The fifty-four paintings in this volume celebrate the natural beauty of the rare tallgrass prairie environments of Illinois and the remarkable legacy of conservation that sustains them. Artist and author Philip Juras's evocative canvases are based on extensive research, travel, and time in the field with prairie conservation experts. As a result, his luminous paintings, and his descriptions of them, are rich in ecological and historical detail. An accompanying essay by acclaimed conservationist Stephen Packard tells the story of how the tallgrass prairie ecosystem was, and is, being saved from extinction in Illinois by a series of remarkable individuals and initiatives-efforts that have inspired conservation practices well beyond the state's borders.Picturing the Prairie invites us to get to know these restored landscapes, both within these pages and in the corresponding 2021 exhibition at the Chicago Botanic Garden. In them we can experience the magnificence of this archetypal American grassland, both in its present nature, and as it was in the past.

"Exhibition Schedule, Morris Museum of Art, Augusta, Georgia February 28 to May 22, 2016."

These stunning reproductions of more than sixty oil paintings by landscape artist Philip Juras offer a glimpse of the pre-European settlement southern wilderness as late eighteenth-century naturalist William Bartram would have experienced it during his famed travels through the region. Juras spent years researching Bartram and revisiting important sites the naturalist wrote about in his celebrated Travels. The paintings combine direct observation with historical, scientific, and natural history research to depict, and in some cases reimagine, landscapes as they appeared in the 1770s. Juras's work explores many of the important and imperiled ecosystems that remain in the South today. These little-known, remnant natural communities are further illuminated by essays placing them in the context of Bartram's legacy and the American landscape movement. Here is a rare glimpse of the southern frontier before it was irrevocably altered by European settlement.

Reprint of 1791 ed.

This classic, once hard-to-find travelogue recalls one of the very first around-the-world bicycle treks. Filled with rarely matched feats of endurance and determination, Around the World on a Bicycle tells of a young cyclist’s ever-changing and maturing worldview as he ventures through forty countries on the eve of World War II. It is an exuberant, youthful account, harking back to a time when the exploits of Richard Byrd, Amelia Earhart, and other adventurers stirred the popular imagination. In 1935 Fred A. Birchmore left the small American town of Athens, Georgia, to continue his college studies in Europe. In his spare time, Birchmore toured the continent on a one-speed bike he called Bucephalus (after the name of Alexander the Great’s horse). A born wanderer, Birchmore broadened his travels to include the British Isles and even the Mediterranean. After a lengthy, unplanned detour in Egypt, Birchmore put his studies on hold, pointed Bucephalus eastward, and just kept going. From desert valleys to frozen peaks, from palace promenades to muddy jungle trails, Birchmore saw it all on his eighteen-month, twenty-five-thousand-mile odyssey. Some of the people he encountered had never seen a bike—or, for that matter, an Anglo-European. As a good travel experience should, Birchmore’s trip changed his outlook on strangers. Always daring, outgoing, and energetic, he now saw an innate goodness in people. In between bone-breaking spills, wild animal attacks, and privation of all kinds, Birchmore learned that he had little to fear from human encounters. That he traveled through a world on the brink of global war makes this lesson even more remarkable—and timeless.

David Vine recounts how the British & US governments created the Diego Garcia base, making the native Chagossians homeless in the process. He details the strategic significance of this remote location & also describes recent efforts by the exiles to regain their territory.

Rich and strange from the tip of its title to its deep-sunk bones’ Robert Macfarlane From the author of Leviathan, or, The Whale, comes a composite portrait of the subtle, beautiful, inspired and demented ways in which we have come to terms with our watery planet.