit Order is changing, including becoming more non-European and ethnically diverse, with its members increasingly interested in engaging society in addition to traditional pastoral duties.

Named one of BBC History Magazine's "Books of the Year" in 2010 In this groundbreaking study, D. R. M. Irving reconnects the Philippines to current musicological discourse on the early modern Hispanic world. For some two and a half centuries, the Philippine Islands were firmly interlinked to Latin America and Spain through transoceanic relationships of politics, religion, trade, and culture. The city of Manila, founded in 1571, represented a vital intercultural nexus and a significant conduit for the regional diffusion of Western music. Within its ethnically diverse society, imported and local musics played a crucial role in the establishment of ecclesiastical hierarchies in the Philippines and in propelling the work of Roman Catholic missionaries in neighboring territories. Manila's religious institutions resounded with sumptuous vocal and instrumental performances, while an annual calendar of festivities brought together many musical traditions of the indigenous and immigrant populations in complex forms of artistic interaction and opposition. Multiple styles and genres coexisted according to strict regulations enforced by state and ecclesiastical authorities, and Irving uses the metaphors of European counterpoint and enharmony to critique musical practices within the colonial milieu. He argues that the introduction and institutionalization of counterpoint acted as a powerful agent of colonialism throughout the Philippine Archipelago, and that contrapuntal structures were reflected in the social and cultural reorganization of Filipino communities under Spanish rule. He also contends that the active appropriation of music and dance by the indigenous population constituted a significant contribution to the process of hispanization. Sustained "enharmonic engagement" between Filipinos and Spaniards led to the synthesis of hybrid, syncretic genres and the emergence of performance styles that could contest and subvert hegemony. Throwing new light on a virtually unknown area of music history, this book contributes to current understanding of the globalization of music, and repositions the Philippines at the frontiers of research into early modern intercultural exchange.