Throughout its history, enchanting and mysterious Venice has attracted seekers. Some travel to the city to experience its storied charms, while others look for something else. This is the story of vastly different seekers whose lives unexpectedly intersect over six decades in a city shrouded in mystery. In the Venice of pre-WWII, Costanza, a talented baker, and her husband Piero Agostino, a glass blower, are blessed with a daughter, Breva. She is the love of their life until the waters of Venice snatch her from them. Bereaved, their lives are lost to them. In present-day Venice, Claudia Baggi, the diffident daughter of a countess, and Louis Howard, an unemployed expatriate from Chicago, have become good friends in the last year. Together, they concoct a plot that will allow Claudia to remain in Venice instead of returning home with her pious and controlling mother, Countess Baggi. Claudia and Louis restore a crumbling palazzo and convert it into a hotel. But the burning of the old La Fenice opera house triggers a series of unforeseeable events. In this saga of love and redemption, Claudia, Louis, Costanza, Piero, and the Countess come to realize that rebirth is possible from the ashes of devastation.

Reproduction of the original.

Professor Jaynie Anderson is an internationally recognised scholar, renowned for her research and publications on the Italian masters. On this occasion she has concentrated on one painting, the National Gallery of Victorias famous Banquet of Antony and Cleopatra by Giambattista Tiepolo. This glorious work of art, considered a centre-piece of the collection has recently undergone restoration in preparation for the re-opening of the National Gallery on St. Kilda Road in December 2003. Jaynie Anderson has collected together a previously under-examined range of Tiepolos drawings and studies - and other versions of the theme by Tiepolo and other Italian artists. She has woven them into the spectacular history of the painting, its production and its various owners prior to coming to Australia (including the Hermitage in St. Petersburg) - not to mention the fascinating stories of Antony and Cleopatra and their suicides, which the author has researched and retells in great detail and considerable passion. The book concludes with a chapter written by the National Gallery of Victorias conservators, John Payne and Carl Villis.