This book shows the close relation between the phenomenology of the West and the phenomenological approach taken by Indian thinkers, both classical and modern. It illustrates that the underlying spirit of phenomenology and hermeneutics has been consciously followed by Indian philosophers for centuries and is not peculiar to Western thinkers. It also shows that Edmund Husserl and K. C. Bhattacharyya were aware of these parallel trends of thought. Phenomenology and Indian Philosophy addresses not only the basic theme of phenomenology, but its aesthetic, social, psychological, scientific, and technological aspects as well.

Comparative study of the Nyāya-Vaiśeṣika philosophical systems of classical India and phenomenology of modern West.

The nature and reality of self is a subject of increasing prominence among Western philosophers of mind and cognitive scientists. It has also been central to Indian and Tibetan philosophical traditions for over two thousand years. It is time to bring the rich resources of these traditions into the contemporary debate about the nature of self. This volume is the first of its kind. Leading philosophical scholars of the Indian and Tibetan traditions join with leading Western philosophers of mind and phenomenologists to explore issues about consciousness and selfhood from these multiple perspectives. Self, No Self? is not a collection of historical or comparative essays. It takes problem-solving and conceptual and phenomenological analysis as central to philosophy. The essays mobilize the argumentative resources of diverse philosophical traditions to address issues about the self in the context of contemporary philosophy and cognitive science. Self, No Self? will be essential reading for philosophers and cognitive scientists interested in the nature of the self and consciousness, and will offer a valuable way into the subject for students.

Provides a succinct philosophical introduction to Hegel's Phenomenology of Spirit for non-specialists and students, focusing on Hegel's unique and insightful theory of knowledge and its relations to 20th-century epistemology.

This book investigates the phenomenological ways that dance choreographing and dance performance exemplify both Truth and meaning-making within Native American epistemology, from an analytic philosophical perspective. Given that within Native American communities dance is regarded both as an integral cultural conduit and “a doorway to a powerful wisdom,” Shay Welch argues that dance and dancing can both create and communicate knowledge. She explains that dance—as a form of oral, narrative storytelling—has the power to communicate knowledge of beliefs and histories, and that dance is a form of embodied narrative storytelling. Welch provides analytic clarity on how this happens, what conditions are required for it to succeed, and how dance can satisfy the relational and ethical facets of Native epistemology.

The Disinterested Witness is a detailed, contextual, and interpretive study of the concept of saksin (or that which directly or immediately perceives) in Advaita Vedanta, and a fascinating and significant comparison of the philosophies of the East and West. Addressing a wide range of epistemological dilemmas, as well as perceived commonalities and differences between Eastern and Western philosophy, it is a major contribution to comparative philosophy and forms a vantage point for cross-cultural comparison.