"For the last half century, the novels of Philip Roth have re-energized American fiction and redefined its possibilities. Roth's comic genius, his imaginative daring, his courage in exploring uncomfortable truths, and his assault on political, cultural, and sexual orthodoxies have made him one of the essential writers of our time. By special arrangement with the author, The Library of America continues the definitive edition of Roth's collected works." "The Counterlife (1986) is a book of astonishing 180-degree turns, of conflicting perspectives and points of view, and, by far, Roth's most radical novel to date. The subject is people enacting their dreams of renewal and escape, some going so far as to risk their lives to alter seemingly irreversible destinies. Illuminating these lives in transition is the skeptical, enveloping intelligence of the writer Nathan Zuckerman." "In 1987, a year after the imaginative extravaganza of The Counterlife, Roth reverses field with The Facts, the first of the "Roth Books." The Facts presents the author's own battles defictionalized and unadorned, and concludes with the unique assault that Roth mounts against his own proficiencies as an autobiographer." "At the center of the second of the Roth Books, Deception (1990), are a married American named Philip, living in London, and the married Englishwoman - trapped with a little child in a loveless upper-middle-class household - who eloquently and minutely reveals herself to her lover as they talk before and after making love. With the skill of a brilliant observer of the illicit and the intimate, Roth presents the highly enclosed world of adultery with a directness that has no equal in American fiction." "In the third Roth Book, Patrimony (1991), Philip Roth watches as Herman Roth, his 86-year-old father - famous for his vigor, his charm, and his repertoire of Newark recollections - battles with the brain tumor that will kill him. The son accompanies his father through each fearful stage of his final ordeal, revealing the survivalist tenacity that has distinguished Herman's passionate engagement with life."--BOOK JACKET.

Winner of the National Book Critics Circle Award and a finalist for the National Book Award The Counterlife is a novel unlike any that Philip Roth has written before, a book of astonishing 180-degree turns, a book of conflicting perspectives and points of view, and, by far, Roth's most radical work of fiction. The Counterlife is about people enacting their dreams of renewal and escape, some of them going so far as to risk their lives to alter seemingly irreversible destinies. Every major character (and most of the minor ones) is investigating, debating, and arguing the possibility of remaking the future. Illuminating these lives in transition and guiding us through all the landscapes, familiar and foreign, where these people are seeking self-transformation, is the mind of the novelist Nathan Zuckerman. His is the skeptical, enveloping intelligence that calculates the price that's paid in the struggle to change personal fortune and to reshape history. Yet his is hardly the only voice. This is a novel in which speaking out with force and lucidity appears to be the imperative of every life. There is Henry, the forty-year-old New Jersey dentist, who risks a quintuple bypass operation in order to escape the coronary medication that renders him sexually impotent. There is Maria, the wellborn young Englishwoman, who invites the disdain of her family by marrying the American she knows will be lease acceptable in Gloucestershire. There is Lippmann, the Israeli settlement leader, who contends that "everything is possible for the Jew if only he does not give ground." The action in The Counterlife ranges from a dentist's office in quiet suburban New Jersey to a genteel dining table in a tradition-bound English village, from a Christmas carol service in London's West End to a Sabbath evening celebration in a tiny desert settlement in Israel's occupied West Bank. Wherever they may find themselves, the characters of The Counterlife are tempted unceasingly by the prospect of an alternative existence that can reverse their fate.

America’s most celebrated writer returns with a definitive edition of his essential statements on literature, his controversial novels, and the writing life, including including six pieces published here for the first time and many others newly revised. Throughout a unparalleled literary career that includes two National Book Awards (Goodbye, Columbus, 1959 and Sabbath’s Theater, 1995), the Pulitzer Prize in fiction (American Pastoral, 1997), the National Book Critics Circle Award (The Counterlife, 1986), and the National Humanities Medal (awarded by President Obama in 2011), among many other honors, Philip Roth has produced an extraordinary body of nonfiction writing on a wide range of topics: his own work and that of the writers he admires, the creative process, and the state of American culture. This work is collected for the first time in Why Write?, the tenth and final volume in the Library of America’s definitive Philip Roth edition. Here is Roth’s selection of the indispensable core of Reading Myself and Others, the entirety of the 2001 book Shop Talk, and “Explanations,” a collection of fourteen later pieces brought together here for the first time, six never before published. Among the essays gathered are “My Uchronia,” an account of the genesis of The Plot Against America, a novel grounded in the insight that “all the assurances are provisional, even here in a two-hundred-year-old democracy”; “Errata,” the unabridged version of the “Open Letter to Wikipedia” published on The New Yorker’s website in 2012 to counter the online encyclopedia’s egregious errors about his life and work; and “The Ruthless Intimacy of Fiction,” a speech delivered on the occasion of his eightieth birthday that celebrates the “refractory way of living” of Sabbath’s Theater’s Mickey Sabbath. Also included are two lengthy interviews given after Roth’s retirement, which take stock of a lifetime of work. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

