An attempt to establish the authorship of those plays which the two wrote together, & those parts of others which were rewritten or revised by Massinger.

An attempt to establish the authorship of those plays which the two wrote together, & those parts of others which were rewritten or revised by Massinger.

The Sea Voyage is a late Jacobean comedy written by John Fletcher and Philip Massinger. The play is notable for its imitation of Shakespeare's The Tempest. The play begins with a storm, and features a desert island and castaways at a banquet, just as in The Tempest. In addition to Shakespeare's play, the collaborators consulted recent accounts of actual explorations, including those of William Strachey and John Nicoll. Along with Fletcher's The Island Princess, The Sea Voyage has attracted the attention of some late twentieth century critics and scholars as part of the literature of colonialism and anti-colonialism.

The Tamer Tamed is the subtitle or alternative title to John Fletcher's The Woman's Prize, a comedic sequel and reply to The Taming of the Shrew. The plot switches the gender roles of Shakespeare's play: the women seek to tame the men. Katherine (the "shrew" of the original) has died, and Petruchio takes a second wife, Maria. Maria denounces her former mildness and vows not to sleep with Petruchio until she "turn him and bend him as [she] list, and mold him into a babe again." After many comedic exchanges and plot twists, Petruchio is finally "tamed" in the eyes of Maria, and the play ends with the two reconciled. The play is seen to reflect how society's views of women, femininity, and "domestic propriety" were beginning to change. It is said that Fletcher wrote this play to attract Shakespeare's attention - the two went on to collaborate on at least three plays together. This brand new New Mermaid edition offers unique and fresh insight into the critical interpretation of the play. It builds on current critical foundations (the relationship with Taming of the Shrew, gender relations etc) and suggests different areas of interest (popular associations of the shrew, the question of reputation, and a re-examination of the play's structure). as well as examining stage history and recent productions.

The Prophetess is a late Jacobean era stage play, a tragicomedy written by John Fletcher and Philip Massinger. It was initially published in the first Beaumont and Fletcher folio of 1647.The Prophetess has been called "a strange and difficult play," noteworthy as almost the only work in Fletcher's canon that treats magic and thaumaturgy as a serious element, with Delphia "as a kind of a curiously feminized Prospero."