Lucan's great poem, Pharsalia, recounts events surrounding the decisive battle fought near Pharsalus in 48 B.C. during the civil war between the forces of Pompey and Julius Caesar. Though the subject of this unfinished masterpiece is historical, many of its features are characteristic of epic poetry: Rousing battle scenes; tales of witches, monsters, and miracle; detailed catalogues; intricate similes; and speeches with a high degree of rhetorical elegance. However, Lucan's deft mix of humor and horror, of political satire, literary parody, history, and epic is entirely his own. Jane Wilson Joyce's superb translation conveys the drama and poetry of the original. Her use of natural English rhythms in a loose six-beat line comes close to matching the original Latin hexameters, wile her language preserves Lucan's sequence of images. An enlightening introduction, notes, and a full glossary augment the translation.

Lauded after his death as ‘champion of the English Commonwealth’, but also derided as a ‘most servile wit, and mercenary pen’, the poet, dramatist and historian Thomas May (c.1595–1650) produced the first full translation into English of Lucan’s Bellum Ciuile shortly before a ruinous civil war engulfed his own country. Lucan, whose epic had lamented the Roman Republic’s doomed struggle to preserve liberty and inevitable enslavement to the Caesars, and who was forced to commit suicide at the behest of the emperor Nero, was a figure of fascination in early modern Europe. May’s accomplished rendition of his challenging poem marked an important moment in the history of its English reception. This is a modernized edition of the first complete (1627) edition of the translation. It includes prefatory materials, dedications and May’s own historical notes on the text. Besides an introduction contextualising May’s life and work and the key features of his translation, it offers a full commentary to the text highlighting how May responded to contemporary editions and commentaries on Lucan, and explaining points of literary, political, philosophical interest. There is also a detailed glossary and bibliography, and a set of textual notes enumerating the chief differences between the 1627 edition and the others produced in May’s lifetime. This volume aims not just to provide an accessible path into the dense, sometimes provocative poem May shapes from Lucan, but also a broader appreciation of the translator’s literary merits and the role his work plays in the history of the English reception of Roman literature and culture.

Manuscript on paper of Lucan, Pharsalia. With commentary, verse summary, and verse argumenta of each book.

Pharsalia, a plantation located in piedmont Virginia at the foot of the Blue Ridge Mountains, is one of the best-documented sites of its kind. Drawing on the exceptionally rich trove of papers left behind by the Massie family, Pharsalia's owners, this case study demonstrates how white southern planters paradoxically relied on capitalistic methods even as they pursued an ideal of agrarian independence. Lynn A. Nelson also shows how the contradictions between these ends and means would later manifest themselves in the southern conservation movement. Nelson follows the fortunes of Pharsalia's owners, telling how Virginia's traditional extensive agriculture contributed to the soil's erosion and exhaustion. Subsequent attempts to balance independence and sustainability through a complex system of crop rotation and resource recycling ultimately gave way to an intensive, slave-based form of agricultural capitalism. Pharsalia could not support the Massies' aristocratic ambitions, and it was eventually parceled up and sold off by family members. The farm's story embodies several fundamentals of modern U.S. environmental thought. Southerners' nineteenth-century quest for financial and ecological independence provided the background for conservationists' attempts to save family farming. At the same time, farmers' failure to achieve independence while maximizing profits and crop yields drove them to seek government aid and regulation. These became some of the hallmarks of conservation efforts in the New Deal and beyond.

The only surviving work of the Roman poet Lucan and 1 of the supreme achievements of Augustan verse. Lucan was a Roman poet of Spanish origin, the nephew of Seneca. The only 1 of his works to have survived is a sweeping historical epic about the civil wars between Pompey and Caesar, written in 10 books, which both Shelley and Macauley admired.

Born in 39 C.E., the Roman poet Lucan lived during the turbulent reign of the emperor Nero. Prior to his death in 65 C.E., Lucan wrote prolifically, yet beyond some fragments, only his epic poem, the Civil War, has survived. Acclaimed by critics as one of the greatest literary achievements of the Roman Empire, the Civil War is a stirring account of the war between Julius Caesar and the forces of the republican senate led by Pompey the Great. Reading Lucan’s Civil War is the first comprehensive guide to this important poem. Accessible to all readers, it is especially well suited for students encountering the work for the first time. As the editor, Paul Roche, explains in his introduction, the Civil War (alternatively known in Latin as Bellum Civile, De Bello Civili, or Pharsalia) is most likely an unfinished work. Roche places the poem in historical and literary contexts that will be helpful to first-time readers. The volume presents, chapter-by-chapter, essays that cover each of the Civil War’s ten extant books. Five further chapters address topics and issues pertaining to the entire work, including religion and ritual, philosophy, gender dynamics, and Lucan’s relationships to Vergil and Julius Caesar. The contributors to this volume are all expert scholars who have published widely on Lucan’s work and Roman imperial literature. Their essays provide readers with a detailed understanding of and appreciation for the poem’s unique features. The contributors take special care to include translations of all original Latin passages and explain unfamiliar Latin and Greek terms. The volume is enhanced by a map of Lucan’s Roman world and a glossary of key terms.

" . . . eminently readable, supple, and coherent . . . essential . . . " —Choice " . . . translated into English verse with great force and precision . . . " —History "There is . . . a very real need for a new poetic version, and Mr. Widdows has carried out the difficult task most creditably. . . . his translation is both accurate and readable, and in our age, so much kinder to baroque art than the ages that preceded it, he should have many readers." —New York Review of Books "On all counts this translation of the Pharsalia is a resounding success and will, one predicts, stand as the definitive English version. Readers . . . will welcome this verse edition by Widdows with its readability, accuracy, and, above all, its poetic sensibility. . . . Widdows' translation deserves acclaim, and both classicist and student of epic poetry in general will want this edition on their bookshelves . . . " —Classical World Told in a series of gripping, dramatic episodes, Widdows' powerful verse translation of Lucan's unfinished epic of the Roman civil war starts with the crossing of the Rubicon and ends with Caesar narrowly escaping death at the hands of the Egyptian army.