This is novelist Philip Roth's account of his 86-year-old father's last year. Suffering from a brain tumour and fighting death, Herman is accompanied through each fearful stage of his final ordeal by his son, who, marvelling at his father's long, stubborn engagement with life, recounts a relationship full of love and dread. Conspicuous throughout the book are Herman's tough integrity and moments of humour, but it is also an intensely painful story, as Philip Roth has to decide whether or not to terminate his father's life.

As a student in college, David Kepesh styles himself as 'a rake among scholars, a scholar among rakes' - an identity that will cling to him for a lifetime. As Philip Roth follows Kapesh from the domesticity of childhood out into the vast wilderness of erotic possibility, from a ménage à trois in London to the depths of loneliness in New York, Kapesh confronts the central dilemma of pleasure: how to make a truce between dignity and desire; and how to survive the ordeal of an unhallowed existence.

The protagonist of Tobias Wolff’s shrewdly—and at times devastatingly—observed first novel is a boy at an elite prep school in 1960. He is an outsider who has learned to mimic the negligent manner of his more privileged classmates. Like many of them, he wants more than anything on earth to become a writer. But to do that he must first learn to tell the truth about himself. The agency of revelation is the school literary contest, whose winner will be awarded an audience with the most legendary writer of his time. As the fever of competition infects the boy and his classmates, fraying alliances, exposing weaknesses, Old School explores the ensuing deceptions and betrayals with an unblinking eye and a bottomless store of empathy. The result is further evidence that Wolff is an authentic American master.

This collection of landmark slave narratives demonstrates how a diverse group of writers challenged the conscience of a nation and laid the foundations of the African American literary tradition No literary genre speaks as directly and as eloquently to the brutal contradictions in American history as the slave narrative. The works collected in this volume present unflinching portrayals of the cruelty and degradation of slavery while testifying to the African-American struggle for freedom and dignity. They demonstrate the power of the written word to affirm a person’s—and a people’s—humanity in a society poisoned by racism. Slave Narratives shows how a diverse group of writers challenged the conscience of a nation and, through their expression of anger, pain, sorrow, and courage, laid the foundations of the African-American literary tradition. This volume collects ten works published between 1772 and 1864: • Narratives by James Albert Ukawsaw Gronniosaw (1772) and Olaudah Equiano (1789) recount how they were taken from Africa as children and brought across the Atlantic to British North America. • The Confessions of Nat Turner (1831) provides unique insight into the man who led the deadliest slave uprising in American history. • The widely read narratives by the fugitive slaves Frederick Douglass (1845), William Wells Brown (1847), and Henry Bibb (1849) strengthened the abolitionist cause by exposing the hypocrisies inherent in a slaveholding society ostensibly dedicated to liberty and Christian morality. • The Narrative of Sojourner Truth (1850) describes slavery in the North while expressing the eloquent fervor of a dedicated woman. • Running a Thousand Miles for Freedom (1860) tells the story of William and Ellen Craft’s subversive and ingenious escape from Georgia to Philadelphia. • Incidents in the Life of a Slave Girl (1861) is Harriet Jacobs’s complex and moving story of her prolonged resistance to sexual and racial oppression. • The narrative of the “trickster” Jacob Green (1864) presents a disturbing story full of wild humor and intense cruelty. Together, these works fuse memory, advocacy, and defiance into a searing collective portrait of American life before emancipation. Slave Narratives contains a chronology of events in the history of slavery, as well as biographical and explanatory notes and an essay on the texts.